Richard Wilson was an influential Welsh landscape painter, who worked in Britain and Italy. With George Lambert he is recognised as a pioneer in British art of landscape for its own sake and was described in the Welsh Academy Encyclopedia of Wales as the "most distinguished painter Wales has ever produced and the first to appreciate the aesthetic possibilities of his country". In December 1768 Wilson became one of the founder-members of the Royal Academy. A catalogue raisonné of the artist's work compiled by Paul Spencer-Longhurst is published by the Paul Mellon Centre for Studies in British Art.
Beatrice Wood was an American artist and studio potter involved in the Avant Garde movement in the United States; she founded and edited The Blind Man and Rongwrong magazines in New York City with French artist Marcel Duchamp and writer Henri-Pierre Roché in 1917. She had earlier studied art and theater in Paris, and was working in New York as an actress. She later worked at sculpture and pottery. Wood was characterized as the "Mama of Dada".
Howard Ben Tré was an American glass artist. He worked with poured glass, creating small sculptures and large scale public artworks. Glass magazine has called Ben Tré a pioneer in the technique of using hot glass casting in fine art.
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture, with vases and bowls covering the middle ground, often being used only for display. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium.
Jun Kaneko is a Japanese-born American ceramic artist known for creating large scale ceramic sculpture. Based out of a studio warehouse in Omaha, Nebraska, Kaneko primarily works in clay to explore the effects of repeated abstract surface motifs by using ceramic glaze.
Richard E. DeVore, also written as Richard De Vore was an American ceramicist, professor. He was known for stoneware. He was faculty at Cranbrook Academy of Art’s Ceramics Department, from 1966 to 1978.
Robert Carston Arneson was an American sculptor and professor of ceramics in the Art department at University of California, Davis for nearly three decades.
The arts are a wide range of human practices of creative expression, storytelling, and cultural participation. They encompass multiple diverse and plural modes of thinking, doing, and being, in an extremely broad range of media. Both dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized, and sometimes intricate forms. This is often achieved through sustained and deliberate study, training, and/or theorizing within a particular tradition, across generations, and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural, and individual identities while transmitting values, impressions, judgements, ideas, visions, spiritual meanings, patterns of life, and experiences across time and space.
John Philip Elers and his brother David Elers were Dutch silversmiths who came to England in the 1680s and turned into potters. The Elers brothers were important innovators in English pottery, bringing redware or unglazed stoneware to Staffordshire pottery. Arguably they were the first producers of "fine pottery" in North Staffordshire, and although their own operations were not financially successful, they seem to have had a considerable influence on the following generation, who led the explosive growth of the industry in the 18th century.
Viola Frey was an American artist working in sculpture, painting and drawing, and professor emerita at California College of the Arts. She lived and worked in the San Francisco Bay Area and was renowned for her larger-than-life, colorfully glazed clay sculptures of men and women, which expanded the traditional boundaries of ceramic sculpture.
Sueharu Fukami is a Japanese ceramic artist and sculptor known for his work in pale-blue qinbai porcelain. Fukami's abstracted, sculptural ceramic works depart from the traditional Japanese artisan traditions of his upbringing and instead explore natural phenomena and universal senses like "infinite space" through sharp silhouettes, sweeping curves, architecturally-inspired arches, and delicately-colored glaze. His minimalist approach to porcelains has contributed to defining and expanding the meaning, importance, and popularity of contemporary Japanese ceramics beyond craft art circles, most notably to fine art collectors and museums globally.
Harrison Edward McIntosh was an American ceramic artist. He was an exponent of the Mid-century Modern style of ceramics, featuring simple symmetrical forms. His work has been exhibited in venues in the United States including the Smithsonian and internationally including at the Louvre in France.
Kenneth Richard Ferguson was an American ceramist.
Nina Hole was a Danish artist, sculptor, and performance artist who helped to found the CLAY Museum of Ceramic Art Denmark and the International Ceramics Center–Guldagergaard.
Gu Jingzhou simplified Chinese: 顾景舟; traditional Chinese: 顧景舟; pinyin: Gù Jǐngzhōu was a Chinese ceramic artist who specialised in the creation of zisha-ware teapots. He was a founder and Deputy Director of Research and Technology at the Number One Yixing Factory.
Donald Lester Reitz was an American ceramic artist, recognized for inspiring a reemergence of salt glaze pottery in United States. He was a teacher of ceramic art at the University of Wisconsin–Madison from 1962 until 1988. During this period, he adapted the pottery firing technique developed in the Middle Ages, which involved pouring salt into the pottery kiln during the firing stage. The method was taught in European ceramic art schools, but largely unknown in United States studio pottery.
John Parker Glick was an American ceramicist. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. His experience working with ceramics led him to publish several articles about the craft. In addition to producing pottery, Glick began making "landscape oriented" wall panels during the latter part of his career. Known as "the people's potter," he is primarily remembered for his contributions to art and the field of ceramics.
Geoffrey Notkin is an American actor, author, and entrepreneur. Notkin is known as one of the hosts of Meteorite Men, a documentary reality television series from Science Channel, which ran for three seasons. He is the president of the National Space Society, and holds a seat on the National Space Society Board of Governors. He is a long-time member of The Explorer's Club. In 2013, Notkin's Twitter account was nominated for a Shorty Award, honoring the best in social media. Notkin has also been interviewed on the Today show, Coast to Coast, and NASA Edge TV, and is a regular guest speaker at TusCon, an intimate science fiction, fantasy, and horror convention held annually in Tucson, Arizona.
Karl Martz was an American studio potter, ceramic artist, and teacher whose work achieved national and international recognition.
Donald Eugene Frith was an American ceramic artist and academic known for his unique style of teapots, mixing ceramics with acrylics and wood.
