Charlene Teters

Last updated
Charlene Teters
Charlene Teters - Senate Hearing on 05 May 2011.jpg
Charlene Teters at Senate Hearing, May 5, 2011
Born (1952-04-25) April 25, 1952 (age 72)
Nationality Spokane Tribe of the Spokane Reservation
EducationMFA University of Illinois, BFA College of Santa Fe (now Santa Fe University of Art and Design), AFA Institute of American Indian Arts
Known forInstallation art
Website http://www.charleneteters.com

Charlene Teters (born April 25, 1952, Spokane, Washington) is a Native American artist, educator, and lecturer. [1] Her paintings and art installations have been featured in over 21 major exhibitions, commissions, and collections. She is a member of the Spokane Tribe, [2] and her Spokane name is Slum Tah. [3] She was born and raised in Spokane, Washington, near the Spokane Indian Reservation.

Contents

Education and activism

Charlene Teters in 2009 Charlene teters.jpg
Charlene Teters in 2009

She has been active in opposing the use of Native American mascots and other imagery in sports since 1989. She is a founding board member of the National Coalition on Racism in Sports and the Media (NCRSM). [4]

Beginning in 1984, she attended the Institute of American Indian Arts (IAIA), in Santa Fe, New Mexico, graduating in 1986 with an Associate of Fine Arts in painting. She then attended the College of Santa Fe (now Santa Fe University of Art and Design), graduating with a Bachelor of Fine Arts degree in painting in 1988.

In 1988, she began graduate studies at the University of Illinois at Urbana-Champaign's Department of Art and Design, eventually graduating with a Master of Fine Arts degree in painting. In 1989, she reacted strongly to the performance of a pseudo-Native American dance by a European American student portraying "Chief Illiniwek" at a university basketball game and soon after began to protest silently outside athletic events while holding a small sign reading "Indians are human beings." [5] Her actions and those of other Native American students at the University of Illinois, such as Marcus Amerman, [6] led to a strong upswing in efforts to eliminate Native American imagery in school, university, and university athletics throughout the United States and a film (In Whose Honor by Jay Rosenstein) was produced on the subject. [2]

Teters also holds an honorary doctorate in fine art from Mitchell College in New London, Connecticut. On October 10, 1997, she was honored as "Person of the Week" by Peter Jennings on the ABC World News Tonight program, for her commitment to her work and her people. [1]

In the mid-1990s Teters served as Senior Editor of Native Artist Magazine. [2] She lives in Santa Fe, New Mexico. She retired from the Institute of American Indian Arts in September 2020, having served as Professor of Studio Art, Department Chair of Studio Arts, and then Academic Dean for Arts and Cultural Studies since 2015. [7] From 2005 through 2007, she has also served as Hugh O. LaBounty Endowed Chair of Interdisciplinary Knowledge at California State Polytechnic University in Pomona, California. [1]

Teters was the first artist-in-residence at the American Museum of Natural History in New York City, New York. [8]

National Coalition on Racism in Sports and the Media

The National Coalition on Racism in Sports and the Media (NCRSM) was formed in October 1991 at the Augsburg College meeting of American Indian dignitaries and activists in Minneapolis, Minnesota. It was created to fight the powerful influence of major media who choose to promote messages of Native American oppression. Holding demonstrations and marches outside numerous sports stadiums across America, the NCRSM has influenced the education effort on racial stereotyping and made it a household discussion topic. Components of major media which form public and government opinion include: film, video, sports entertainment, educational institutions, publications, news organizations, television, cable, satellite, internet, retail practices and merchandising, marketing, and radio. [9]

At the creation of the NCRSM, the board of directors consisted of eleven directors including Teters as vice-president and senior editor, Clyde Bellecourt as the national director and the late Vernon Bellecourt as the former president and national representative for the NCRSM. Their mission was and still is rooted in the belief that the use of Indian and indigenous people as athletic mascots is dehumanizing to the Native American race as it perpetuates negative connotations and inaccurate stereotypes. The ultimate goal of the NCRSM is to remove the "desecration" of their spiritual practices that use feathers, paints, dances, music and instruments in the incorrect context. Finally, the NCRSM wants to discontinue the use of the indigenous person mascots in schools because they feel it is promoting the wrong ideals and images of the Native American people and inaccurately portraying history to the youth of America. [9]

Sports teams deemed offensive

Charlene Teters and the NCRSM have listed the following schools and teams on their home page to get certain universities and institutions in America to realize that the use of indigenous people is wrong as mascots.

