Gerald McMaster | |
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Born | March 9, 1953 |
Nationality | Canadian, Siksika Nation |
Occupation(s) | curator, artist |
Gerald Raymond McMaster CM (born 9 March 1953, in North Battleford) is a curator, artist, and author and a Plains Cree member of the Siksika Nation. [1] McMaster is Professor Emeritus of Critical Curatorial Studies and Indigenous Visual Culture Studies. He is a former Tier 1 Canada Research Chair and was director of the Wapatah Centre for Indigenous Visual Knowledge at OCAD University [2] [3] . He was formerly the adjunct curator at the Remai Modern in Saskatoon, Saskatchewan. [4]
Gerald McMaster was born in 1953 and grew up on the Red Pheasant First Nation reserve in Saskatchewan, Canada. His father is Blackfoot, while his mother is Plains Cree. He says he grew up listening to the Lone Ranger and Hopalong Cassidy on the radio, while avidly reading western comic books – all of which would later influence his art. [1]
McMaster says, "I've been an urban Indian since the age of nine. I've attended art school in the United States, trained in the Western tradition; yet I am referred to as an 'Indian' artist. I have danced and sung in the traditional powwow style of Northern Plains, yet my musical tastes are global ..." [1]
McMaster studied art at the Institute of American Indian Arts in Santa Fe, New Mexico, from 1973 to 1975. He earned his BFA from the Minneapolis College of Art and Design in Minneapolis, Minnesota. He earned his master's degree in Anthropology and Sociology at Carleton University in Ottawa, Ontario, [5] and continued his studies at the University of Amsterdam in the Netherlands. [6]
McMaster draws and paints with humour and an ironic juxtaposition of traditional and contemporary pop culture elements. Identities, fluid and multiple, are central to his art practice. In his piece Eclectic Baseball, "traditional Plains Indian symbols of warfare and sacred ceremony were freely mixed with symbols and actual equipment of contemporary baseball". One of his best known series is The cowboy/Indian Show. [1] Hide painting, pictographs, and petroglyphs inspire his methods of representation. He works in oil and acrylic. [6]
In 1995, he ceased being a full-time artist in order to devote more time to curating, critical theory, and writing.
From 1977 to 1981, McMaster directed the Indian Art Program and was an instructor at the First Nations University of Canada (formerly known as Saskatchewan Indian Federated College) at the University of Regina in Saskatchewan. Beginning in 1981, he was curator of Contemporary Indian Art at the Canadian Museum of Civilization in Ottawa. [5]
McMaster has curated a number of thought-provoking contemporary Native art shows, including INDIGENA at the Canadian Museum of Civilization. [7] In 2011, he curated with Ingo Hessel Inuit Modern at the Art Gallery of Ontario in Toronto. [8] In 1995, McMaster curated Edward Poitras's exhibition at the Biennale di Venezia . In 2005, Poitras, of Gordon First Nation, was the first aboriginal artist to represent Canada in the Biennale di Venezia. [9] In 2012, McMaster was the co-artistic director of the Biennale of Sydney. [10]
He served as the director's special assistant and deputy assistant director for cultural resources at the National Museum of the American Indian in New York City from 2000 to 2004. He worked with the permanent collections there, as well as curating the shows, First American Art in 2004 and New Tribe/New York in 2005. [11] He was curator of Canadian art at the Art Gallery of Ontario from 2004 until 2012, when he was succeeded by Andrew Hunter. [12]
In 2018, together with David Fortin, McMaster co-curated the "Unceded: Voices of the Land" exhibition at the Venice Architecture Biennale, which featured the work of Indigenous architects from Canada. [13] [14]
In 2020, McMaster published Iljuwas Bill Reid: Life & Work through the Art Canada Institute. The book is one of the first comprehensive documentations of the artist's storied career and affinity for his indigenous heritage.
McMaster curated the exhibition "Postcommodity: Time Holds All the Answers" by the interdisciplinary arts collective Postcommodity, featuring Cristóbal Martínez and Kade L. Twist. The exhibition was on view at Remai Modern from 2021 to 2022. [15]
In 2022, McMaster was the lead curator of the "Arctic/Amazon: Networks of Global Indigeneity" exhibition held at The Power Plant Contemporary Art Gallery. This exhibition featured work by artists from across three continents: Sonya Kelliher-Combs, Tanya Lukin Linklater, Couzyn van Heuvelen, Máret Ánne Sara, Uýra , Olinda Reshijabe Silvano , Morzaniel Iramari, Leandro Lima & Gisela Motta, Sheroanawe Hakihiiwe, Pia Arke, and Outi Pieski. [16] [17] [18] A book by the same name, Arctic/Amazon: Networks of Global Indigeneity, was edited by McMaster and published in 2023 and includes a major contribution by him. [19]
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