Racine Art Museum and RAM's Charles A. Wustum Museum of Fine Arts | |
Established | November 16, 1941 |
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Location | Racine, Wisconsin |
Type | Contemporary craft |
Visitors | 60,000 per year (2017) [1] |
Director | Bruce W. Pepich (2018) |
Curator | Lena Vigna (2018) |
Public transit access | Ryde Racine |
Website | www |
The Racine Art Museum (RAM) and RAM's Charles A. Wustum Museum of Fine Arts are located in Racine, Wisconsin, U.S. The museum holds the largest and most significant contemporary craft collection in North America, with more than 9,500 objects from nationally and internationally recognized artists. The Racine Art Museum's mission is to exhibit, collect, preserve, and educate in the contemporary visual arts. Its goal is to elevate the stature of craft to fine arts by presenting contemporary crafts alongside paintings and sculptures.
Jennie E. Wustum, widow of Charles A. Wustum, died on December 3, 1938, and left their house, property and a small trust fund to the City of Racine, Wisconsin, for the creation of a public art museum and park. The 12-acre (0.049 km2) property was on the edge of town, across the street from the J & W Horlicks malted milk factory. The Italianate mansion was of brick construction with a cupola on top. [2] [3]
A city ordinance creating the Wustum Museum and Park Commission was passed in 1940, [4] and in 1941, the property became the Charles A. Wustum Museum of Fine Arts. The museum's grand opening was on November 16, 1941, and Sylvester Jerry was named the first director. [5] [6] The first exhibit was 96 paintings by Wisconsin artists, followed by a collection of contemporary lithographs from the Redfern Gallery in London, and watercolors by Midwestern artists. [7]
The museum's permanent collection began with a donation of 294 Works Progress Administration (WPA) artworks including textiles from the Milwaukee Handicraft Project, and paintings, photographs, and block prints from Wisconsin- and New York-based artists. Jerry, who was a supervisor for the WPA Art Program before joining the museum, arranged a 99-year lease for the collection which contained works by artists such as lithographer Mabel Dwight, painter Rufino Tamayo, and photographers Brett Weston and Bernice Abbott. [8] [9] The WPA works continue to be shown in occasional exhibitions, the latest in 2017. [10]
In the 1980s, the museum began to focus on crafts by American artists. Karen Johnson Boyd was a major benefactor to the museum donating over 1750 items including 200 objects in 1991 that included works by Wendell Castle, [11] Dale Chihuly, [12] Lia Cook, Albert Paley, and Toshiko Takaezu. [13] The high quality of these items encouraged donations from others collectors creating the largest collection of contemporary craft in North America. [1]
In 2000, the museum expanded into downtown Racine by moving into an historic building donated by the M&I Bank of Racine. The renovation of the 1874 bank building, which was designed by Brininstool & Lynch of Chicago, involved the installation of a translucent acrylic shell around the upper two floors of the existing limestone building. The acrylic panels were 18 inches off the surface of the building; they allowed the colors of the limestone to show through during the day and were illuminated at night. The new building increased the museum's space from 15,500 to 40,000 sq ft (1,440 to 3,720 m2) and included a sculpture garden, an art library, and large storefront windows used for displays. [14] [15] The interior of the building was gutted to create exhibition space including a double-height gallery for larger objects. [16]
The $6.5 million funding for the renovation included a gift of $2.7 million from S.C. Johnson of Racine. Additional funds were used to upgrade the original museum which was retained for educational purposes and regional art displays. [16]
RAM's permanent collection features more than 9,500 artworks from internationally recognized artists such as Wendell Castle, Dale Chihuly, Lia Cook, Arline Fisch, Joel Philip Myers, Albert Paley, Toshiko Takaezu, and Claire Zeisler.
Dale Chihuly is an American glass artist and entrepreneur. He is well known in the field of blown glass, "moving it into the realm of large-scale sculpture".
Racine is a city in and the county seat of Racine County, Wisconsin, United States. It is located on the shore of Lake Michigan at the mouth of the Root River, situated 22 miles (35 km) south of Milwaukee and 60 miles (97 km) north of Chicago. As of the 2020 census, the city had a population of 77,816, making it the fifth-most populous city in Wisconsin. It is the principal city of the Racine metropolitan statistical area. The Racine metropolitan area is, in turn, counted as part of the greater Milwaukee combined statistical area.
Wendell Castle was an American sculptor and furniture maker and an important figure in late 20th century American craft. He has been referred to as the "father of the art furniture movement" and included in the "Big 4" of modern woodworking with Wharton Esherick, George Nakashima, and Sam Maloof.
Toshiko Takaezu was an American ceramic artist, painter, sculptor, and educator whose oeuvre spanned a wide range of mediums, including ceramics, weavings, bronzes, and paintings. She is noted for her pioneering work in ceramics and has played an important role in the international revival of interest in the ceramic arts. Takaezu was known for her rounded, closed ceramic forms which broke from traditions of clay as a medium for functional objects. Instead she explored clay's potential for aesthetic expression, taking on Abstract Expressionist concepts in a manner that places her work in the realm of postwar abstractionism. She is of Japanese descent and from Pepeeko, Hawaii.