Quote

"Often, people think about Native Americans as we were envisioned at the turn of the century. If we're not walking around in buckskin and fringe, mimicking the stereotype in dress and art form, we're not seen as real. Native Americans are here, and we are contemporary people, yet we are very much informed and connected to our history." [1]

Footnotes

  1. 1 2 3 4 Mai, Uyen. "Culture Infused" Art Exhibit Presented by Cal Poly Pomona's La Bounty Chair of Interdisciplinary Applied Knowledge. California State Polytechnic University, Pomona. 8 Nov 2005 (retrieved 15 May 2009)
  2. 1 2 3 Installation Art: Charlene Teters. Archived 2008-06-16 at the Wayback Machine Rhythms of the Globe. (retrieved 15 May 2009)
  3. Hirschfelder, Arlene B. Native Heritage: Personal Accounts by American Indians, 1790 to the Present. Madison: University of Wisconsin Press, 2008: xiv. ISBN   978-0-02-860412-1.
  4. "Heard on Campus: Charlene Teters of the Institute of American Indian Arts". Penn State News. Pennsylvania State University. Retrieved 25 December 2018.
  5. Spindel 2002; Rosenstein 1997
  6. "Interview: Charlene Teters on Native American Symbols as Mascots" (PDF). Archived from the original on July 20, 2008. Retrieved April 29, 2016.{{cite web}}: CS1 maint: bot: original URL status unknown (link). The NEA Higher Education Journal. 121-130 (retrieved 15 May 2009)
  7. "Institute of American Indian Arts (IAIA) Academic Dean and Notable Native American Activist and Artist Charlene Teters Announces Retirement". Red Lake Nation News. Retrieved 2021-03-31.
  8. Biography for Charlene Teters. AskArt. (retrieved 15 May 2009)
  9. 1 2 National Coalition on Racism in Sports and Media
  10. Florida State University thanks Seminoles for historic vote of support
  11. Kranz, Cindy. No-mascot decision stands. Cincinnati Enquirer. 19 August 2003 (retrieved 15 May 2009)

Related Research Articles

<span class="mw-page-title-main">Chief Illiniwek</span> Former mascot of the University of Illinois Urbana-Champaign

Chief Illiniwek was the mascot of the University of Illinois Urbana-Champaign (UIUC), associated with the university's intercollegiate athletic programs, from October 30, 1926, to February 21, 2007. Chief Illiniwek was portrayed by a student to represent the Illiniwek, the state's namesake, although the regalia worn was from the Sioux. The student portraying Chief Illiniwek performed during halftime of Illinois football and basketball games, as well as during women's volleyball matches.

<span class="mw-page-title-main">Institute of American Indian Arts</span> Public tribal college in Santa Fe, New Mexico, US

The Institute of American Indian Arts (IAIA) is a public tribal land-grant college in Santa Fe, New Mexico, United States. The college focuses on Native American art. It operates the Museum of Contemporary Native Arts (MoCNA), which is housed in the historic Santa Fe Federal Building, a landmark Pueblo Revival building listed on the National Register of Historic Places as Federal Building. The museum houses the National Collection of Contemporary Indian Art, with more than 7,000 items.

<span class="mw-page-title-main">T. C. Cannon</span> Native American painter and printmaker (1946–1978)

Tommy Wayne Cannon was an important Native American artist of the 20th century. He was popularly known as T. C. Cannon. He was an enrolled member of the Kiowa Indian Tribe of Oklahoma and had Caddo and French ancestry.

Diego Romero is an American Cochiti Pueblo visual artist. He is known for ceramics and pottery, and lives in New Mexico.

<span class="mw-page-title-main">Native American mascot controversy</span> Controversy regarding the use of Indigenous names and images by sports teams

Since the 1960s, the issue of Native American and First Nations names and images being used by sports teams as mascots has been the subject of increasing public controversy in the United States and Canada. This has been a period of rising Indigenous civil rights movements, and Native Americans and their supporters object to the use of images and names in a manner and context they consider derogatory. They have conducted numerous protests and tried to educate the public on this issue.

