Jane Lackey | |
---|---|
Born | 1948 (age 76–77) Chattanooga, Tennessee, U.S. |
Education | California College of the Arts, Cranbrook Academy of Art |
Occupation(s) | Visual artist, educator |
Known for | Mixed media art, fiber art |
Website | www |
Jane Lackey (born 1948), is an American visual artist and educator, primarily working in mixed media art and fiber art. [1] [2] She was named a fellow of the American Craft Council (ACC) in 2014. Lackey lives in Santa Fe, New Mexico since 2009. [3]
Jane Lackey was born in 1948, in Chattanooga, Tennessee. [4] Lackey attended the University of Tennessee, Knoxville (now the University of Tennessee, from 1966 to 1968), the University of California, Los Angeles (in 1969); [5] and she received a BFA degree in 1974 from the California College of the Arts, and a MFA degree in 1979 from Cranbrook Academy of Art. [2] [6]
She taught and chair of the fiber arts department from 1980 to 1997 at the Kansas City Art Institute. [2] Followed by heading the fiber arts department from 1997 until 2007 at Cranbrook Academy of Art. [2] She also taught at Santa Fe University of Art and Design. [3]
Her artwork can be found in museum collections, including the Cranbrook Art Museum, the Detroit Institute of Arts, [7] and the James A. Michener Collection at Kent State University. [2]
The Cranbrook Educational Community is an education, research, and public museum complex in Bloomfield Hills, Michigan. This National Historic Landmark was founded in the early 20th century by newspaper mogul George Gough Booth. It consists of Cranbrook Schools, Cranbrook Academy of Art, Cranbrook Art Museum, Cranbrook Institute of Science, and Cranbrook House and Gardens. The founders also built Christ Church Cranbrook as a focal point in order to serve the educational complex. However, the church is a separate entity under the Episcopal Diocese of Michigan. The sprawling 319-acre (1,290,000 m2) campus began as a 174-acre (700,000 m2) farm, purchased in 1904. The organization takes its name from Cranbrook, England, the birthplace of the founder's father.
Mary Walker Phillips, was an American textile artist, author and educator. She revolutionized the craft of hand knitting by exploring knitting as an independent art form. Her hand-knit tapestries and other creative pieces are exhibited in museums in the U.S. and Europe. She was honored as a fellow by the American Craft Council (ACC) in 1978.
Ed Rossbach was an American fiber artist. His career began with ceramics and weaving in the 1940s, but evolved over the next decade into basket making, as he experimented playfully with traditional techniques and nontraditional materials such as plastic and newspaper.
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Marianne Strengell was an influential Finnish-American Modernist textile designer in the twentieth century. Strengell was a professor at Cranbrook Academy of Art from 1937 to 1942, and she served as department head from 1942 to 1962. She was able to translate hand-woven patterns for mechanized production, and pioneered the use of synthetic fibers.
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Myra Mimlitsch-Gray is an American metalsmith, artist, critic, and educator living and working in Stone Ridge, New York. Mimlitsch-Gray's work has been shown nationally at such venues as the John Michael Kohler Arts Center, Museum of the City of New York, Metropolitan Museum of Art, Cooper-Hewitt Smithsonian Design Museum, and Museum of Arts and Design. Her work has shown internationally at such venues as the Middlesbrough Institute of Modern Art, Stadtisches Museum Gottingen, and the Victoria and Albert Museum, and is held in public and private collections in the U.S, Europe, and Asia.
John Parker Glick was an American ceramicist. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. His experience working with ceramics led him to publish several articles about the craft. In addition to producing pottery, Glick began making "landscape oriented" wall panels during the latter part of his career. Known as "the people's potter," he is primarily remembered for his contributions to art and the field of ceramics.
Azalea Thorpe was a Scottish-born American weaver and textile designer. Known for her innovative experimentation with both natural and synthetic materials, Thorpe was a featured instructor and lecturer throughout the United States. She has weavings in the permanent collection of the Victoria and Albert Museum. An annual award given in her honor is presented by the Institute of American Indian Arts for fiber arts.
Joan Livingstone is an American contemporary artist, educator, curator, and author based in Chicago. She creates sculptural objects, installations, prints, and collages that reference the human body and bodily experience.
Barbara Cooper is an American artist whose practice encompasses abstract sculpture, public and installation art, drawing and set design. She is most known for her sculpture, which emphasizes process, handcraft, and its basis in natural forms and processes of transformation, such as growth, protection and regeneration. Critic Polly Ullrich writes that "Cooper's hand-intensive art is an art of condensation" that takes "the flow of time and growth as a subject"; that quality often leads writers to align Cooper with postminimalism. John Brunetti describes her work as "sinuous, tactile sculptures [that] quietly juxtapose conceptual and formal dichotomies, among them the organic and man-made, the feminine and the masculine, movement and stasis."
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Lillian Wolock Elliott was an American fiber artist, and textile designer. She is known for her innovative basket craft.
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Jane Gottlieb Sauer is an American fiber artist, sculptor, gallerist, and educator. She is known for her abstract waxed linen sculptures, sometimes referred to as "closed baskets". Saur founded the Textile Art Alliance; and formerly owned the Jane Sauer Gallery (2005–2013) in Santa Fe, New Mexico.
Sherri Smith is an American fiber and textile artist, weaver, sculptor, and educator. She is one of the pioneers within the field of fiber art since the late 1960s. Smith taught for many years at the University of Michigan (UMich) in Ann Arbor, where she is the Catherine B. Heller Collegiate Professor Emerita. In 2012, she was named a fellow of the American Craft Council (ACC).