Heidi BigKnife | |
---|---|
Born | Enid, Oklahoma, United States | May 13, 1967
Nationality | enrolled in Shawnee Tribe; United States citizen |
Education | Beloit College, Institute of American Indian Arts, University of Illinois |
Known for | jeweler, sculptor, and collage artist |
Heidi BigKnife (born May 13, 1967, Shawnee Tribe) is a Native American artist living in Oklahoma. She is well known for her unique jewelry, a talent she developed at the Institute of American Indian Art.
Heidi BigKnife was born in Enid, Oklahoma and grew up in Denver, Colorado, where her Shawnee mother worked in the interior design field. [1] Her father trained pilots at the Vance Air Force Base in Enid while in the service; he later worked as a commercial pilot. She is enrolled in the Shawnee Nation.
BigKnife has said her career was influenced in her childhood by her mother's artistic eye. She remembers doing countless arts and crafts projects with her mother, and developed the skill to "create something out of nothing." [1] While in grade school, BigKnife was placed in a gifted and talented program through which she was afforded the opportunity to tour various museums and view art that she would not otherwise have seen. In junior high, BigKnife enrolled in the drafting and shop classes to learn more about making items; she was the only female in the classes. [1] During her high school years, BigKnife developed a love for photography that she carried into college, where she studied more.
Shawnee on her mother's side, BigKnife began to be more aware of her heritage and identify as Shawnee during her college years. After graduating from the Institute of American Indian Arts, she adopted her maternal grandmother's maiden name, BigKnife, as her surname. [2]
After graduating from high school, BigKnife attended Beloit College in Beloit, Wisconsin. BigKnife received a Bachelor of Studio Arts degree (photography concentration) from Beloit.
In the early 1990s, BigKnife earned an associate degree in two- and three-dimensional design from the Institute of American Indian Arts in Santa Fe, New Mexico. She continued to study photography at the Institute under Meridel Rubenstein and took her first jewelry class with Lane Coulter. She attended the University of Illinois at Urbana–Champaign (1993-1995), where she studied color photography, digital imaging, and videography. [2]
BigKnife works in jewelry design, often gathering found items for inspiration. Her work attempts preserve her Native American culture, but at the same time recycle images of the past into new forms and shapes via materials and techniques. [3] She is also a skilled metalsmith and combines political and social messages into her pieces. [2]
Some of her works are featured in the permanent collections of the Museum of Contemporary Native Arts and the Heard Museum. [4]
BigKnife was awarded the Helen Hardin Memorial Scholarship, which she used primarily to purchase jewelry supplies.
Her work has appeared in Tulsa People magazine and has been reviewed by Metalsmith magazine. Her work has won competitive awards for jewelry at the Tulsa Indian Art Festival, Indian Market, and the Heard Indian Art Fair [1]
She has even started her own business, Bigknife Designs, which she has run and managed for nearly thirty years. [5]
Charles Sequevya Loloma was a Hopi Native American artist known for his jewelry. He also worked in pottery, painting and ceramics.
Mary Lee Hu is an American artist, goldsmith, and college level educator known for using textile techniques to create intricate woven wire jewelry.
Juanita Growing Thunder Fogarty is a Native American, Assiniboine Sioux bead worker and porcupine quill worker. She creates traditional Northern Plains regalia.
Teri Greeves is a Native American beadwork artist, living in Santa Fe, New Mexico. She is enrolled in the Kiowa Indian Tribe of Oklahoma.
Benjamin Harjo Jr. was a Native American painter and printmaker based in Oklahoma.
The Bacone school or Bacone style of painting, drawing, and printmaking is a Native American intertribal "Flatstyle" art movement, primarily from the mid-20th century in Eastern Oklahoma and named for Bacone College. This art movement bridges historical, tribally-specific pictorial painting and carving practices towards an intertribal Modernist style of easel painting. This style is also influenced by the art programs of Chilocco Indian School, north of Ponca City, Oklahoma, and Haskell Indian Industrial Training Institute, in Lawrence, Kansas and features a mix of Southeastern, Prairie, and Central Plains tribes.
Ruthe Blalock Jones is a Delaware-Shawnee-Peoria painter and printmaker from Oklahoma.
Earnest Spybuck was an Absentee Shawnee Native American artist, who was born on the land allotted the Shawnee Indians in Indian Territory and what was to later become Pottawatomie County, Oklahoma, near the town of Tecumseh. M. R. Harrington, an archaeologist/anthropologist, was touring the area documenting Native Americans, their history, culture and living habits. Interested in the religious ceremonies of the Shawnee which included the use of peyote, Harrington had ventured to the Shawnee Tribal lands. There he learned of Earnest Spybuck's artistic work and encouraged Spybuck in his endeavors. While Spybuck's work was obviously art, Harrington saw that he was illustrating detailed scenes of ceremonies, games, and social gatherings which could be used to illustrate many anthropological publications. Spybuck's work was received positively by both Native American and non-native artistic communities. Many of his works are now held by the Smithsonian's National Museum of the American Indian.