<span class="mw-page-title-main">Vernon Bellecourt</span> Native American rights activist (1931–2007)

Vernon Bellecourt (WaBun-Inini) was a member of the White Earth Band of Ojibwe, a Native American rights activist, and a leader in the American Indian Movement (AIM). In the Ojibwe language, his name meant "Man of Dawn."

<span class="mw-page-title-main">Linda Lomahaftewa</span> Native American printmaker, painter, and educator from New Mexico

Linda Lomahaftewa is a Native American printmaker, painter, and educator living in Santa Fe, New Mexico. She is a citizen of the Hopi Tribe and a descendant of the Choctaw Nation of Oklahoma.

<span class="mw-page-title-main">Bob Haozous</span> American sculptor

Bob Haozous is a Chiricahua Apache sculptor from Santa Fe, New Mexico. He is enrolled in the Fort Sill Apache Tribe.

<span class="mw-page-title-main">Cleveland Indians name and logo controversy</span>

The Cleveland Indians name and logo controversy referred to the controversy surrounding the club name and logo previously used by Major League Baseball's Cleveland Guardians, an American professional baseball team based in Cleveland, Ohio.

Lloyd Henri Kiva New was a pioneer of modern Native American fashion design and a cofounder and president emeritus of the Institute of American Indian Arts (IAIA) in Santa Fe, New Mexico.

Jean LaMarr is a Northern Paiute/Achomawi artist and activist from California. She creates murals, prints, dioramas, sculptures, and interactive installations. She is an enrolled citizen of the Susanville Indian Rancheria.

Debra Yepa-Pappan is an artist in digital multimedia, focusing heavily on photography and digital collaging. Most influenced by her multicultural upbringing, with a South Korean mother and a Native American father, her work reflects the struggle of identity, modernity, and stereotypes revolving around Native American culture.

Wendy Ponca is an Osage artist, educator, and fashion designer noted for her Native American fashion creations. From 1982 to 1993, she taught design and Fiber Arts courses at the Institute of American Indian Arts (IAIA) of Santa Fe and later taught at the University of Las Vegas. She won first place awards for her contemporary Native American fashion from the Santa Fe Indian Market each year between 1982 and 1987. Her artwork is on display at IAIA, the Los Angeles County Museum of Art, the Philbrook Museum of Art and the Smithsonian Institution's National Museum of the American Indian.

<span class="mw-page-title-main">Native American fashion</span>

Native American fashion is the design and creation of high-fashion clothing and fashion accessories by Native Americans in the United States. This is a part of a larger movement of Indigenous fashion of the Americas.

Anna Tsouhlarakis is a Native American artist who creates installation, video, and performance art. She is an enrolled citizen of the Navajo Nation and of Muscogee Creek and Greek descent. Her work has been described as breaking stereotypes surrounding Native Americans and provoking thought, rather than focusing solely on aesthetics. Tsouhlarakis wants to redefine what Native American art means and its many possibilities. She also works at the University of Colorado Boulder as an Assistant professor.

Darren Vigil Gray is a Jicarilla Apache painter and musician. He draws inspiration for his work from abstract expressionists such as Jackson Pollock and from his heritage.

<span class="mw-page-title-main">Tony Abeyta</span> New Mexico Artist Tony Abeyta

Tony Abeyta is a contemporary Navajo Diné artist living between Berkeley California and Santa Fe, New Mexico. Abeyta's work is most well known as mixed media paintings and oil landscapes of the American southwest. His subject matter include the New Mexico landscape, ancestral Navajo iconography and American Modernism

Courtney M. Leonard is a multimedia artist, filmmaker, and activist from the Shinnecock Nation in Long Island, New York. Her work revolves around issues of ecology and Native identity, specifically their intersection with water, which is essential to the Shinnecock. Leonard primarily uses clay and her ceramic artwork has been inspired by the whaling coastal culture of the Shinnecock Nation. She has contributed to the Offshore Art Movement and now focuses on her work, BREACH, which is centered on environmental sustainability.

Lawrence A. "Larry" Bird or Larry Littlebird is a Kewa Pueblo/Laguna Pueblo painter, filmmaker, actor and writer from Santo Domingo, New Mexico. He has utilized ink and tempera in his works, which often display a loose, abstracted style. Bird has exhibited his artwork across the country and has works in the public collections of several institutions including the Smithsonian National Museum of the American Indian.

References

Films