Boris Bally is an American artist and metal smith in Providence, Rhode Island.
Leza Marie McVey (1907–1984) was an American ceramist and weaver. She is known for her large hand-built organic forms.
Dan Owen Dailey is an American artist and educator, known for his sculpture. With the support of a team of artists and crafts people, he creates sculptures and functional objects in glass and metal. He has taught at many glass programs and is professor emeritus at the Massachusetts College of Art, where he founded the glass program.
Maija (Majlis) Grotell was an influential Finnish-American ceramic artist and educator. She is often described as the "Mother of American Ceramics."
Lee Weiss was an American painter known for her watercolors.
Paul J. Smith was an arts administrator, curator, and artist based in New York. Smith was professionally involved with the art, craft, and design fields since the early 1950s and was closely associated with the twentieth-century studio craft movement in the United States. He joined the staff of the American Craftsmen's Council in 1957, and in 1963 was appointed Director of the Museum of Contemporary Crafts, a position he held for the next 25 years. In September 1987, he assumed the title of director emeritus and continued to work as an independent curator and consultant for museums, arts organizations, and collectors.
Harriete Estel Berman is an American artist known for her sculptures and jewelry made from post-consumer, recycled household goods, and her satirical explorations of women's roles in society.
Jack Earl is an American ceramic artist and former teacher, known for drawing inspiration from his home state of Ohio to create rural pieces “with meticulous craftsmanship and astute details… to where you could smell the air, hear the silence and swat the flies.” Although his works hint at highly personal, intellectual, and narrative themes in an almost unsettling manner, Earl is “a self-described anti-intellectual who shuns the art world." He is known particularly for using his trademark format, the dos-a-dos : “This art form is like a book with two stories… the two seemingly incongruent images prompt the viewer to fill in the conceptual gap through poetic speculation.” His work often involves dogs or the character “Bill”, who is said to be a combination of Earl’s father-in-law, himself, and others. The titles to his pieces are typically lengthy, stream-of-consciousness narratives that suggest the folk or rural lifestyle. These are intended to add another dimension to the artwork. His work has received a notable response over his decades-long career, especially since he is regarded as “a master at reminding us that within the events we take for granted are moments of never-ending mystery and wonder.” Earl continues to live in Lakeview, Ohio with his wife, Fairlie.
Linda Threadgill is an American artist whose primary emphasis is metalsmithing. Her metal work is inspired by forms of nature and the interpretations she gleans from the intricate patterns it presents. She explores the foundation of nature to allude to nature and transform it into re-imagined, stylized plants forms.
Karen Thuesen Massaro is a ceramicist working in the United States known for creating unconventional arrangements of sculptural objects through her work. Interested in exploring abstraction, she has experimented with a variety of different themes including the repetition of forms and surface textural change, negative space, and the geometric patterning of natural objects. Massaro creates much of her artwork by taking casts of physical objects, like fruit, molding them out of clay, and decorating them with patterns. Her manipulations make common objects feel less ordinary. These experiments allow her to explore color and form in complex ways.
Bruce W. Pepich is an expert in American and international craft, and executive director and curator of collections at the Racine Art Museum (RAM) and Charles A. Wustum Museum of Fine Arts (Wustum) in Racine, Wisconsin. In Pepich's time at RAM, the contemporary craft collection has increased in size from 253 pieces to almost 10,000 pieces in 2018, one of the largest collections in the United States. Pepich is an Honorary Fellow of the American Craft Council (ACC), in recognition of his contributions to the field of contemporary American crafts.
Martha Nessler Hayden is an American artist, known for Modernist landscape painting and artist books. Hayden lives and works in Sharon, Wisconsin, in a historic Victorian home.
The Hunterdon Art Museum, previously known as the Hunterdon Art Center and the Hunterdon Museum of Art, is located in a historic stone mill at 7 Lower Center Street in Clinton, New Jersey. It was founded in 1952 when it purchased Dunham's Mill, the Stone Mill, for use as an art museum. The museum emphasizes that it is a "center for art, craft & design" and presents exhibitions featuring both local and national artists. The stone mill was added to the National Register of Historic Places in 1982 for its significance in commerce and industry.
Edwin Bassett Knutesen was an American painter born in La Crosse, Wisconsin.
Objects: USA (1969) was a groundbreaking exhibition considered a watershed in the history of the American studio craft movement. It "blurred lines between art and craft, artist and artisan". The exhibition featured a survey collection of craft works by artists from across the United States. Artists were approached and works chosen by New York gallery owner Lee Nordness and curator Paul J. Smith, the director of the Museum of Contemporary Crafts. The exhibition was funded by S. C. Johnson & Son, which purchased the pieces for the exhibition and later donated many of them to American museums. The Objects: USA exhibition appeared at thirty-three locations in the United States and Europe. The accompanying exhibition catalog Objects: USA (1970) became a classic reference work.