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Magdalena Abakanowicz was a Polish sculptor and fiber artist. Known for her use of textiles as a sculptural medium and for outdoor installations, Abakanowicz has been considered among the most influential Polish artists of the postwar era. She worked as a professor of studio art at the University of Fine Arts in Poznań, Poland, from 1965 to 1990, and as a visiting professor at University of California, Los Angeles in 1984.
Lenore Tawney was an American artist working in fiber art, collage, assemblage, and drawing. She is considered to be a groundbreaking artist for the elevation of craft processes to fine art status, two communities which were previously mutually exclusive. Tawney was born and raised in an Irish-American family in Lorain, Ohio near Cleveland and later moved to Chicago to start her career. In the 1940's and 50's, she studied art at several different institutions and perfected her craft as a weaver. In 1957, she moved to New York where she maintained a highly successful career into the 1960's. In the 1970's Tawney focused increasingly on her spirituality, but continued to make work until her death.
Claire Zeisler was an American fiber artist who expanded the expressive qualities of knotted and braided threads, pioneering large-scale freestanding sculptures in this medium. Throughout her career Zeisler sought to create "large, strong, single images" with fiber.
Sheila Hicks is an American artist. She is known for her innovative and experimental weavings and sculptural textile art that incorporate distinctive colors, natural materials, and personal narratives.
Leza Marie McVey (1907–1984) was an American ceramist and weaver. She is known for her large hand-built organic forms.
Anne Wilson is a Chicago-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and DVD stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of fiber art to other media. Wilson is a professor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago.
Sonya Clark is an American artist of Afro-Caribbean heritage. Clark is a fiber artist known for using a variety of materials including human hair and combs to address race, culture, class, and history. Her beaded headdress assemblages and braided wig series of the late 1990s, which received critical acclaim, evoked African traditions of personal adornment and moved these common forms into the realm of personal and political expression. Although African art and her Caribbean background are important influences, Clark also builds on practices of assemblage and accumulation used by artists such as Betye Saar and David Hammons.
Linda MacNeil is an American abstract artist, sculptor, and jeweler. She works with glass and metal specializing in contemporary jewelry that combines metalwork with glass to create wearable sculpture. Her focus since 1975 has been sculptural objets d’art and jewelry, and she works in series. MacNeil’s jewelry is considered wearable sculpture and has been her main focus since 1996.
Adela Akers was a Spanish-born textile and fiber artist residing in the United States. She was Professor Emeritus at the Tyler School of Art. Her career as an artist spans the "whole history of modern fiber art." Her work is in the Renwick Gallery, the Metropolitan Museum of Art and the Museum of Art and Design. Her papers are at the Archives of American Art.
Polly Barton is an American textile artist.
Katherine Westphal was an American textile designer and fiber artist who helped to establish quilting as a fine art form.
Joyce J. Scott is an African-American artist, sculptor, quilter, performance artist, installation artist, print-maker, lecturer and educator. Named a MacArthur Fellow in 2016, and a Smithsonian Visionary Artist in 2019, Scott is best known for her figurative sculptures and jewelry using free form, off-loom beadweaving techniques, similar to a peyote stitch. Each piece is often constructed using thousands of glass seed beads or pony beads, and sometimes other found objects or materials such as glass, quilting and leather. In 2018, she was hailed for working in new medium — a mixture of soil, clay, straw, and cement — for a sculpture meant to disintegrate and return to the earth. Scott is influenced by a variety of diverse cultures, including Native American and African traditions, Mexican, Czech, and Russian beadwork, illustration and comic books, and pop culture.
Kay Sekimachi is an American fiber artist and weaver, best known for her three-dimensional woven monofilament hangings as well as her intricate baskets and bowls.
Lia Cook is an American fiber artist noted for her work combining weaving with photography, painting, and digital technology. She lives and works in Berkeley, California, and is known for her weavings which expanded the traditional boundaries of textile arts. She has been a professor at California College of the Arts since 1976.
Françoise Grossen is a textile artist known for her braided and knotted rope sculptures. She lives and works in New York City. Grossen’s work has been acquired by the Metropolitan Museum of Art, New York; the Renwick Gallery, Smithsonian American Art Museum, Washington, DC; and the State Hermitage Museum, Saint Petersburg, Russia.
Amber Cowan is an American artist and educator living and working in Philadelphia. Cowan creates fused and flameworked glass sculptures from cullet and recycled industrial glass.
Naomi Kobayashi is a Japanese textiles, paper, installation and sculpture artist.
Nance O'Banion (1949-2018) was an Oakland based American artist who "pioneered creative explorations of handmade paper". She is known for her sculptural paper works and book works which focus on themes of change and transformation. A retrospective sample of the arc of her work may be viewed at: https://nance-obanion.com
Joan Livingstone is an American contemporary artist, educator, curator, and author based in Chicago. She creates sculptural objects, installations, prints, and collages that reference the human body and bodily experience.
Elana Herzog is an American installation artist and sculptor based in New York City. She is most known for abstract, tactile works in which she disassembles, reconfigures and embeds second-hand textiles in walls, modular panels and architectural spaces with industrial-grade metal staples. Herzog has been recognized with a Guggenheim Fellowship, Anonymous Was a Woman Award and Louis Comfort Tiffany Foundation Award, among others. She has exhibited nationally and internationally, including at the Brooklyn Museum, Museum of Arts and Design (MAD), Tang Museum, Weatherspoon Art Museum, Sharjah Art Museum, and Reykjavik Art Museum.
References
- 1 2 "Nancy Koenigsberg". Art in Embassies, United States Department of State . Retrieved 2023-03-14.
- 1 2 3 "Nancy Koenigsberg". American Craft Council . Retrieved 2023-03-14.
- ↑ "Very Fine Lines at the Flinn Gallery". GreenwichTime news. 2013-03-11. Retrieved 2023-03-14.
- 1 2 3 The 8th International Shoebox Sculpture Exhibition: A Traveling Exhibition. University of Hawaiʻi Art Gallery. 2003. p. 74.
- ↑ "Nancy Koenigsberg". The 8th Annual Shoebox Sculpture, University of Hawaii. Retrieved 2023-03-14.
- ↑ "RAM exhibition features work by top fiber artists". The Journal Times. 2017-05-18. pp. D3. Retrieved 2023-03-14.
- ↑ "Fowler Museum to debut touring exhibition of contemporary fiber art". UCLA. Retrieved 2023-03-14.
- ↑ "Float". Cleveland Museum of Art. 2018-10-31. Retrieved 2023-03-14.
- ↑ "Star Box 1". Indianapolis Museum of Art Online Collection. Retrieved 2023-03-14.
- ↑ "Undone". The MFAH Collections. Retrieved 2023-03-14.
