Louise Joséphine Bourgeois was a French-American artist. Although she is best known for her large-scale sculpture and installation art, Bourgeois was also a prolific painter and printmaker. She explored a variety of themes over the course of her long career including domesticity and the family, sexuality and the body, as well as death and the unconscious. These themes connect to events from her childhood which she considered to be a therapeutic process. Although Bourgeois exhibited with the abstract expressionists and her work has a lot in common with Surrealism and feminist art, she was not formally affiliated with a particular artistic movement.
Fiber art refers to fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn. It focuses on the materials and on the manual labor on the part of the artist as part of the works' significance, and prioritizes aesthetic value over utility.
Anni Albers was a German-Jewish visual artist and printmaker. A leading textile artist of the 20th century, she is credited with blurring the lines between traditional craft and art. Born in Berlin in 1899, Fleischmann initially studied under impressionist painter Martin Brandenburg from 1916 to 1919 and briefly attended the Kunstgewerbeschule in Hamburg in 1919. She later enrolled at the Bauhaus, an avant-garde art and architecture school founded by Walter Gropius in Weimar in 1922, where she began exploring weaving after facing restrictions in other disciplines due to gender biases at the institution.
Lenore Tawney was an American artist working in fiber art, collage, assemblage, and drawing. She is considered to be a groundbreaking artist for the elevation of craft processes to fine art status, two communities which were previously mutually exclusive. Tawney was born and raised in an Irish-American family in Lorain, Ohio near Cleveland and later moved to Chicago to start her career. In the 1940s and 50s, she studied art at several different institutions and perfected her craft as a weaver. In 1957, she moved to New York where she maintained a highly successful career into the 1960's. In the 1970s Tawney focused increasingly on her spirituality, but continued to make work until her death.
Claire Zeisler was an American fiber artist who expanded the expressive qualities of knotted and braided threads, pioneering large-scale freestanding sculptures in this medium. Throughout her career Zeisler sought to create "large, strong, single images" with fiber.
Hannah Wilke (born Arlene Hannah Butter; was an American painter, sculptor, photographer, video artist and performance artist. Her work is known for exploring issues of feminism, sexuality and femininity.
Olga de Amaral is a Colombian textile and visual artist known for her large-scale abstract works made with fibers and covered in gold and/or silver leaf. Because of her ability to reconcile local concerns with international developments, de Amaral became one of the few artists from South America to become internationally known for her work in fiber during the 1960s and ‘70s. She is also considered an important practitioner in the development of postwar Latin American Abstraction. She currently lives and works in Bogotá, Colombia.
Irma Boom is a Dutch graphic designer who specializes in bookmaking. Boom has been described as the "Queen of Books," having created over 300 books and is well reputed for her artistic autonomy within her field. Her bold experimental approach to her projects often challenges the convention of traditional books in both physical design and printed content.
Maman (1999) is a bronze, stainless steel, and marble sculpture in several locations by the artist Louise Bourgeois. The sculpture, which depicts a spider, is among the world's largest, measuring over 30 ft high and over 33 ft wide (9.27 x 8.91 x 10.24 metres). It includes a sac containing 32 marble eggs and its abdomen and thorax are made of rubbed bronze.
Anne Wilson is a Chicago-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and DVD stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of fiber art to other media. Wilson is a professor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago.
Beryl Korot is an American visual artist. Her practice includes video installation, weaving, paper tapestries, digital embroidery, and drawings.
Alison Jacques is a contemporary art gallery in London, established in 2004 by Alison Jacques.
Urszula Plewka-Schmidt was a Polish artist and teacher, a co-founder of the "Polish school of tapestry", creator of monumental wall compositions.
Nasreen Mohamedi (1937—1990) was an Indian artist best known for her line-based drawings, and is today considered one of the most essential modern artists from India. Despite being relatively unknown outside of her native country during her lifetime, Mohamedi's work has been the subject of remarkable revitalisation in international critical circles and has received popular acclaim over the last decade. Her work has been exhibited at the Museum of Modern Art (MoMA) in New York, the Kiran Nadar Museum of Art in New Delhi, documenta in Kassel, Germany, and at Talwar Gallery, which organised the first solo exhibition of her work outside of India in 2003, Today, Mohamedi is considered one of the major figures of the art of the twentieth century.
Alice Kagawa Parrott was a Japanese American fiber artist and ceramicist. She spent most of her adult life in Santa Fe, New Mexico, where she established a reputation as one of the country's most important weavers, and opened one of Santa Fe's first shops devoted weaving and crafts.
Marianne Strengell was an influential Finnish-American Modernist textile designer in the twentieth century. Strengell was a professor at Cranbrook Academy of Art from 1937 to 1942, and she served as department head from 1942 to 1962. She was able to translate hand-woven patterns for mechanized production, and pioneered the use of synthetic fibers.
Helena Hernmarck is a Swedish tapestry artist who lives and works in the United States. She is best known for her monumental tapestries designed for architectural settings.
Mary Zicafoose is an American textile artist, weaver, and teacher who specializes in ikat, an ancient technique in which threads are wrapped, tied and resist-dyed before weaving. Zicafoose is the author of Ikat: The Essential Handbook to Weaving Resist-Dyed Cloth (2020). Her works are part of private and public collections, including at least 16 embassies around the world as part of the U.S. Art in Embassies Program.
Kaija Sanelma Harris was a Finnish-born Canadian weaver whose contributions were significant to the craft and art community of Canada. Renowned for her exceptional use of colour, structure, creation of innovative techniques, and impact on Canadian weaving, Kaija left an enduring legacy in Canadian art.
Jenny Hladíková was a Czech printmaker, painter and author of tapestries.
