Heidi Berry | |
---|---|
Born | Boston, Massachusetts, United States | December 8, 1958
Genres | |
Occupation | Musician |
Instruments |
|
Years active | 1987–present |
Labels |
|
Heidi Berry (born December 8, 1958) is a British-American singer-songwriter. In the late 1980s and early 1990s, she recorded and released four critically acclaimed solo albums on the British independent record labels Creation and 4AD, for which she is best known.
Her earliest release on Creation Records was the 1987 Folk-Rock styled mini-album, Firefly [1] A second Creation release, 'Below The Waves' followed in 1989, which saw a more eclectic musical style emerging for Berry. [2] Her association with 4AD began with a guest vocal on Blood (This Mortal Coil album) in 1991, where she contributed to their reworking of a Rodney Crowell classic, "'Til I Gain Control Again". Berry eventually moved over to 4AD as a signed artist, releasing three solo albums, Love (1991), [3] Heidi Berry (1993), [4] and Miracle (1995). [5] [6] The album, Heidi Berry achieved a minor hit with the lovely "The Moon and the Sun" and subsequent albums yielded tours in the UK, Europe and USA. The albums achieved critical acclaim, and Berry's music garnered a devoted cult audience. [7] Pomegranate: An Anthology was her final 4AD release in 2001. This featured the song, "Needle's Eye", a song written by Berry, and produced by Patrick Fitzgerald (Kitchens of Distinction, Stephen Hero) as part of their collaborative project, Lost Girls. [8]
Born in Boston, Massachusetts in 1958, the third of four children, [9] Berry's mother, Beth was a jazz singer with Québécois roots, and her father, Don Berry, worked in theatre and film, most notably appearing alongside Ed Harris in the George A Romero 1981 cult movie, Knightriders. The Berry family moved between New York City, New Hampshire and Massachusetts, and after her parents' divorce, her mother met and married British anti-architect and Right Livelihood Award laureate, John F. C. Turner, [10] and the family took up residency in London in 1973. [11]
While studying for a Fine Art Degree in London, she recorded a demo tape in 1985, which eventually found its way to Creation Records boss Alan McGee via her then boyfriend Pete Astor. She signed to Creation in 1987, releasing Firefly, a six-song mini-album, recorded with Martin Duffy of Felt on keyboards and members of Astor's band The Weather Prophets. [12] [13] A full-length album, Below the Waves, followed in 1989, featuring her brother Christopher on acoustic guitar (who also played on her later albums). [9] [14] Her relationship with Creation broke down, and she left, stating "I simply felt that they didn't understand me". [15]
It was during her support set for Felt in London's Camden Town in 1991, that Berry's performance caught the eye of Ivo Watts-Russell. He recalled being drawn in by her "Dusty Springfield hand movements". [16] This led to him asking Berry to perform the song "'Til I Gain Control Again" on the third album by This Mortal Coil (Blood). Heidi Berry went on to record three solo albums for 4AD, [9] Love, Heidi Berry and Miracle. Love featured an array of musicians, including Martin McCarrick (of Siouxsie & the Banshees), Terry Bickers and Laurence O'Keefe (of Levitation), Ian Kearey (Oysterband) and Lol Coxhill. [9] The self-titled Heidi Berry album focused on "being unlucky in love and in life." [17]
Berry toured extensively during 1991–1993 in the UK, Europe and the USA. Highlights included tours with Red House Painters, Mazzy Star, Indigo Girls, Everything But The Girl. She also toured with Brendan Perry [18] (of Dead Can Dance) – and recorded several songs including ‘The Devil’, which he produced at his studio in Ireland. This was released on the 4AD label promo CD, "Shaving The Pavement" [19]
In 1999, she formed Lost Girls, a collaboration with Patrick Fitzgerald of Kitchens of Distinction, releasing the single "Needle's Eye". [9] Lost Girls' long-awaited album was released in October 2014 by 3 Loop Music on vinyl, download and as a 2CD expanded edition (featuring demos and extra tracks). [20] Berry has also contributed harmony vocals to a number of alternative, indie and dream pop artists, notably Pete Astor, [21] Breathless, [22] Spear of Destiny, [23] and Stephen Hero. [24] In the early 2000s, she collaborated with soundtrack composer, Andy Cowton. [25] on two BBC TV documentary soundtracks.
