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Heidi R. Lewis is an American scholar of feminist theory and politics with an emphasis on Black Feminism. She is the David & Lucile Packard Professor of Feminist & Gender Studies at Colorado College, and president of the National Women's Studies Association (NWSA).
In 2010, Lewis earned a dissertation fellowship in Feminist & Gender Studies at Colorado College through the Consortium for Faculty Diversity (CFD). After serving as Visiting Assistant Professor the following year, she entered the tenure-track and then earned tenure in 2018 during the 2017-18 AY. [1] She served as Director of Feminist & Gender Studies department chair from 2016-22 AY, including terms as Interim and Associate Director. She regularly teaches Introduction to Feminist & Gender Studies, Feminist Theory, Critical Media Studies, Black Feminist Theory, Hip Hop and Feminism, and the department’s first study abroad course, Hidden Spaces, Hidden Narratives: Intersectionality Studies in Berlin. [2]
Her first book, In Audre’s Footsteps: Transnational Kitchen Table Talk (edition assemblage, 2021), co-edited with Dana Asbury and Jazlyn Andrews, is the 7th volume in the Witnessed Series, an English-language book series about Black writers who have lived in Germany. [3]
In 2023, Lewis published Expertise, the second volume of Rethinking Women’s and Gender Studies, edited by Catherine M. Orr and Ann M. Braithwaite. [4]
Audre Lorde was an American writer, professor, philosopher, intersectional feminist, poet and civil rights activist. She was a self-described "Black, lesbian, feminist, socialist, mother, warrior, poet" who dedicated her life and talents to confronting different forms of injustice, as she believed there could be "no hierarchy of oppressions" among "those who share the goals of liberation and a workable future for our children."
Donna J. Haraway is an American professor emerita in the history of consciousness and feminist studies departments at the University of California, Santa Cruz, and a prominent scholar in the field of science and technology studies. She has also contributed to the intersection of information technology and feminist theory, and is a leading scholar in contemporary ecofeminism. Her work criticizes anthropocentrism, emphasizes the self-organizing powers of nonhuman processes, and explores dissonant relations between those processes and cultural practices, rethinking sources of ethics.
Postcolonial feminism is a form of feminism that developed as a response to feminism focusing solely on the experiences of women in Western cultures and former colonies. Postcolonial feminism seeks to account for the way that racism and the long-lasting political, economic, and cultural effects of colonialism affect non-white, non-Western women in the postcolonial world. Postcolonial feminism originated in the 1980s as a critique of feminist theorists in developed countries pointing out the universalizing tendencies of mainstream feminist ideas and argues that women living in non-Western countries are misrepresented.
Sandra G. Harding is an American philosopher of feminist and postcolonial theory, epistemology, research methodology, and philosophy of science. She directed the UCLA Center for the Study of Women from 1996 to 2000, and co-edited Signs: Journal of Women in Culture and Society from 2000 to 2005. She is currently a Distinguished Professor Emeritus of Education and Gender Studies at UCLA and a Distinguished Affiliate Professor of Philosophy at Michigan State University. In 2013 she was awarded the John Desmond Bernal Prize by the Society for the Social Studies of Science (4S).
Intersectionality is a sociological analytical framework for understanding how groups' and individuals' social and political identities result in unique combinations of discrimination and privilege. Examples of these factors include gender, caste, sex, race, ethnicity, class, sexuality, religion, disability, height, age, and weight. These intersecting and overlapping social identities may be both empowering and oppressing. However, little good-quality quantitative research has been done to support or undermine the practical uses of intersectionality.
Black feminism is a branch of feminism that focuses on the African-American woman's experiences and recognizes the intersectionality of racism and sexism. Black feminism philosophy centers on the idea that "Black women are inherently valuable, that liberation is a necessity not as an adjunct to somebody else's but because of our need as human persons for autonomy."
France Winddance Twine is a Black and Native American sociologist, ethnographer, visual artist, and documentary filmmaker. Twine has conducted field research in Brazil, the UK, and the United States on race, racism, and anti-racism. She has published 11 books and more than 100 articles, review essays, and books on these topics.
Omolara Ogundipe-Leslie, also known as Molara Ogundipe, was a Nigerian poet, critic, editor, feminist and activist. Considered one of the foremost writers on African feminism, gender studies and literary theory, she was a social critic who came to be recognized as a viable authority on African women among black feminists and feminists in general. She contributed the piece "Not Spinning on the Axis of Maleness" to the 1984 anthology Sisterhood Is Global: The International Women's Movement Anthology, edited by Robin Morgan. She is most celebrated for coining the term STIWA or Social Transformation in Africa Including Women.
Ann E. Cudd is an American academic. She is the president of Portland State University as of August 1, 2023. She was previously the provost and senior vice chancellor and professor of philosophy at the University of Pittsburgh and dean of the college and graduate school of arts and sciences at Boston University.
