Heather Shimmen | |
---|---|
Born | Heather Jane Shimmen 8 November 1957 Melbourne, Australia |
Nationality | Australian |
Education | RMIT University |
Known for | Painting, Printmaking, Etching |
Awards | 1998 Grand Prize, Silk Cut Acquistive Award for linoleum prints 2002 Toowoomba Biennale Art Award 2003 Geelong Acquisitive Print Prize, Geelong Art Gallery |
Heather Shimmen (born 8 November 1957) is a contemporary Australian visual artist [1] [2] whose paintings, prints and collages often use sinister historical imagery from 16th to 19th century.
Shimmen was born in suburban Melbourne in 1957, [3] and exhibited an early interest in drawing.
One pivotal life experience occurred when she was 14 and visited Papua New Guinea (PNG) with her family. Her parents had entered into a partnership in a farm 60 miles up the Markham Valley out of the town of Lae in the North West of PNG. She saw and met, for the first time, tribal people and saw first hand very confronting body piercing, tattooing and scarification. [4]
She studied art at RMIT University, including a brief stint with printmaker George Baldessin. In 1978, she graduated with a Bachelor of Fine Arts and subsequently received two Australia Council grants. In 1998 she won the Silk Cut award for linoleum prints.[ citation needed ]
She has travelled throughout Australia (including Arnhem Land), and spent time in Berlin, London, and New York City.[ citation needed ]
In addition to her own art practice, she has worked as an artist-in-residence, lecturer or tutor at several institutions including RMIT. She has also been involved in the whimsical art collective Refluxus with Geraldine Burke.
She has been an artist in residence at the Art Vault Mildura, along with other artists such as Mike Parr, Rick Amor, Rona Green (artist) and Geoffrey Ricardo.
[ citation needed ] She currently lives in Melbourne with her spouse and daughter.[ citation needed ]
This section of a biography of a living person does not include any references or sources .(January 2024) |
Shimmen's works display her fascination with sinister imagery from the 16th to 19th century: European poets; the aristocracy; tribal society and colonialism; nightmares; sin, disorder and decay.
Her linoleum prints, often based on old engravings, display a high degree of technical skill.
Her work is represented in many public, private, and corporate collections throughout Australia and internationally including the National Gallery of Australia, the Australian War Memorial, the National Museum of Australia, the State Library of Victoria, Artbank and the Art Gallery of South Australia.
Bob Jenyns is a prolific Australian artist whose practice, spanning over four decades, has produced countless sculptures, prints, drawings, and paintings. He has participated in many of Australia's most significant art exhibitions including the first Biennale of Sydney (1973), the 1973, 1975 and 1978 Mildura Sculpture Triennials, the 1981 Australian Perspecta, the 2nd Australian Sculpture Biennale, and the 1990 Sculpture Triennial. Jenyns was a finalist in the 2006 Helen Lempriere National Sculpture Award, and in 2007 won the award with his work Pont de l'archeveche. He is represented in many of the country's largest collections, including the National Gallery of Australia, the Art Gallery of New South Wales, the Queensland Art Gallery, the Museum of Contemporary Art in Brisbane, and the Tasmanian Museum and Art Gallery. Jenyns has also received multiple grants from the Australia Council's Visual Arts Board, has curated exhibitions and has taught at the Tasmanian School of Art as head of the sculpture department (1982–2005).
Vaughan Murray Griffin was an Australian print maker and painter.
Eric Prentice Anchor Thake was an Australian artist, designer, painter, printmaker and war artist.
Geoffrey Ricardo is an Australian contemporary visual artist whose work focuses on his sculpture and printmaking practice.
Ada May Plante was a New Zealand-born post-impressionist artist who was one of the founding exhibitors in the Post-Impressionist Melbourne Contemporary Group. She was a member of the Melbourne Society of Women Painters and Sculptors.
Normana Wight is an Australian artist, best known as a painter and printmaker.
Merris Estelle Hillard is an Australian printmaker and photographer, born in Sydney Australia.
Mary McCartney Macqueen was an Australian artist who was known for her drawing, printmaking and mixed media works on paper. Her artistic style was expressive, gestural and experimental.
Julia Church is an Australian artist and has works in painting, printmaking, poster art and graphic design. She is also an author having written multiple books and journal articles on Australian women's art and artistic culture. Her work is held in the collection of the National Gallery of Australia.
Leonie Reisberg is an Australian photographer.
Tanya Myshkin is an Australian printmaker, born in Adelaide, South Australia and based in Canberra. She is a printmaker known for her drawing, wood engraving and etching. Much of her imagery is centred around the natural world.
Dorothy Djukulul is a traditional Australian Aboriginal artist who lives in Ramingining in Central Arnhem Land. She speaks Ganalbingu and is a part of the Gurrumba Gurrumba clan, who identify as being a part of the Yirrija moiety.
Australian poster collectives were artist collectives established in the late 1960s, 70s and 80s in the capital cities of Australia, largely led by women and focused on various forms of political activism.
June Ethel Stephenson was an Australian visual artist, specifically a painter and print-maker. She was born in Melbourne and went to school at the National Gallery and George Bell schools in Melbourne and overseas.
Barbie Kjar is an Australian artist and educator, specialising in printmaking and drawing. Her work is included in the permanent collections of the National Gallery of Australia, the National Gallery of Victoria, Tasmanian Museum and Art Gallery, and the Gold Coast City Art Gallery.
Angela Cavalieri is an Australian printmaker.
Dianne Beevers is an Australian sculptor, artist, jeweller and former lecturer at Box Hill Institute and the Royal Melbourne Institute of Technology, RMIT.
Alice Hinton-Bateup is an Australian artist and print-maker. In the 1980s she was active in Garage Graphics, a print workshop in Mt. Druitt, Sydney, which included a number of Aboriginal artists. They produced posters that became important in the struggle for Aboriginal rights in Australia.
Hertha Kluge-Pott is a German-born Australian printmaker based in Melbourne.
Barbara Nancy Brash was a twentieth-century post-war Australian artist known for her painting and innovative printmaking. In an extensive career she contributed to the Melbourne Modernist art scene, beside other significant women artists including: Mary Macqueen, Dorothy Braund, Anne Marie Graham, Constance Stokes, Anne Montgomery (artist) and Nancy Grant.