Institute of American Indian Arts
Initially, New had envisioned a "design laboratory" that taught young Native American students how to make a living through their arts. This evolved into the Institute of American Indian Arts, which New co-founded with Dr. George Boyce and opened in Santa Fe in 1962. [1] The school, initially a high school and then later a college, was funded by the Bureau of Indian Affairs. [5] [2] New served as the inaugural art director and later president of the school. [5] The purpose of the school was to provide an education which fostered pride in students' indigenous heritage and featured the development of skills designed to improve their economic opportunities. New taught a printed textiles course focused on dying techniques, and Azalea Thorpe, who he would marry in 1966, taught weaving. [6] [7]
"Lloyd 'Kiva' New wanted art to be a larger dialogue, relevant to Native Americans and to people who are not Native American," said Tatiana Lomahaftewa-Singer (Hopi-Choctaw), IAIA curator of collections. "He wanted more pure art than something designed for the market." [8]
The Institute of American Indian Arts (IAIA) is a public tribal land-grant college in Santa Fe, New Mexico, United States. The college focuses on Native American art. It operates the Museum of Contemporary Native Arts (MoCNA), which is housed in the historic Santa Fe Federal Building, a landmark Pueblo Revival building listed on the National Register of Historic Places as Federal Building. The museum houses the National Collection of Contemporary Indian Art, with more than 7,000 items.
Fritz William Scholder V was a Native American artist. Scholder was an enrolled member of the La Jolla Band of Luiseno Indians, a federally recognized tribe of Luiseños, a California Mission tribe. Scholder's most influential works were post-modern in sensibility and somewhat Pop Art in execution as he sought to deconstruct the mythos of the American Indian. A teacher at the Institute of American Indian Arts (IAIA) in Santa Fe in the late 1960s, Scholder instructed prominent Native American students.
Charles Sequevya Loloma was a Hopi Native American artist known for his jewelry. He also worked in pottery, painting and ceramics.
Linda Lomahaftewa is a Hopi and Choctaw printmaker, painter, and educator living in Santa Fe, New Mexico.
Bob Haozous is a Chiricahua Apache sculptor from Santa Fe, New Mexico. He is enrolled in the Fort Sill Apache Tribe.
Art of the American Southwest is the visual arts of the Southwestern United States. This region encompasses Arizona, New Mexico, and parts of California, Colorado, Nevada, Texas, and Utah. These arts include architecture, ceramics, drawing, filmmaking, painting, photography, sculpture, printmaking, and other media, ranging from the ancient past to the contemporary arts of the present day.
Nathan Begaye (1969–2010) was a Native American ceramics artist of Navajo and Hopi descent.
Otellie Loloma was a Hopi Native American artist, specializing in pottery and dance. Additionally, she worked with her husband Charles Loloma on jewelry design.
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Josephine Myers-Wapp was a Comanche weaver and educator. After completing her education at the Haskell Institute, she attended Santa Fe Indian School, studying weaving, dancing, and cultural arts. After her training, she taught arts and crafts at Chilocco Indian School before joining the faculty of the newly opened Institute of American Indian Arts in Santa Fe. She taught weaving, design, and dance at the institute, and in 1968 was one of the coordinators for a dance exhibit at the Mexican Summer Olympic Games. In 1973, she retired from teaching to focus on her own work, exhibiting throughout the Americas and in Europe and the Middle East. She has work in the permanent collection of the IAIA and has been featured at the Smithsonian Institution. Between 2014 and 2016, she was featured in an exhibition of Native American women artists at the Museum of Indian Arts and Culture in Santa Fe.
Wendy Ponca is an Osage artist, educator, and fashion designer noted for her Native American fashion creations. From 1982 to 1993, she taught design and Fiber Arts courses at the Institute of American Indian Arts (IAIA) of Santa Fe and later taught at the University of Las Vegas. She won first place awards for her contemporary Native American fashion from the Santa Fe Indian Market each year between 1982 and 1987. Her artwork is on display at IAIA, the Los Angeles County Museum of Art, the Philbrook Museum of Art and the Smithsonian Institution's National Museum of the American Indian.
Native American fashion is the design and creation of high-fashion clothing and fashion accessories by Native Americans. Indigenous designers frequently incorporate motifs and customary materials into their wearable artworks, providing a basis for creating items for the haute couture and international fashion markets. Their designs may result from techniques such as beadwork, quillwork, leather, and textile arts, such as weaving, twining, and tufting. In some cases, however, they choose not to include any materials associated with Indigenous cultures.
Azalea Thorpe was a Scottish-born American weaver and textile designer. Known for her innovative experimentation with both natural and synthetic materials, Thorpe was a featured instructor and lecturer throughout the United States. She has weavings in the permanent collection of the Victoria and Albert Museum. An annual award given in her honor is presented by the Institute of American Indian Arts for fiber arts.
Christine McHorse, also known as Christine Nofchissey McHorse, was a Navajo ceramic artist from Santa Fe, New Mexico.
Sandy Fife Wilson is a Muscogee (Creek) art educator, fashion designer and artist. After graduating from the Institute of American Indian Arts and Northeastern Oklahoma State University, she became an art teacher, first working in the public schools of Dewey, Oklahoma. When Josephine Wapp retired as the textile instructor at the Institute of American Indian Arts, Wilson was hired to teach the design courses. After three years, in 1979, she returned to Oklahoma and taught at Chilocco Indian School until it closed and then worked in the Morris Public School system until her retirement in 2009.
Margaret Wood is a Navajo-Seminole fiber artist, fashion designer, and quilt maker. Though she began her career as a teacher and librarian, Wood switched to fiber arts to allow her to express her creativity. She published Native American Fashion: Modern Adaptations of Traditional Designs, which for four decades was the only book focused on traditional native clothing and how it was modified in contemporary design. From 1990, Wood primarily became a quilter, displaying her works at numerous featured exhibitions throughout the United States, including such venues as the American Craft Museum in Manhattan; the Heard Museum of Phoenix, Arizona; the Riverside Metropolitan Museum of Riverside, California and the Wheelwright Museum of the American Indian of Santa Fe, New Mexico, among many others.
Robert G. Martin, EdD, is the president of the Institute of American Indian Arts in Santa Fe, New Mexico, and a citizen of the Cherokee Nation.
Tony Abeyta is a contemporary Navajo Dine' artist living between Berkeley California and Santa Fe, New Mexico. Abeyta's work is most well known as mixed media paintings and oil landscapes of the American southwest. His subject matter include the New Mexico landscape, ancestral Navajo iconography and American Modernism
Otis Polelonema (1902–1981), was a Hopi painter, illustrator, weaver, song composer, and educator. He lived in Shongopovi most of his life. He also worked as a WPA artist in the mural division. His native name in the Hopi language is Lomadamocvia which translates to "springtime".