Sister Outsider: Essays and Speeches is a collection of essential essays and speeches written by Audre Lorde, a writer who focuses on the particulars of her identity: Black woman, lesbian, poet, activist, cancer survivor, mother, and feminist. This collection, now considered a classic volume of Lorde's most influential works of non-fiction prose, has had a groundbreaking impact in the development of contemporary feminist theories. In fifteen essays and speeches dating from 1976 to 1984, Lorde explores the complexities of intersectional identity, while explicitly drawing from her personal experiences of oppression to include sexism, heterosexism, racism, homophobia, classism, and ageism. The book examines a broad range of topics, including love, self-love, war, imperialism, police brutality, coalition building, violence against women, Black feminism, and movements towards equality that recognize and embrace differences as a vehicle for change. With meditative conscious reasoning, Lorde explores her misgivings for the widespread marginalization deeply-rooted in the United States' white patriarchal system, all the while, offering messages of hope. The essays in this landmark collection are extensively taught and have become a widespread area of academic analysis. Lorde's philosophical reasoning that recognizes oppressions as complex and interlocking designates her work as a significant contribution to critical social theory.
Rosemarie "Rosie" Tong is an American feminist philosopher. The author of 1998's Feminist Thought: A More Comprehensive Introduction, an overview of the major traditions of feminist theory, she is the emeritus distinguished professor of health care ethics in the Department of Philosophy at the University of North Carolina, Charlotte.
Multiracial feminist theory refers to scholarship written by women of color (WOC) that became prominent during the second-wave feminist movement. This body of scholarship "does not offer a singular or unified feminism but a body of knowledge situating women and men in multiple systems of domination."
Heidi Safia Mirza is a British academic, who is Professor of Race, Faith and Culture at Goldsmiths, University of London, Professor Emerita in Equalities Studies at the UCL Institute of Education, and Visiting Professor in Social Policy at the London School of Economics (LSE). She has done pioneering research on race, gender and identity in education, multiculturalism, Islamophobia and gendered violence, and was one of the first black women professors in Britain. Mirza is author and editor of several notable books, including Young, Female and Black (1992), Black British Feminism (1997), Tackling the Roots of Racism: Lessons for Success (2005), Race Gender and Educational Desire: Why Black Women Succeed and Fail (2009), Black and Postcolonial Feminisms in New Times (2012), and Respecting Difference: Race, Faith, and Culture for Teacher Educators (2012).
Chrys Ingraham is Professor of Sociology at Purchase College of the State University of New York.
Feminist rhetoric emphasizes the narratives of all demographics, including women and other marginalized groups, into the consideration or practice of rhetoric. Feminist rhetoric does not focus exclusively on the rhetoric of women or feminists, but instead prioritizes the feminist principles of inclusivity, community, and equality over the classic, patriarchal model of persuasion that ultimately separates people from their own experience. Seen as the act of producing or the study of feminist discourses, feminist rhetoric emphasizes and supports the lived experiences and histories of all human beings in all manner of experiences. It also redefines traditional delivery sites to include non-traditional locations such as demonstrations, letter writing, and digital processes, and alternative practices such as rhetorical listening and productive silence. According to author and rhetorical feminist Cheryl Glenn in her book Rhetorical Feminism and This Thing Called Hope (2018), "rhetorical feminism is a set of tactics that multiplies rhetorical opportunities in terms of who counts as a rhetor, who can inhabit an audience, and what those audiences can do." Rhetorical feminism is a strategy that counters traditional forms of rhetoric, favoring dialogue over monologue and seeking to redefine the way audiences view rhetorical appeals.
All the Women Are White, All the Blacks Are Men, But Some of Us Are Brave (1982) is a landmark feminist anthology in Black Women's Studies printed in numerous editions, co-edited by Akasha Gloria Hull, Patricia Bell-Scott, and Barbara Smith.
Jennifer Christine Nash is the Jean Fox O'Barr Professor of Gender, Sexuality, and Feminist Studies at Duke University within its Trinity College of Arts and Sciences. Her research interests include Black feminist theory, feminist legal theory, Black sexual politics, black motherhood, black maternal health, race and law, and intersectionality.
Katherine Ruth King, known as Katie King, is a scholar of women's studies and author. She is professor emerita in the Harriet Tubman Department of Women's Studies at the University of Maryland, College Park and author of two books: Theory in its Feminist Travels (1994) and Networked Reenactments (2011).
Gloria Ida Joseph was a Crucian-American academic, writer, educator, and activist. She was a self-identified radical Black feminist lesbian writer who synthesized art and activism in her work. Joseph's scholarship centered race, gender, sexuality, and class. She is known for her pioneering work on Black feminism and her activism on issues concerning Black women across the diaspora, including in the South Africa, Germany, and Caribbean.
Ellie Hisama is a Japanese-American music theorist who is dean of the faculty of music and a professor of music at the University of Toronto. Hisama's work focuses on issues of gender, race, sexuality, and the sociology of music.