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Paul Joseph Stankard | |
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| Born | Paul Joseph Stankard April 7, 1943 |
| Nationality | American |
| Education | Salem Community College |
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| Website | paulstankard |
Paul Joseph Stankard is an American artist, flameworker (or 'lampworker') and author.
Paul J. Stankard was born April 7, 1943, as the second of nine children in an Irish Catholic family. He lived in North Attleboro, Massachusetts, in his early years. In his autobiography, Stankard chronicles his early struggles with dyslexia, which made classroom learning difficult. [1] His high school transcripts showed him graduating near the bottom of his class, mistakenly assigned a low IQ score. In the book, Stankard describes the pressure and stigma of being labeled a slow learner by an educational system that at the time was not aware of dyslexia. In 1972 he discovered the concept of dyslexia and started to develop a self-directed learning program that heavily relied on books on tape (audible books). His 50-year learning journey lead to two honorary doctorate degrees and allowed him to overcome his low self-esteem and learning disabilities to become one of the foremost glass artists of his generation.
In 1963 he graduated from Salem County Vocational-Technical Institute (since renamed as Salem Community College), with a technical certification in Scientific Glassblowing Technology. (Later, Salem CC conferred an honorary Associate's Degree in Glass Art.)
For the first nine years of his work career (which included his training at Salem Vocational Technical Institute), he worked as a scientific glassblower crafting laboratory glass apparatus for various chemical laboratories. [2] In 1967, Stankard worked under Francis Whittemore at Philco-Ford, whom he had met earlier while attending Salem, where Whittemore then taught. Earlier memories of seeing the Blaschka flowers at Harvard University and being in contact with Whittemore inspired Stankard to start experimenting with making paperweights in 1969. [3]
Stankard, whose driving desire was to "be on the creative side and do what he loves", started producing glass paperweights in his utility room while working in the industry to support his growing family. It was when Stankard displayed his early paperweights at a craft exhibit on the boardwalk of Atlantic City, New Jersey, that Reese Palley, a respected art dealer, saw his work and sponsored Stankard financially to move full-time into making glass art.
In the early 1960s, paperweights made by other American paperweight makers showcased brightly colored floral designs based on antique French paperweights of the mid-nineteen hundreds. At that time, American paperweights were a weak imitation of the French paperweight tradition. In contrast, Stankard also followed the French tradition but his designs were distinguished by his more refined, botanically accurate characteristics. Stankard labored to make his glass floral designs look more natural and lifelike. His floral designs were becoming more real-looking so many people mistakenly thought that he found a way to encase actual flowers in glass. Soon thereafter, paperweight makers (mostly American) were following Stankard's lead.
Stankard, who is now an internationally acclaimed glass artist, is largely credited with changing the status of glass paperweights from that of "craft" to that of "fine art". Among many other museums, his work is exhibited at the Art Institute of Chicago, [4] the Renwick Gallery of the Smithsonian American Art Museum in Washington, D.C.; [5] the Metropolitan Museum of Art in New York City; [6] the Musée des Arts Décoratifs in Paris, France; the Victoria & Albert Museum in London, England; The Corning Museum of Glass in Corning, New York; WheatonArts and Cultural Center in Millville, New Jersey; the Wiener Museum of Decorative Arts in Dania Beach, Florida; the Akron Art Museum in Akron, Ohio; and the Fort Wayne Museum of Art in Fort Wayne, IN.
Studio glass is the modern use of glass as an artistic medium to produce sculptures or three-dimensional artworks in the fine arts. The glass objects created are intended to make a sculptural or decorative statement, and typically serve no useful function. Though usage varies, the term is properly restricted to glass made as art in small workshops, typically with the personal involvement of the artist who designed the piece. This is in contrast to art glass, made by craftsmen in factories, and glass art, covering the whole range of glass with artistic interest made throughout history. Both art glass and studio glass originate in the 19th century, and the terms compare with studio pottery and art pottery, but in glass the term "studio glass" is mostly used for work made in the period beginning in the 1960s with a major revival in interest in artistic glassmaking.
A paperweight is a small solid object heavy enough, when placed on top of papers, to keep them from blowing away in a breeze or from moving under the strokes of a painting brush. While any object, such as a stone, can serve as a paperweight, decorative paperweights of glass are also produced, either by individual artisans or factories. The decorative paperweights are usually in limited editions, and are collected as works of fine glass art, some of which are exhibited in museums. First produced in about 1845, particularly in France, such decorative paperweights declined in popularity before undergoing a revival in the mid-twentieth century.
