Type | Public tribal land-grant college |
---|---|
Established | 1962 |
Affiliation | AIHEC |
President | Robert Martin |
Location | , , United States 35°35′13″N106°00′36″W / 35.587°N 106.010°W |
Colors | Silver & Turquoise |
Mascot | Thunderbird |
Website | www |
Federal Building | |
Location | 108 Cathedral Place at Palace St., Santa Fe, New Mexico |
Coordinates | 35°41′13″N105°56′11″W / 35.68694°N 105.93639°W |
Area | 1 acre (0.40 ha) |
Built | 1920 |
Architectural style | Pueblo |
NRHP reference No. | 74001207 [1] |
NMSRCP No. | 874 |
Significant dates | |
Added to NRHP | August 15, 1974 |
Designated NMSRCP | June 4, 1982 |
The Institute of American Indian Arts (IAIA) is a public tribal land-grant college in Santa Fe, New Mexico, United States. The college focuses on Native American art. It operates the Museum of Contemporary Native Arts (MoCNA), which is housed in the historic Santa Fe Federal Building (the old Post Office), a landmark Pueblo Revival building listed on the National Register of Historic Places as Federal Building. The museum houses the National Collection of Contemporary Indian Art, with more than 7,000 items.
The Institute of American Indian Arts was co-founded by Lloyd Kiva New (Cherokee, 1916–2002) and Dr. George Boyce in 1962 with funding from the Bureau of Indian Affairs. [2] The school was founded upon the recommendation of the BIA Department of Education and the Indian Arts and Crafts Board. Three factors led to the school's founding: growing dissatisfaction with the academic program at the Santa Fe Indian School, the BIA's emerging interest in higher education, and the influence of the Southwest Indian Art Project and the Rockefeller Foundation.
IAIA began on the SFIS campus in October 1962. From 1962 to 1979, IAIA ran a high school program, and began offering college- and graduate-level art courses in 1975. In 1986, the Institute of American Indian and Alaska Native Culture and Arts Development was congressionally chartered as a nonprofit organization, similar to the structure of the Smithsonian Institution, which separated the school from the BIA. It was designated a land-grant college in 1994 alongside 31 other tribal colleges. [3] In 2001, the school was accredited, including the accreditation of four year degrees. A two-year low-residency MFA in creative writing was accredited in 2013.
Today, IAIA sits on a 140-acre (57 ha) campus 12 miles (19 km) south of downtown Santa Fe and also operates the Museum of Contemporary Native Art, which is located in Santa Fe Plaza, as well as the Center for Lifelong Education.
In 1991 the college founded the Institute of American Indian Arts Museum, now the IAIA Museum of Contemporary Native Arts (MoCNA), in downtown Santa Fe, with a focus on contemporary intertribal Native American art, the MoCNA is housed in the historic Santa Fe Federal Building (the old Post Office), a landmark Pueblo Revival building listed on the National Register of Historic Places. [4] The museum also features the Allan Houser Sculpture Garden.
IAIA is a member of the American Indian Higher Education Consortium, which includes tribally and federally chartered institutions working to strengthen tribal nations and make a difference in the lives of American Indians and Alaska Natives. IAIA generally serves geographically isolated populations of Native Americans that have few other means of accessing education beyond the high school level. [5]
During the early 1970s, faculty member Ed Wapp, Jr.'s E-Yah-Pah-Hah Chanters toured nationally with the Hanay Geiogamah's American Indian Theatre Ensemble, a company in residence at La MaMa Experimental Theatre Club in New York City. [6] A program from this tour describes the musical ensemble as "students from the Institute of American Indian Arts at Santa Fe, N.M., and are under the direction of Ed Wapp, Jr. Their music is presented in both the traditional and contemporary American Indian forms. Songs are selected from the Plains, Eastern, Great Basin, Southwest and Northwest Coast areas of Indian Country." [7]
The Eiteljorg Museum of American Indians and Western Art is an art museum in downtown Indianapolis, Indiana, United States. The Eiteljorg houses an extensive collection of visual arts by indigenous peoples of the Americas as well as Western American paintings and sculptures collected by businessman and philanthropist Harrison Eiteljorg (1903–1997). The museum houses one of the finest collections of Native contemporary art in the world.
