Established | 1927 |
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Location | Santa Fe, New Mexico |
Type | Anthropology museum |
Director | Dr. Matthew Martinez (interim) |
Website | www.indianartsandculture.org |
Laboratory of Anthropology | |
Location | 708 Camino Lejo, Santa Fe, New Mexico |
Coordinates | 35°39′52″N105°55′28″W / 35.66444°N 105.92444°W |
Area | less than one acre |
Built | 1931 |
Architect | John Gaw Meem |
Architectural style | Spanish Pueblo Revival |
NRHP reference No. | 83001630 [1] |
NMSRCP No. | 890 |
Significant dates | |
Added to NRHP | July 12, 1983 |
Designated NMSRCP | December 1, 1982 |
Part of a series on the |
Anthropology of art, media, music, dance and film |
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Social and cultural anthropology |
The Museum of Indian Arts and Culture is a museum of Native American art and culture located in Santa Fe, New Mexico. It is one of eight museums in the state operated by the New Mexico Department of Cultural Affairs and is accredited by the American Alliance of Museums as part of the Museum of New Mexico system. The museum and its programs are financially supported by the Museum of New Mexico Foundation. [2]
The Museum of Indian Arts and Culture is dedicated to the accurate and culturally sensitive presentation of southwestern Native American cultures. Its mission statement emphasizes its intention to work closely with the Native communities of the region. The current interim director is Dr. Matthew Martinez (Ohkay Owingeh). [3] The prior director is Della Warrior (Otoe-Missouria). [4]
External videos | |
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Santa Fe's Museum of Indian Arts and Culture (6:55), C-SPAN [5] |
Object collections at the Museum of Indian Arts & Culture are divided administratively into "Individually Catalogued Collections," which include typological collections of Southwestern textiles, pottery, baskets, jewelry, contemporary art, and artifacts chronicling the everyday life of New Mexico's long period of human habitation. As the state repository for archaeological materials, the Museum has the responsibility to care for and maintain all artifacts excavated on state-owned land. Its Archaeological Research Collection contains artifacts numbering between 5 and 10 million. (As these artifacts are stored as "bulk" collections, and not catalogued individually, an exact count is unknown.
The museum has a regularly changing schedule of temporary exhibitions, which draw on the strengths of its collection. Long-term exhibitions on view at the museum include:
The Taos art colony was an art colony founded in Taos, New Mexico, by artists attracted by the culture of the Taos Pueblo and northern New Mexico. The history of Hispanic craftsmanship in furniture, tin work, and other mediums also played a role in creating a multicultural tradition of art in the area.
Ceramics of Indigenous peoples of the Americas is an art form with at least a 7500-year history in the Americas. Pottery is fired ceramics with clay as a component. Ceramics are used for utilitarian cooking vessels, serving and storage vessels, pipes, funerary urns, censers, musical instruments, ceremonial items, masks, toys, sculptures, and a myriad of other art forms.
Mogollon culture is an archaeological culture of Native American peoples from Southern New Mexico and Arizona, Northern Sonora and Chihuahua, and Western Texas. The northern part of this region is Oasisamerica, while the southern span of the Mogollon culture is known as Aridoamerica.
Alfred Vincent Kidder was an American archaeologist considered the foremost of the southwestern United States and Mesoamerica during the first half of the 20th century. He saw a disciplined system of archaeological techniques as a means to extend the principles of anthropology into the prehistoric past and so was the originator of the first comprehensive, systematic approach to North American archaeology.
The Santa Fe Indian Market is an annual art market held in Santa Fe, New Mexico on the weekend following the third Thursday in August. The event draws an estimated 150,000 people to the city from around the world. The Southwestern Association for Indian Arts (SWAIA) organizes the market, showcasing work from 1,200 of the top Native American artists from tribes across the country.
Roxanne Swentzell is a Santa Clara Tewa Native American sculptor, ceramic artist, Indigenous food activist, and gallerist. Her artworks are in major public collections and she has won numerous awards.
The Poeh Museum is a museum in Pojoaque, New Mexico, U.S.A. The museum is located off U.S. Route 84. It is devoted to the arts and culture of the Puebloan peoples, especially the Tewas in the northern part of the state. It was founded by Pojoaque Pueblo in 1987, and is housed in the Poeh Center. The museum organizes changing exhibitions, and is a large repository of permanent artifacts and programs. The museum has run the Oral Histories Documentation, which is part of the museum's records, which involved participation of 38 Tewa elders providing stories about their lives; the information is available in both Tewa and English.