Salem Community College (SCC) is a public community college in Salem County in the U.S. state of New Jersey. Salem Community College's main 11-acre (45,000 m2) campus is in Carneys Point Township. SCC is authorized to grant associate degrees, including Associate in Arts, Associate in Fine Arts, Associate in Science, and Associate in Applied Science certificates. SCC also offers the only degree program in the US for scientific glassblowing.
Wheaton Arts and Cultural Center is a 501(c)(3) non-profit arts education organization, with a focus on the medium of glass. Located in Millville, New Jersey, the center's mission is to engage artists and audiences in an evolving exploration of creativity.
Harvey Littleton was an American glass artist and educator, one of the founders of the studio glass movement; he is often referred to as the "Father of the Studio Glass Movement". Born in Corning, New York, he grew up in the shadow of Corning Glass Works, where his father headed Research and Development during the 1930s. Expected by his father to enter the field of physics, Littleton instead chose a career in art, gaining recognition first as a ceramist and later as a glassblower and sculptor in glass. In the latter capacity he was very influential, organizing the first glassblowing seminar aimed at the studio artist in 1962, on the grounds of the Toledo Museum of Art. Imbued with the prevailing view at the time that glassblowing could only be done on the factory floor, separated from the designer at his desk, Littleton aimed to put it within the reach of the individual studio artist.
Marvin Bentley Lipofsky was an American glass artist. He was one of the six students that Studio Glass founder Harvey Littleton instructed in a program at the University of Wisconsin-Madison in fall 1962 and spring 1963. He was a central figure in the dissemination of the American Studio Glass Movement, introducing it to California through his tenure as an instructor at the University of California, Berkeley and the California College of Arts and Crafts.
The firm of James Powell and Sons, also known as Whitefriars Glass, were London-based English glassmakers, leadlighters and stained-glass window manufacturers. As Whitefriars Glass, the company existed from the 17th century, but became well known as a result of the 19th-century Gothic Revival and the demand for stained glass windows.
Dominick Labino was an American internationally known scientist, inventor, artist and master craftsman in glass. Labino's art works in glass are in the permanent collections of more than 100 museums throughout the world. Labino held over 60 glass-oriented patents in the United States.
Richard "Dick" Marquis is an American studio glass artist. One of the first Americans ever to work in a Venetian glass factory, he became a master of Venetian cane and murrine techniques. He is considered a pioneer of American contemporary glass art, and is noted for his quirky, playful work that incorporates flawless technique and underlying seriousness about form and color.
Preston Singletary is a Native American glass artist.
Dan Owen Dailey is an American artist and educator, known for his sculpture. With the support of a team of artists and crafts people, he creates sculptures and functional objects in glass and metal. He has taught at many glass programs and is professor emeritus at the Massachusetts College of Art, where he founded the glass program.
Richard Ritter is an American studio glass artist who lives in North Carolina.
Fritz Dreisbach is an American studio glass artist and teacher who is recognized as one of the pioneers of the American Studio Glass Movement.
Glass art refers to individual works of art that are substantially or wholly made of glass. It ranges in size from monumental works and installation pieces to wall hangings and windows, to works of art made in studios and factories, including glass jewelry and tableware.
Karen LaMonte is an American artist known for her life-size sculptures in ceramic, bronze, marble, and cast glass.
William Warmus is a curator, art critic, and author focusing on transparent media.
Amber Cowan is an American artist and educator living and working in Philadelphia. Cowan creates fused and flameworked glass sculptures from cullet and recycled industrial glass.
Bruce W. Pepich is an expert in American and international craft, and executive director and curator of collections at the Racine Art Museum (RAM) and Charles A. Wustum Museum of Fine Arts (Wustum) in Racine, Wisconsin. In Pepich's time at RAM, the contemporary craft collection has increased in size from 253 pieces to almost 10,000 pieces in 2018, one of the largest collections in the United States. Pepich is an Honorary Fellow of the American Craft Council (ACC), in recognition of his contributions to the field of contemporary American crafts.
Margaret Redmond (1867–1948) was an American stained glass artist. Her work is characteristic of the medieval revival style, inspired by the fourteenth and fifteenth century stained glass of French and English cathedrals. She chose innovative glass materials, vibrant colors and thick leading designs for her windows, favored by the leading stained glass artists of the Arts and Crafts Movement in England. She is best known for her stained glass work from the 1920s to the 1940s, which can be found in churches, museums, homes and libraries from New Jersey to Maine.
Joey Kirkpatrick is an American glass artist, sculptor, wire artist, and educator. She has taught glassblowing at Pilchuck Glass School. Since the 1970s, her artistic partner has been Flora Mace and their work is co-signed. Kirkpatrick has won numerous awards including honorary fellow by the American Craft Council (2005).
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