The Mitchell Museum of the American Indian is a museum in Evanston, Illinois that focuses exclusively on the history, culture and arts of North American native peoples. It is a Core Member of the Chicago Cultural Alliance, a consortium of 25 ethnic museums and cultural centres in Chicago.
The Santa Fe Indian Market is an annual art market held in Santa Fe, New Mexico on the weekend following the third Thursday in August. The event draws an estimated 150,000 people to the city from around the world. The Southwestern Association for Indian Arts (SWAIA) organizes the market, showcasing work from 1,200 of the top Native American artists from tribes across the country.
Linda Lomahaftewa is a Native American printmaker, painter, and educator living in Santa Fe, New Mexico. She is a citizen of the Hopi Tribe and a descendant of the Choctaw Nation of Oklahoma.
This is a chronological list of significant or pivotal moments in the development of Native American art or the visual arts of the Indigenous peoples of the Americas. Earlier dates, especially before the 18th century, are mostly approximate.
Gina Gray : was an Osage artist born in Pawhuska, Oklahoma, to Andrew and Margaret Gray. She was the great-granddaughter of Henry Roan Horse. She is one of the most renowned Native American contemporary artists of the past three decades, having won awards from and held exhibits at many museums and art shows throughout Indian Country.
Lloyd Henri Kiva New was a pioneer of modern Native American fashion design and a cofounder and president emeritus of the Institute of American Indian Arts (IAIA) in Santa Fe, New Mexico.
Dyani White Hawk is a contemporary artist and curator of Sicangu Lakota, German, and Welsh ancestry based out of Minnesota. From 2010 to 2015, White Hawk was a curator for the Minneapolis gallery All My Relations. As an artist, White Hawk's work aesthetic is characterized by a combination of modern abstract painting and traditional Lakota art. White Hawk's pieces reflect both her Western, American upbringing and her indigenous ancestors mediums and modes for creating visual art.
Imogene Goodshot Arquero is an Oglala Lakota beadwork artist from South Dakota, who lives in Santa Fe, New Mexico.
Wendy Ponca is an Osage artist, educator, and fashion designer noted for her Native American fashion creations. From 1982 to 1993, she taught design and Fiber Arts courses at the Institute of American Indian Arts (IAIA) of Santa Fe and later taught at the University of Las Vegas. She won first place awards for her contemporary Native American fashion from the Santa Fe Indian Market each year between 1982 and 1987. Her artwork is on display at IAIA, the Los Angeles County Museum of Art, the Philbrook Museum of Art and the Smithsonian Institution's National Museum of the American Indian.
Native American fashion is the design and creation of high-fashion clothing and fashion accessories by Native Americans in the United States. This is a part of a larger movement of Indigenous fashion of the Americas.
Christine McHorse, also known as Christine Nofchissey McHorse, was a Navajo ceramic artist from Santa Fe, New Mexico.
Tony Abeyta is a contemporary Navajo Diné artist living between Berkeley California and Santa Fe, New Mexico. Abeyta's work is most well known as mixed media paintings and oil landscapes of the American southwest. His subject matter include the New Mexico landscape, ancestral Navajo iconography and American Modernism
Lynnette Haozous a Native American painter, printmaker, jeweler, writer, and actor. She is an enrolled member of the San Carlos Apache Tribe and of Chiricahua Apache, Navajo, and Taos Pueblo ancestry. Haozous works in acrylics, watercolors, spray paint, jewelry, screen-printing, writing, and acting on stage and in film. She is known for her murals and uses a blend of art and advocacy to bring attention to social conditions and injustices.