Gerald McMaster | |
|---|---|
 | |
| Born | March 9, 1953 |
| Nationality | Canadian, Siksika Nation |
| Occupation(s) | curator, artist |
Gerald Raymond McMaster CM (born 9 March 1953, in North Battleford) is a curator, artist, and author and a Plains Cree member of the Siksika Nation. [1] McMaster is a professor at OCAD University [2] and is the adjunct curator at the Remai Modern in Saskatoon, Saskatchewan. [3]
Gerald McMaster was born in 1953 and grew up on the Red Pheasant First Nation reserve in Saskatchewan, Canada. His father is Blackfoot, while his mother is Plains Cree. He says he grew up listening to the Lone Ranger and Hopalong Cassidy on the radio, while avidly reading western comic books – all of which would later influence his art. [1]
McMaster says, "I've been an urban Indian since the age of nine. I've attended art school in the United States, trained in the Western tradition; yet I am referred to as an 'Indian' artist. I have danced and sung in the traditional powwow style of Northern Plains, yet my musical tastes are global ..." [1]
McMaster studied art at the Institute of American Indian Arts in Santa Fe, New Mexico, from 1973 to 1975. He earned his BFA from the Minneapolis College of Art and Design in Minneapolis, Minnesota. He earned his master's degree in Anthropology and Sociology at Carleton University in Ottawa, Ontario, [4] and continued his studies at the University of Amsterdam in the Netherlands. [5]
McMaster draws and paints with humour and an ironic juxtaposition of traditional and contemporary pop culture elements. Identities, fluid and multiple, are central to his art practice. In his piece Eclectic Baseball, "traditional Plains Indian symbols of warfare and sacred ceremony were freely mixed with symbols and actual equipment of contemporary baseball". One of his best known series is The cowboy/Indian Show. [1] Hide painting, pictographs, and petroglyphs inspire his methods of representation. He works in oil and acrylic. [5]
In 1995, he ceased being a full-time artist in order to devote more time to curating, critical theory, and writing.
From 1977 to 1981, McMaster coordinated the Indian Art Program and was an instructor at the Saskatchewan Indian Federated College at the University of Regina in Saskatchewan. Beginning in 1981, he was curator of Contemporary Indian Art at the Canadian Museum of Civilization in Ottawa. [4]
McMaster has curated a number of thought-provoking contemporary Native art shows, including INDIGENA at the Canadian Museum of Civilization. [6] In 2011, he curated with Ingo Hessel Inuit Modern at the Art Gallery of Ontario in Toronto. [7] In 1995, McMaster curated Edward Poitras's exhibition at the Biennale di Venezia . In 2005, Poitras, of Gordon First Nation, was the first aboriginal artist to represent Canada in the Biennale di Venezia. [8]
He served as the director's special assistant and deputy assistant director for cultural resources at the National Museum of the American Indian in New York City from 2000 to 2004. He worked with the permanent collections there, as well as curating the shows, First American Art in 2004 and New Tribe/New York in 2005. [9]
He was curator of Canadian art at the Art Gallery of Ontario until 2012, when he was succeeded by Andrew Hunter. [10] [9]
In 2020, McMaster published a Iljuwas Bill Reid: life & Work through the Art Canada Institute. The book is one of the first comprehensive documentations of the artist's storied career and affinity for his indigenous heritage.
The Eiteljorg Museum of American Indians and Western Art is an art museum in downtown Indianapolis, Indiana, United States. The Eiteljorg houses an extensive collection of visual arts by indigenous peoples of the Americas as well as Western American paintings and sculptures collected by businessman and philanthropist Harrison Eiteljorg (1903–1997). The museum houses one of the finest collections of Native contemporary art in the world.
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