Martin Aston's definitive story of the 4AD label, Facing The Wrong Way includes numerous entries about Heidi Berry. [26] There is also a short entry in The Creation Records Story: My Magpie Eyes are Hungry for the Prize. [27] A filmed interview with Heidi Berry features in the documentary feature film, 'Upside Down: The Creation Records Story' [28]
If Berry's music has proved difficult to classify, Ivo Watts-Russell, considered this a strength. He said of her work in 2013, "Music often has to do with the time when [it was] made, but Heidi's three albums transcend that for me. Her albums are at the core of what I hoped I was doing with 4AD, to represent people who could express themselves in music that has nothing to do with the flow and flavour of the decade in which they were made. It's the same reasons why Nick Drake's music works for people. Heidi's music is not about where she fitted in. Instead, it has great lasting value." . [29]
Berry's early music garnered comparisons to early Marianne Faithfull, Nick Drake, Sandy Denny, Sarah McLachlan and Beth Orton, and was described as "highly orchestrated folk-rock" [30] The Boston Globe described her as sounding "like a majestic cross between Sandy Denny, Enya and Sade". [31] Charlotte Robinson of PopMatters described her styles as essentially "folk", with "dark...instrumental flourishes and layered vocals". [32] Barry Didcock of the Sunday Herald argues that Berry might be "the great overlooked voice of acoustic rock."
While the album,Miracle has an acoustic band basis for much of the music, Berry never returned to the straightforward folk/rock of Firefly, instead letting the ghostly arrangements of 'Below the Waves' be her guide for future work. [33]
NME said of the song, "Needle’s Eye" on its initial 4AD release, "Over a wasted, civil war-style landscape comes a vocal that sounds like some daughter of Tim Buckley intoning a lament for the dead. I know nothing about Lost Girls; all I know is the world should know more about them." [34]
Martin Aston of Mojo commented on the sleevenotes for Pomegranate, "Given how many singer-songwriters have ploughed the folk-fusion field since Heidi, her influence is doubtless greater than people realise." [35]
Heidi Berry is currently a Senior Lecturer at the British and Irish Modern Music Institute, where she teaches on the Masters programme. She holds a Master's degree in Songwriting from Bath Spa University. Berry joined BIMM Brighton as a lecturer in the second year of its existence and has contributed extensively to curriculum development across the college, specialising in Songwriting and Creativity. [36]
Before embarking on her musical career, Berry attended Chelsea School of Art and London's Goldsmiths College and gained a BA (hons) in Fine Art from Middlesex University (formerly Hornsey School of Art). She continues to create visual art, concentrating on painting and printmaking.
Cocteau Twins were a Scottish rock band active from 1979 to 1997. They were formed in Grangemouth on the Firth of Forth by Robin Guthrie and Will Heggie (bass), adding Elizabeth Fraser (vocals) in 1981. In 1983, Heggie was replaced with multi-instrumentalist Simon Raymonde. The group earned critical praise for their ethereal, effects-laden sound and the soprano vocals of Fraser, whose lyrics often eschew any recognisable language. They pioneered the 1980s alternative subgenre of dream pop and helped define what would become shoegaze.
His Name Is Alive is an American experimental rock band/project from Livonia, Michigan. After several self-released cassettes, they debuted on 4AD Records in 1990, starting a long run at the label. Throughout the band's long history, leader Warren Defever has been the only constant member, with a variety of musicians and singers contributing over the years.
Clan of Xymox, also known as simply Xymox, are a Dutch rock band formed in 1981 best known as pioneers of darkwave music. Clan of Xymox featured a trio of singer-songwriters – Ronny Moorings, Anka Wolbert, and Pieter Nooten – and gained success in the 1980s, releasing their first two albums on 4AD, before releasing their third and fourth albums on Wing Records and scoring a hit single in the United States. The band is still active, continuing to tour and release records with Moorings as the sole remaining original member.
4AD is a British record label owned by Beggars Group. It was founded in London under the name Axis Records by Ivo Watts-Russell and Peter Kent in 1980 as an imprint of Beggars Banquet Records. The name was changed to 4AD after the release of the label's first four singles. Later that year, Watts-Russell and Kent purchased the label from Beggars Banquet to become an independent record label, and Kent sold his share to Watts-Russell a year later.
Unrest was an indie rock band from the Washington, D.C., area. It was one of Mark Robinson's projects for what would eventually become the TeenBeat label, also created by Robinson while in high school. Developing from an experimental approach of never playing the same song twice, earlier material seemed to be influenced by everything from punk to funk to Ennio Morricone. Original members Robinson (guitar) and drummer Philip Krauth were joined by Bridget Cross on bass in 1990 and their sound evolved into a minimalist but lively kind of pop. The two full-length albums released with this line up, 1992's Imperial f.f.r.r. and 1993's Perfect Teeth featured pop songs interspersed with avant-garde percussive and sonic tracks, sometimes featuring nothing but white noise, beeps or sirens. EPs released around the same time period reveal a more pronounced gap between pop and experimental elements. The group broke up in 1994 with Krauth pursuing a solo career and Robinson and Cross continued for a time as Air Miami, which released two singles and one album, me me me. Since Air Miami's demise in the mid '90s, Robinson has continued to release various solo projects, as well as albums with his bands Cotton Candy and Flin Flon, and continues to run the TeenBeat label as well.
Martha Kristin Hersh is an American singer, guitarist and songwriter known for her solo work and with her rock bands Throwing Muses and 50FootWave. She has released eleven solo albums. Her guitar work and composition style ranges from jaggedly dissonant to traditional folk. Hersh's lyrics have a stream-of-consciousness style, reflecting her personal experiences.
