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The Puebloans or Pueblo peoples, are Native Americans in the Southwestern United States who share common agricultural, material, and religious practices. Pueblo, which means "village" in Spanish, was a term originating with the Colonial Spanish, who used it to refer to the people's particular style of dwelling.
The Taos art colony was an art colony founded in Taos, New Mexico, by artists attracted by the culture of the Taos Pueblo and northern New Mexico. The history of Hispanic craftsmanship in furniture, tin work, and other mediums also played a role in creating a multicultural tradition of art in the area.
Sandoval County is located in the U.S. state of New Mexico. As of the 2010 census, the population was 131,561, making it the fourth-most populous county in New Mexico. The county seat is Bernalillo.
San Ildefonso Pueblo is a census-designated place (CDP) in Santa Fe County, New Mexico, United States, and a federally recognized tribe, established c. 1300 C.E. The Pueblo is self-governing and is part of the Santa Fe, New Mexico Metropolitan Statistical Area. The population was 524 as of the 2010 census, reported by the State of New Mexico as 1,524 in 2012, and there were 628 enrolled tribal members reported as of 2012 according to the Department of the Interior. San Ildefonso Pueblo is a member of the Eight Northern Pueblos, and the pueblo people are from the Tewa ethnic group of Native Americans, who speak the Tewa language.
The Zia or Tsʾíiyʾamʾé are an indigenous nation centered at Zia Pueblo (Tsi'ya), an Indian reservation in the U.S. state of New Mexico. The Zia are known for their pottery and use of the sun symbol. They are one of the Keres Pueblo peoples and speak the Eastern Keres language.
Dorothy Dunn Kramer was an American art instructor who created The Studio School at the Santa Fe Indian School.
Arthur and Hilda Coriz were Native American husband and wife potters from Santo Domingo Pueblo, New Mexico, United States.
Julián Martínez, also known as Pocano (1879–1943), was a San Ildefonso Pueblo potter, painter, and the patriarch of a family of Native American ceramic artists in the United States.
Martha Hopkins Struever (1931–2017) was an American Indian art dealer, author, and leading scholar on historic and contemporary Pueblo Indian pottery and Pueblo and Navajo Indian jewelry. In June 2015, a new gallery in the Wheelwright Museum of the American Indian, was named for her. The first permanent museum gallery devoted to Native American jewelry, the Martha Hopkins Struever Gallery, is part of the Center for the Study of Southwestern Jewelry.
This is a chronological list of significant or pivotal moments in the development of Native American art or the visual arts of the Indigenous peoples of the Americas. Earlier dates, especially before the 18th century, are mostly approximate.
Velino Shije Herrera, also known as Ma Pe Wi, was a Zia Pueblo Indian painter.
Christine McHorse, also known as Christine Nofchissey McHorse, was a Navajo ceramic artist from Santa Fe, New Mexico.
Elizabeth Toya Medina is a Pueblo potter. She married into the Zia tribe in 1978 and, as is traditional, gained tribal permission to use Zia designs in her work. Her first pots were in the Jemez style. In some instances she has collaborated with her mother-in-law, Sofia Medina, whom she cites as her inspiration.
Romando Vigil, also known as Tse Ye Mu was a Native American self-taught painter and a leader in the San Ildefonso school. He briefly worked for Walt Disney Studios as a painter and illustrator in the 1950s.
Pueblo pottery are ceramic objects made by the indigenous Pueblo people and their antecedents, the Ancestral Puebloans and Mogollon cultures in the Southwestern United States and Northern Mexico. For centuries, pottery has been central to pueblo life as a feature of ceremonial and utilitarian usage. The clay is locally sourced, most frequently handmade, and fired traditionally in an earthen pit. These items take the form of storage jars, canteens, serving bowls, seed jars, and ladles, serving the needs of daily life. Some utility wares were undecorated except from simple corrugations or marks made with a stick or fingernail, however many examples for centuries were painted with abstract or representational motifs. Some pueblos made effigy vessels, fetishes or figurines such as Cochiti Pueblo. During modern times, pueblo pottery was produced specifically as an art form to serve an economic function. This role is not dissimilar to prehistoric times when pottery was traded throughout the Southwest, and in historic times after contact with the Spanish colonialists.
Rufina Vigil, also called Sah Wa, was an Puebloan-American painter from the Tesuque Pueblo tribe, part of the Eight Northern Pueblos. Active in the 1930s, she studied under Dorothy Dunn at the Santa Fe Indian School. At one time she worked as a drafter in Los Alamos, New Mexico. Vigil's paintings depict Tesuque life, including women gathering guaco and firing pottery. Her 1936 painting Mass at Fiesta is one of the earliest depictions of Catholic Church rituals by an indigenous North American painter.
Alfred Aguilar, also called Sa Wa Pin, is a Pueblo-American potter, ceramicist, and painter from the San Ildefonso Pueblo tribe. He is known for his coil-built pottery that is carved or painted, his buffalo figurines, and his clay nacimientos. He has sold his work under the Aguilar Indian Arts moniker in Santa Fe, New Mexico.
José Vicente Aguilar, also called Sua Peen, is a Pueblo-American painter of San Ildefonso Pueblo and Picurís Pueblo heritage. He is known for his watercolor paintings. Aguilar has exhibited across the United States, particularly in the Southwest, and his work is in the permanent collection of institutions including the Gilcrease Museum.
Gilbert Benjamin Atencio (1930–1995), also called Wah Peen, is a Pueblo-American painter and potter from the San Ildefonso Pueblo. He studied at the San Ildefonso Day School and then at the Santa Fe Indian School, graduating in 1947. Known for his portraiture and portrayals of local ceremonies and customs, he has exhibited his work across the country. Some of his works have been in the permanent collection of institutions including the Museum of New Mexico, the National Museum of the American Indian, the Gilcrease Museum, and the Philbrook Museum of Art.
Isabel M. Montoya Atencio (1899–1996) was a Pueblo-American painter and potter from the San Ildefonso Pueblo. She studied at the Santa Fe Indian School and is known for her pencil and crayon sketches and her role in the development of pottery in San Ildefonso.
References
- 1 2 3 King, Jeanne Snodgrass (1968). American Indian painters; a biographical directory. Smithsonian Libraries. New York : Museum of the American Indian, Heye Foundation.
- 1 2 Hayes, Allan; Blom, John; Hayes, Carol (2015-08-03). Southwestern Pottery: Anasazi to Zuni. Taylor Trade Publishing. ISBN 978-1-58979-862-5.
- 1 2 3 "Ralph Aragon - Artist - Adobe Gallery, Santa Fe". www.adobegallery.com. Retrieved 2021-07-31.
- ↑ "Ralph Aragon (San Felipe b. 1944) Pottery Jar, From the Collection of William H. Saunders, M.D. and Putzi Saunders, Ohio". www.cowanauctions.com. Retrieved 2021-07-31.
- ↑ Gibson, Daniel (2001). Pueblos of the Rio Grande : a visitor's guide. Internet Archive. Tucson, Ariz. : Rio Nuevo Publishers. ISBN 978-1-887896-26-9.
- ↑ Lux, Annie (2007). Historic New Mexico Churches. Gibbs Smith. pp. 22–23. ISBN 978-1-4236-0169-2.