Fred Jones Jr. Museum of Art

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Fred Jones Jr. Museum of Art
University of Oklahoma July 2019 78 (Fred Jones Jr. Museum of Art).jpg
Fred Jones Jr. Museum of Art
Former name
Oklahoma University Museum of Art
Established1926
Dissolved1971
LocationUniversity of Oklahoma campus, Norman, Oklahoma
TypeArt
CollectionsWeitzenhoffer Collection, Fleischaker Collection, McGhee Collection, Thams Collection, State Department Collection, Eugene B. Adkins Collection, James T. Bialac Native American Art Collection,
FounderOscar Jacobson
OwnerUniversity of Oklahoma
Website www.ou.edu/fjjma.html

The Fred Jones Jr. Museum of Art is an art museum on the University of Oklahoma campus in Norman, Oklahoma.

Contents

Overview

The University of Oklahoma’s Fred Jones Jr. Museum of Art holds over 20,000 objects in its permanent collection. The museum collection also includes French Impressionism, 20th-century American painting and sculpture, traditional and contemporary Native American art, the art of the Southwest, ceramics, photography, contemporary art, Asian art, and graphics from the 16th century to the present. [1]

History

The Oklahoma University Museum of Art, the forerunner of the Fred Jones Jr. Museum was founded in 1936 by OU art professor Oscar Jacobson, who became the museum's first director and served in that post until his retirement in 1950. [lower-alpha 1]

The collection continued to grow, and in 1971, a new building was built called the Fred Jones Jr. Memorial Art Center. In 1992 it was renamed the Fred Jones Jr. Museum of Art. When current OU president David Boren arrived at OU in 1994, he and his wife Molly Shi Boren began a campaign to expand the museum's collections.

In 2000 a gift of the Weitzenhoffer Collection of French Impressionism was made to the museum. In 2003, construction began to expand the museum with the addition of a new wing that was completed in 2005. The new "hut like" wing doubled the museum size; it was designed by Washington, D.C.-based architect Hugh Jacobsen. [3] The new addition is named in honor of Mary and Howard Lester of San Francisco.[ citation needed ]

In 2007, the Fred Jones Jr. Museum of Art and the Philbrook Museum of Art were named stewards of the Eugene B. Adkins Collection. To properly display OU’s portion of the collection, the University began construction in 2009 on a new level above the original structure. Opened in October 2011, the new 18,000 square-foot wing houses collections acquired within the past 15 years. Designed by architect Rand Elliott, the addition is named the Stuart Wing to honor a gift from the Stuart Family Foundation. The construction included renovations to the original 1971 building and the addition of the Eugene B. Adkins Gallery, a new photography gallery and new administrative offices. The total museum exhibition space is approximately 40,000 square feet (3,700 m2).[ citation needed ]

Ghislain d'Humières served as the Wylodean and Bill Saxon Director from 2007 to 2013. Emily Ballew Neff was appointed Wylodean and Bill Saxon Director and Chief Curator 2013-14. In 2015, Mark White was named the Wylodean and Bill Saxon Director and Eugene B. Adkins Curator.[ citation needed ] White resigned from the position in April 2020. [4]

Controversy Claim for Nazi-looted Pissarro

Pissarro’s Shepherdess Bringing in Sheep has been the object of several restitution claims. Prior to its seizure by Nazis during the German occupation of France, it was owned by Raoul and Yvonne Meyer, heirs to the French department store Galeries Lafayette. [5] Meyer's attempts to recover it after the war in Switzerland failed, and in 2014 his adopted daughter, Léone-Noëlle Meyer filed a lawsuit against the Fred Jones Jr. Museum and the University of Oklahoma to reclaim the painting. [6] The refusal of the Fred Jones Jr. Museum caused Oklahoma's Republican state representative Mike Reynolds to call on the American Association of Museums to review the museum's accreditation status for violating ethical bylaws. [7]

In 2016, after a long legal battle for Shepherdess Bringing in Sheep Meyer arrived at a settlement with Fred Jones Jr. Museum of Art, recovering the painting and bringing it back to France where it was exhibited by the Orsay Museum in Paris. [8] However the settlement specified that after five years, the Pissarro should return to Oklahoma that the process of transferring the painting be repeated every three years in a kind of shared custody agreement. [9] In 2020 Meyer initiated a lawsuit in a French court to stop the rotations of the painting between Paris and Oklahoma. The Musée d'Orsay expressed the "difficulties" and "cost" involved in the project." [10] The Fred Jones Jr Museum then sued Meyer, demanding that she be fined "$3.5m in the US and face penalties of up to $100,000 a day for contempt of court if she does not halt proceedings in France in which she is seeking full ownership of the impressionist work". [11]

“At the end of the day what the [Oklahoma] museum wants is to have the painting on the wall,” says Olivier de Baecque, the university’s lawyer in Paris. [12]