Gina Gray : was an Osage artist born in Pawhuska, Oklahoma, to Andrew and Margaret Gray. She was the great-granddaughter of Henry Roan Horse. She is one of the most renowned Native American contemporary artists of the past three decades, having won awards from and held exhibits at many museums and art shows throughout Indian Country.
Shan Goshorn was an Eastern Band Cherokee artist, who lived in Tulsa, Oklahoma. Her interdisciplinary artwork expresses human rights issues, especially those that affect Native American people today. Goshorn used different media to convey her message, including woven paper baskets, silversmithing, painting, and photography. She is best known for her baskets with Cherokee designs woven with archival paper reproductions of documents, maps, treaties, photographs and other materials that convey both the challenges and triumphs that Native Americans have experienced in the past and are still experiencing today.
Della Cheryl Warrior is the first and only woman to date to serve as the chairperson and chief executive officer for the Otoe-Missouria Tribe. She later served at the president of the Institute of American Indian Arts, finding a permanent home for the institution as well as helping to raise over one hundred million dollars for the institution over a twelve-year period. Warrior was inducted into the Oklahoma Women's Hall of Fame in 2007.
Anita Fields is an Osage/Muscogee Native American ceramic and textile artist based in Oklahoma. She is an enrolled citizen of the Osage Nation.
Awa Tsireh, also known as Alfonso Roybal and Cattail Bird, was a San Ildefonso Pueblo painter and artist in several genres including metalwork. He was part of the art movement known as the San Ildefonso Self-Taught Group. His work is held by several museums, including the Smithsonian American Art Museum.
Jamie Okuma is a Luiseño visual artist and fashion designer from California. She is known for beadwork, mixed-media soft sculpture, and fashion design. She is Luiseño, Wailaki, Okinawan, and Shoshone-Bannock. She is also an enrolled member of the La Jolla band of Indians in Southern California where she is currently living and working.
Wendy Ponca is an Osage artist, educator, and fashion designer noted for her Native American fashion creations. From 1982 to 1993, she taught design and Fiber Arts courses at the Institute of American Indian Arts (IAIA) of Santa Fe and later taught at the University of Las Vegas. She won first place awards for her contemporary Native American fashion from the Santa Fe Indian Market each year between 1982 and 1987. Her artwork is on display at IAIA, the Los Angeles County Museum of Art, the Philbrook Museum of Art and the Smithsonian Institution's National Museum of the American Indian.
Margaret Roach Wheeler is a Chickasaw/Choctaw weaver and Native American fashion designer. Her work has been widely recognized for her scholarship in researching designs and techniques which existed prior to conquest and incorporating design elements into her woven garments. Her work has been featured in numerous collections including the Smithsonian's National Museum of the American Indian, where she has also served as a visiting artist and received a research fellowship. She was inducted into the Chickasaw Nation Hall of Fame in 2010 and was honored by the State of Oklahoma with the Governor's Arts Award in 2018 for her unique contributions to art. She is the founder of Mahota Textiles.
Keri Ataumbi is a Kiowa artist, who paints and sculpts, but is most known as a jewelry maker. Her works have been featured in exhibits and permanent collections of various museums including the Heard Museum, Minneapolis Institute of Art, Peabody Essex Museum, Philbrook Museum of Art, and the Smithsonian National Museum of the American Indian. In 2015, she and her sister, Teri Greeves were honored as Living Treasures by the Museum of Indian Arts and Culture in Santa Fe, New Mexico.
Sandy Fife Wilson is a Muscogee (Creek) art educator, fashion designer and artist. After graduating from the Institute of American Indian Arts and Northeastern Oklahoma State University, she became an art teacher, first working in the public schools of Dewey, Oklahoma. When Josephine Wapp retired as the textile instructor at the Institute of American Indian Arts, Wilson was hired to teach the design courses. After three years, in 1979, she returned to Oklahoma and taught at Chilocco Indian School until it closed and then worked in the Morris Public School system until her retirement in 2009.
Valjean McCarty Hessing was a Choctaw painter, who worked in the Bacone flatstyle. Throughout her career, she won 9- awards for her work and was designated a Master Artist by the Five Civilized Tribes Museum in 1976. Her artworks are in collections of the Heard Museum of Phoenix, Arizona; the Philbrook Museum of Art in Tulsa, Oklahoma; the Southern Plains Indian Museum in Anadarko, Oklahoma; and the Wheelwright Museum of the American Indian of Santa Fe, New Mexico, among others.
Jane McCarty Mauldin was a Choctaw artist, who simultaneously worked in commercial and fine art exhibiting from 1963 through 1997. Over the course of her career, she won more than 100 awards for her works and was designated as a "Master Artist" by the Five Civilized Tribes Museum in Muskogee, Oklahoma. She has works in the permanent collections of the Heard Museum, the Heritage Center of the Red Cloud Indian School and the collections of the Department of the Interior, as well as various private collections.