Postcommodity

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Postcommodity, a Southwest Native American Artist collective, was founded in 2007 by Kade Twist and Steve Yazzie [1] Their name refers to the "commodity era" of Native American art trading in the late 1800s and 1900s, with the "post" being in reference to their modern take on traditional Native art forms.

Contents

Their current members include Kade Twist and Cristobal Martinez. Former members are Raven Chacon (2009-2018), Steve Yazzie (2007-2010) and Nathan Young. (2007-2015)

Art style

A scare-eye bird repellent balloon made by Postcommodity members Raven Chacon, Cristobal Martinez, and Kade L. Twist, 2015, Art Institute of Chicago Postcommodity (Ravon Chacon, Cristobal Martinez, and Kade L. Twist), N12, 2015 -artinstitutechi -museum (40188257645).jpg
A scare-eye bird repellent balloon made by Postcommodity members Raven Chacon, Cristóbal Martínez, and Kade L. Twist, 2015, Art Institute of Chicago

Postcommodity makes use of modern technology (sound, video, etc.) [3] in a way that goes against what would be considered as Native American "Commodity Art". Much of this work has been considered as Asmr. Recently, they have been incorporating their work into architecture, such as adding speakers to pre-existing buildings, or creating their own structures.

Another recurring theme in their art is the use of Bird scarer balloons, which contain elements of Native American colors and iconography. Their context for using these balloons is to "function as an intervention repelling the manifestations of the Western worldview and imagination." [4]

In addition to visual art and ASMR, Postcommodity has released music. Much of this music is compiled from other artists, and has been released in the form of LP records.

Artworks

2008

2009

2010

2011

2012

2013

2014

2015

2016

2017

2018

From Smoke and Tangled Waters We Carried Fire Home by Postcommodity From Smoke and Tangled Waters We Carried Fire Home by Postcommodity (31630573797).jpg
From Smoke and Tangled Waters We Carried Fire Home by Postcommodity

2019

2020

Music

2007

2011

2015

Books

2010

Exhibitions

2007

2009

2010

2011

2012

2013

2014

2015

2016

2017

2018

2019

Fellowships, Awards, and Grants

2007

2008

2009

2010

2012

2013

2014

2017

2018

2019

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References

  1. 1 2 "Postcommodity: About". postcommodity.com. Retrieved 2020-02-19.
  2. Irwin, Matthew (Spring 2017). "Suturing the Borderlands: Postcommodity and Indigenous Presence on the U.S.-Mexico Border". InVisible Culture. No. 26. ProQuest   2276832193.
  3. Kelley, Bill (June 2015). "Reimagining Ceremonies: A Conversation with Postcommodity". Afterall. 39: 26–35. doi:10.1086/682834. S2CID   147337992.
  4. "Postcommodity: Repellent Eye Over Phoenix". postcommodity.com. Retrieved 2020-02-19.
  5. "Postcommodity" (PDF). minusplato. October 2017.
  6. Munro, Cait (18 August 2015). "Postcommodity Flies Giant Eyes Over Border". Artnet News.
  7. "Postcommodity". www.documenta14.de. Retrieved 2020-03-05.
  8. "Postcommodity Centers Optimism and Indigenous Philosophies in a New Site-Specific Installation". Hyperallergic. 2019-09-09. Retrieved 2020-03-05.
  9. Schloor, Laura. "Postcommodity "Some Reach While Others Clap" LAXART/Los Angeles". Flash Art. Retrieved 29 September 2020.
  10. Postcommodity. "Postcommodity: Let Us Pray for the Water Between Us" . Retrieved 29 September 2020.
  11. 1 2 "Postcommodity: Vitae". postcommodity.com. Retrieved 2020-03-04.