Warehouse: Songs and Stories is the sixth and final studio album by American punk rock band Hüsker Dü, originally released by Warner Bros. Records on January 19, 1987 as a double album on two vinyl LPs.
Tanya Donelly is an American singer-songwriter and guitarist based in New England. She came to prominence as a co-founder of the band Throwing Muses with her step-sister Kristin Hersh. Donelly went on to co-form the alternative rock band The Breeders alongside Kim Deal in 1989, before leaving to front her own band Belly in 1991. By the late 1990s, she settled into a solo recording career, working largely with musicians connected to the Boston music scene.
Pod is the debut studio album by American alternative rock band the Breeders, released by 4AD records on May 29, 1990. Engineered by Steve Albini, the album features band leader Kim Deal on vocals and guitar, Josephine Wiggs on bass, Britt Walford on drums, and Tanya Donelly on guitar. Albini's production prioritized sound over technical accomplishment; the final takes favor the band's spontaneous live "in studio" performances.
Death to the Pixies is a compilation album by the American alternative rock band Pixies, released by 4AD in the UK on October 6, 1997, and 4AD/Elektra the following day in the United States to commemorate the 10th anniversary of the band's debut. It covered the years 1987 to 1991. It is now out of print, having been replaced by the 2004 compilation Wave of Mutilation: Best of Pixies. A limited edition of the compilation also included a second CD with a live performance taken from Vredenburg, Utrecht, Netherlands on September 25, 1990.
Heavens to Betsy was an American punk band formed in Olympia, Washington in 1991 with vocalist and guitarist Corin Tucker and drummer Tracy Sawyer. The duo were part of the DIY riot grrrl, punk rock underground, and were Tucker's first band before she co-formed Sleater-Kinney.
Kitchens of Distinction are an English rock band formed in Tooting, South London in 1986. The trio consist of lead singer and bassist Patrick Fitzgerald, guitarist Julian Swales and drummer Daniel Goodwin.
The Wolfgang Press are an English post-punk band, originally active from 1983 to 1995. The core of the band during that era was Michael Allen, Mark Cox (keyboards), and Andrew Gray (guitar). They reformed in 2024 with Stephen Gray, brother of Andrew, replacing Cox, to release a new LP titled "A 2nd Shape" on Downwards Records.
"Miracle" is a song by American singer Whitney Houston, it was released as the third single from her multi-platinum hit album I'm Your Baby Tonight on April 16, 1991 by Arista Records. It was written and produced by L.A. Reid and Babyface. The single reached number nine on the US Billboard Hot 100, two on the Hot R&B Singles Chart, and four on the Adult Contemporary Chart.
Ella Abraça Jobim or Ella Fitzgerald Sings the Antonio Carlos Jobim Songbook is a 1981 studio album by Ella Fitzgerald, devoted to the songs of Antônio Carlos Jobim.
Hugh Jones is a British record producer with many important post-punk, new wave and alternative rock albums to his credit.
Greatest Hits from the Beginning is a compilation double LP by the Miracles released in 1965. This was the first double album ever released by the Motown Record Corporation. It covers most of the group's hits from their pre-1965 albums, such as "Shop Around", "Who's Lovin’ You", "You've Really Got A Hold On Me" and "Mickey's Monkey", as well as the non-album singles from 1964: "I Like It Like That" and "That's What Love Is Made Of". The album was a success, reaching #21 on the Billboard Pop Album Chart. It was also the first Miracles album to chart on the Billboard R&B Album chart, where it was an even bigger success, peaking at #2.
Breathless are an English dream pop band formed in 1983 by Dominic Appleton, Gary Mundy (guitar), Ari Neufeld (bass) and Tristram Latimer Sayer (drums). Across nearly four decades, Breathless have released eight studio albums, one compilation album and 14 singles and EPs, all on their own label, Tenor Vossa Records.
Howard Gray is an English musician, sound engineer, programmer, composer, re-mixer and producer who has worked with Public Image Ltd, Orchestral Manoeuvres in the Dark, Kirsty MacColl, the Armoury Show, the Pale Fountains, Japan, the Stranglers, Simple Minds, the Pretenders, XTC, UB40, Scritti Politti, Cherubs, Terence Trent D'Arby, Jean Michel Jarre, the Cure, Manic Street Preachers, U2, Puff Daddy & Jimmy Page, Tom Jones and Van Morrison.
Sleeps with the Fishes is the lone collaborative album from Clan of Xymox founding member Pieter Nooten and Canadian guitarist/producer Michael Brook, released by 4AD on 12 October 1987. Intended as Nooten's debut solo album after a brief split from Clan of Xymox, the record turned into a collaboration with Brook after a suggestion from 4AD label founder and boss Ivo Watts-Russell. Though not a huge commercial success, Sleeps with the Fishes was described by AllMusic as "essential listening for fans of 4AD, ambient music, minimalism, experimental electronic music, and morose themes alike... an overlooked masterpiece."