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Postcommodity, a Southwest Native American Artist collective, was founded in 2007 by Kade Twist and Steven Yazzie. [1] Their name refers to the "commodity era" of Native American art trading in the late 1800s and 1900s, with the "post" being in reference to their modern take on traditional Native art forms.
Their current members include Kade Twist and Cristobal Martinez. Former members are Raven Chacon (2009-2018), Steve Yazzie (2007-2010) and Nathan Young (2007-2015).
Postcommodity makes use of modern technology (sound, video, etc.) [3] in a way that goes against what would be considered as Native American "Commodity Art". Much of this work has been considered as Asmr. Recently, they have been incorporating their work into architecture, such as adding speakers to pre-existing buildings, or creating their own structures.
Another recurring theme in their art is the use of Bird scarer balloons, which contain elements of Native American colors and iconography. Their context for using these balloons is to "function as an intervention repelling the manifestations of the Western worldview and imagination." [4]
In addition to visual art and ASMR, Postcommodity has released music. Much of this music is compiled from other artists, and has been released in the form of LP records.
John Currin is an American painter based in New York City. He is most recognised for his technically proficient satirical figurative paintings that explore controversial sexual and societal topics. His work shows a wide range of influences, including sources as diverse as the Renaissance, popular culture magazines, and contemporary fashion models. He often distorts or exaggerates the erotic forms of the female body, and has stressed that his characters are reflections of himself rather than inspired by real people.
The Institute of American Indian Arts (IAIA) is a public tribal land-grant college in Santa Fe, New Mexico, United States. The college focuses on Native American art. It operates the Museum of Contemporary Native Arts (MoCNA), which is housed in the historic Santa Fe Federal Building, a landmark Pueblo Revival building listed on the National Register of Historic Places as Federal Building. The museum houses the National Collection of Contemporary Indian Art, with more than 7,000 items.
Emmi Whitehorse is a Native American painter and printmaker. She was born in Crownpoint, New Mexico and is a member of the Navajo Nation. She lives in Santa Fe, New Mexico.
Mario Martinez is a Native American contemporary abstract painter. He is a member of the Pascua Yaqui Tribe from New Penjamo, the smallest of six Yaqui settlements, in Arizona. He lives in New York City.
Liza Ryan is an American contemporary artist living in Los Angeles, CA. Her work is held in the collections of the J. Paul Getty Museum, Los Angeles County Museum of Art among others.
Melanie A. Yazzie is a Navajo sculptor, painter, printmaker, and professor. She teaches at the University of Colorado at Boulder.
Ed Moses was an American artist based in Los Angeles and a central figure of postwar West Coast art.
Jeffrey A. Gibson is an American Mississippi Choctaw/Cherokee painter and sculptor. He has lived and worked in Brooklyn, New York; Hudson, New York; and Germantown, New York.
America Meredith is a painter, curator, educator, and editor of First American Art Magazine. America Meredith is an artist and comes from a Swedish-Cherokee background who blends pop imagery from her childhood with European and Native American styles.
Teo González is a Spanish postminimalist painter.
Jenifer K. Wofford is an American contemporary artist and art educator based in San Francisco, California, United States. Known for her contributions to Filipino-American visual art, Wofford's work often addresses hybridity, authenticity and global culture, frequently from an ironic, humorous perspective. Wofford collaborates with artists Reanne Estrada and Eliza Barrios as the artist group Mail Order Brides/M.O.B. She was also the curator of Galleon Trade, an international art exchange among California, Mexico and the Philippines.
Mala Breuer was an American Abstract Expressionist. Her work is in the collections of the San Francisco Museum of Modern Art, Albright Knox Art Gallery in Buffalo, and the Museum of Fine Arts, Santa Fe, New Mexico.
Dyani White Hawk is a contemporary artist and curator of Sicangu Lakota, German, and Welsh ancestry based out of Minnesota. From 2010 to 2015, White Hawk was a curator for the Minneapolis gallery All My Relations. As an artist, White Hawk's work aesthetic is characterized by a combination of modern abstract painting and traditional Lakota art. White Hawk's pieces reflect both her Western, American upbringing and her indigenous ancestors mediums and modes for creating visual art.
Won Ju Lim is an American artist. She currently divides her time between Los Angeles, CA and Boston, MA.
Holly Roberts is an American visual artist known best for her combination of photography and paint. “Holly Roberts caused a stir in the fine art photography world of the eighties by fusing painting and photography, painting directly onto photographs”. Roberts lives and works in Corrales, New Mexico. Her work is in the permanent collection of several museums in the United States.
Anong Beam is an Ojibwe artist and curator from M'Chigeeng First Nation, Ontario.
Cristóbal Martínez is a Chicano artist and the founder of Radio Healer, an indigenous hacker collective. He is a member of Postcommodity, a Southwest Native American Artist collective. His work was featured in the 17th Whitney Biennial, 57th Carnegie International, and the Sundance Film Festival.
Kade L. Twist is a Cherokee Nation interdisciplinary artist who works with video, sound, interactive media, text, and installation. Twist serves as the vice president of the Native Networking Policy Center. He is co-founder of Postcommodity, a Southwest Native American Artist collective, with Steven J. Yazzie. His work has been displayed nationally and internationally.
Steven Yazzie is a Native American artist, who is enrolled in the Navajo Nation and of Laguna Pueblo descent of his father's side. He creates video art and installation environments but described painting as his first and most important medium.
Courtney M. Leonard is a multimedia artist, filmmaker, and activist from the Shinnecock Nation in Long Island, New York. Her work revolves around issues of ecology and Native identity, specifically their intersection with water, which is essential to the Shinnecock. Leonard primarily uses clay and her ceramic artwork has been inspired by the whaling coastal culture of the Shinnecock Nation. She has contributed to the Offshore Art Movement and now focuses on her work, BREACH, which is centered on environmental sustainability.