The School for Advanced Research (SAR), until 2007 known as the School of American Research and founded in 1907 as the School for American Archaeology (SAA), is an advanced research center located in Santa Fe, New Mexico, U.S. Since 1967, the scope of the school's activities has embraced a global perspective through programs to encourage advanced scholarship in anthropology and related social science disciplines and the humanities, and to facilitate the work of Native American scholars and artists. SAR offers residential fellowships for artists and scholars, and it publishes academic and popular non-fiction books through SAR Press.
The visual arts of the Indigenous peoples of the Americas encompasses the visual artistic practices of the Indigenous peoples of the Americas from ancient times to the present. These include works from South America and North America, which includes Central America and Greenland. The Siberian Yupiit, who have great cultural overlap with Native Alaskan Yupiit, are also included.
Martha Hopkins Struever (1931–2017) was an American Indian art dealer, author, and leading scholar on historic and contemporary Pueblo Indian pottery and Pueblo and Navajo Indian jewelry. In June 2015, a new gallery in the Wheelwright Museum of the American Indian, was named for her. The first permanent museum gallery devoted to Native American jewelry, the Martha Hopkins Struever Gallery, is part of the Center for the Study of Southwestern Jewelry.
This is a chronological list of significant or pivotal moments in the development of Native American art or the visual arts of the Indigenous peoples of the Americas. Earlier dates, especially before the 18th century, are mostly approximate.
Art of the American Southwest is the visual arts of the Southwestern United States. This region encompasses Arizona, New Mexico, and parts of California, Colorado, Nevada, Texas, and Utah. These arts include architecture, ceramics, drawing, filmmaking, painting, photography, sculpture, printmaking, and other media, ranging from the ancient past to the contemporary arts of the present day.
Virgil Ortiz is a Pueblo artist, known for his pottery and fashion design from Cochiti Pueblo, New Mexico. Ortiz makes a variety of pottery, including traditional Cochiti figurative pottery, experimental figurative pottery, traditional pottery vessels. His clothing and jewelry designs are influenced by traditional Native American pattern and aesthetics. He is best known for his edgy pottery figures, his contemporary take on the traditional Cochiti pottery figures (monos) from the late 1800s.
Cara Romero is an American photographer known for her digital photography that examines Indigenous life through a contemporary lens. She lives in both Santa Fe, NM and the Mojave Desert. She is of Chemehuevi descent.
Rick Dillingham (1952–1994) was an American ceramic artist, scholar, collector and museum professional best known for his broken pot technique and scholarly publications on Pueblo pottery.
Jason Garcia is a contemporary Native American artist in the United States, who was born in Santa Clara, New Mexico. His work has been exhibited the Smithsonian in Washington D.C, the Heard Museum in Phoenix, the Palm Springs Art Museum, and many more. He won the 2018 Mentor Fellowship Award under the Native Arts and Cultures Foundation amongst many others.
Joyce Begay-Foss is a Diné weaver, educator, and curator. She is the director of education at the Museum of Indian Arts & Culture. For her weavings, she has received more than 20 awards at the Santa Fe Indian Market and Eight Northern Pueblos arts and crafts show.
Pueblo pottery are ceramic objects made by the indigenous Pueblo people and their antecedents, the Ancestral Puebloans and Mogollon cultures in the Southwestern United States and Northern Mexico. For centuries, pottery has been central to pueblo life as a feature of ceremonial and utilitarian usage. The clay is locally sourced, most frequently handmade, and fired traditionally in an earthen pit. These items take the form of storage jars, canteens, serving bowls, seed jars, and ladles. Some utility wares were undecorated except from simple corrugations or marks made with a stick or fingernail, however many examples for centuries were painted with abstract or representational motifs. Some pueblos made effigy vessels, fetishes or figurines. During modern times, pueblo pottery was produced specifically as an art form to serve an economic function. This role is not dissimilar to prehistoric times when pottery was traded throughout the Southwest, and in historic times after contact with the Spanish colonialists.
Loren Aragon is a Native American fashion designer from Acoma Pueblo whose work is inspired by Acoma pottery and culture. His ACONAV couture brand is known for its asymetrical designs, patterns and materials such as silk and leather that blend cultural ideas with modern silhouettes.
Kenneth M. "Chap" Chapman (1875–1968) was an art historian, arts administrator, anthropologist, writer, teacher, and researcher of Native American art and culture in Santa Fe, New Mexico. The New Mexico Archive said of Chapman: "An advocate of Indian arts, his endeavors led to the revitalization of Pueblo pottery, the founding of the first Indian Fair and the Indian Arts Fund."