On 1 June 2021, after years of litigation, Meyer abandoned ownership of the Pissarro painting to the Fred Jones Jr. museum. [13]

"The important question is to ask why Oklahoma has been fighting for the past decade not to restitute a painting that they do not contest is of dubious origin, that they do not contest was taken from Mrs Meyer's adopted father by the Nazis?" Meyer’s French lawyer, Ron Soffer, said. [5]

Collections

The main collections are:

Notes

  1. Anders Oscar Jacobson (1882 - 1966) was a Swedish-born artist who immigrated with his family to Lindsborg, Kansas in 1890. He joined the OU faculty as an art professor in 1915. It originally featured only 250 works, all of which were collected by Jacobson. After a donation later that year of hundreds of pieces of East and Central Asian art by oilman Lew Wentz and photographer Gordon Matzene of Ponca City, Oklahoma, the university moved the museum to the former library building, which is now Jacobson Hall. Under Jacobson's tenure as director, the museum greatly expanded its collection of Native American art, including many works by the Kiowa Six, who had studied under Jacobson in the late 1920s. Jacobson remained as director until his retirement in 1952. [2]

Related Research Articles

<span class="mw-page-title-main">Camille Pissarro</span> French painter (1830–1903)

Jacob Abraham Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.

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Théophile Bader, co-founder of Galeries Lafayette, was a French businessman and art collector whose family was persecuted during the Nazi occupation of France because of their Jewish heritage.

Léone-Noëlle Meyer is a French heiress, pediatrician, businesswoman and philanthropist. The adoptive granddaughter of the founder of the Galeries Lafayette, she served as its chairman from 1998 to 2005. She was a pediatrician for 45 years. She has made humanitarian trips to South America, Africa and Asia, and she has supported Jewish causes and the Paris Opera. She was awarded the 2007 Medal of the Great Donor by the French Ministry of Culture for her philanthropy.

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References

  1. "The Fred Jones Jr. Museum of Art at the University of Oklahoma". Archived from the original on 2007-07-18. Retrieved 2009-06-21.
  2. "Fred Jones Jr. Museum of Art celebrates 100 years of artist-founder Oscar Jacobson." art daily.org. Accessed July 31, 2017
  3. "OUDaily.com | the Art of Expansion". Archived from the original on 2011-10-05. Retrieved 2009-07-31.
  4. Kruse, Molly (1 April 2020). "Fred Jones Jr. Museum of Art director announces resignation" . Retrieved 22 January 2021.
  5. 1 2 "Camille Pissarro: Transatlantic struggle for painting stolen by Nazis". BBC News. 2021-04-12. Archived from the original on 2021-11-14. Retrieved 2021-11-14.
  6. Cascone, Sarah (2014-03-04). "Holocaust Survivor Sues for Return of Looted Camille Pissarro Painting". Artnet News. Retrieved 2021-11-14.
  7. Alexander, Forbes (2014-11-13). "American Association of Museums Goes Easy on Nazi Loot: Will they oust the Fred Jones Jr. Museum?". Artnet News. Retrieved 2021-11-14.
  8. "A painting stolen by Nazis returns to Paris almost 80 years later". Newsweek. 2017-04-26. Retrieved 2021-11-14.
  9. Writers, World's Editorial (25 February 2016). "Tulsa World Editorial: OU finally to return Nazi loot to rightful owner". Tulsa World. Archived from the original on 2021-11-14. Retrieved 2021-11-14.
  10. "Camille Pissarro: Transatlantic struggle for painting stolen by Nazis". BBC News. 2021-04-12. Retrieved 2021-11-14.
  11. "French woman faces court threat in 'quest' to win back Nazi-looted Pissarro". the Guardian. 2021-02-08. Retrieved 2021-11-14.
  12. "Fate of Pissarro painting revives row over Nazi loot" ft.com Accessed January 1, 2021
  13. D'Arcy, David (7 June 2021). "French heir ends fight to reclaim Nazi-looted Pissarro painting found in Oklahoma". CNN. Retrieved 2021-11-14.
  14. "Impressionists at the Fred Jones Jr. Museum of Art - French Culture". Archived from the original on 2008-12-23. Retrieved 2009-07-31.
  15. "Fred Jones Jr. Museum of Art". www.ou.edu.
  16. "OHS Publications Division".
  17. http://digital.libraries.ou.edu/sooner/articles/p9-15_1997v17n3_OCR.pdf [ bare URL PDF ]
  18. "Alumnus adds arts to OU museum". 14 March 2003. OU Daily. 14 March 2003.
  19. "JCS Museum - Advancing American Art". Archived from the original on 2009-07-21. Retrieved 2009-07-31.

35°13′N97°26′W / 35.22°N 97.44°W / 35.22; -97.44