Heidi Schwegler (born 1967 in San Antonio, Texas) is an American artist in Yucca Valley, California.
Schwegler received her BFAs in Art History and Metals from the University of Kansas and her MFA from the University of Oregon. [1]
Schwegler is the founder of the Yucca Valley Material Lab, a space for thinking and making. From 2015 to 2018 she was the Chair of the Masters in Fine Arts Program in Applied Craft and Design, [2] a program jointly offered by Pacific Northwest College of Art and Oregon College of Art and Craft. Schwegler has been included in the 2018 Bellevue Art Museum Biennial, Portland2016 Biennial, the Portland2010 Biennial, and the Oregon Biennial in 1999.
In interviews, Schwegler has expressed "an affinity for the ruin, non-sites and discarded objects". [3] Schwegler calls herself "an urban archaeologist" who prefers "to mine the peripheral ruin, the discarded stuff that is ignored and considered worthless. By reassigning the value and purpose of something recognizable, I emphasize the perforation between what it was and what it has now become." [4] Pulling from the traditions of craft and conceptual art, Schwegler uses a variety of mediums, including glass, metal, sculpture, photography, and installation. [5] [6]
Schwegler is represented by UPFOR Gallery [7] in Portland, Oregon and Asphodel in New York City.
The Pacific Northwest College of Art (PNCA) is an art school of Willamette University and is located in Portland, Oregon. Established in 1909, the art school grants Bachelor of Fine Arts degrees and graduate degrees including the Master of Fine Arts (MFA) and Master of Arts (MA) degrees. It has an enrollment of about 500 students. The college merged with Willamette University in 2021.
Oregon Center for Contemporary Art is an art center in Portland, Oregon. It is home to the Portland Biennial since 2010, continuing in the tradition of the Portland Art Museum's ended Oregon Biennial.
Jessica Jackson Hutchins is an American artist from Chicago, Illinois who is based in Portland, Oregon. Her practice consists of large scale ceramics, multi-media installations, assemblage, and paintings all of which utilize found objects such as old furniture, ceramics, worn out clothes, and newspaper clippings. She is most recognizable for her sloppy craft assemblages of furniture and ceramics. Her work was selected for the 2010: Whitney Biennial, featured in major art collections, and has been exhibited throughout the United States and internationally, in Iceland, the UK, and Germany.
Laura Ross-Paul is a contemporary painter of oil and wax in the Pacific Northwest of the United States. In 2010 The Oregonian's OregonLive.com referred to her as a "venerable [figure] from Portland's long established vanguard" of art.
James Lavadour is an American painter and printmaker. A member of the Walla Walla tribe, he is known for creating large panel sets of landscape paintings. Lavadour is the co-founder of the Crow's Shadow Institute of the Arts.
I believe that a painting must stand up on its own without explanation. I think of myself as an abstract action painter. I just happen to see landscape in the abstract events of paint. - James Lavadour
Joe Feddersen is a Colville sculptor, painter, photographer and mixed-media artist. He is known for creating artworks strong in geometric patterns reflective of what is seen in the environment, landscape and his Native American heritage.
Phyllis Yes is an Oregon-based artist and playwright. Her artistic media range from works on painted canvas to furniture, clothing, and jewelry. She is known for her works that “feminize” objects usually associated with a stereotypically male domain, such as machine guns, hard hats, and hammers. Among her best-known artworks are “Paint Can with Brush,” which appears in Tools as Art, a book about the Hechinger Collection, published in 1996 and her epaulette jewelry, which applies “feminine” lace details to the epaulette, a shoulder adornment that traditionally symbolizes military prowess. In 1984 she produced her controversial and widely noted “Por She,” a silver 1967 Porsche 911-S, whose body she painstakingly painted in highly tactile pink and flesh-toned lace rosettes. She exhibited it at the Bernice Steinbaum Gallery in New York in 1984 and drove it across the United States as a traveling exhibition in 1985. In 2016, she wrote her first play, Good Morning Miss America, which began its first theatrical run at CoHo Theatre in Portland, Oregon in March 2018.
MK Guth is an installation artist from Portland, Oregon, United States, whose work engages ritual and site of social interaction. She has exhibited nationally and internationally at museums, galleries, and festivals including the Whitney Museum of American Art, the Yerba Buena Center for the Arts, the Swiss Institute, White Columns, and the Melbourne International Arts Festival among others. She is the recipient of the Betty Bowen Special Recognition Award and the Ford Family Foundation Fellowship.
Pat Boas is an American contemporary artist. She holds a Bachelor of Fine Arts degree from Pacific Northwest College of Art and a Master of Fine Arts degree from Portland State University, where she currently teaches and serves as the Director of the School of Art + Design.
Kristan Kennedy is an American artist, curator, educator and arts administrator. Kennedy is co-artistic director and curator of visual art at the Portland Institute for Contemporary Art (PICA). She is based in Portland, Oregon and has exhibited internationally, working with various media including sculpture and painting.
Lauren Fensterstock is an American artist, writer, curator, critic, and educator living and working in Portland, Maine. Fensterstock’s work has been widely shown nationally at venues such as the John Michael Kohler Art Center (WI), the Bowdoin College Museum of Art (ME), the Portland Museum of Art (ME), and is held in public and private collections throughout the U.S, Europe, and Asia.
Cynthia Lahti is an American contemporary artist from Portland, Oregon, who works in many mediums: "from collage to ceramics, altered books, and painting".
Lucinda Parker (1942) is an American artist living in Portland, Oregon, who has painted public projects in Oregon, Washington and California.
Eunice Lulu Parsons, also known as Eunice Jensen Parsons, is an American modernist artist known for her collages. Parsons was born in Loma, Colorado, and currently lives in Portland, Oregon. She studied at the School of the Art Institute of Chicago and the Portland Museum Art School, where she also worked as a teacher for over 20 years.
Tannaz Farsi is an Iranian-born American multidisciplinary visual artist and educator. Farsi is an Associate Professor of sculpture at the University of Oregon. She lives in Eugene, Oregon.
Avantika Bawa is an Indian American artist, curator, and professor of art. Bawa is a multidisciplinary artist who works primarily in site-specific installation, video, printmaking, and drawing. She is the recipient of the 2018 Crow's Shadow Institute of the Arts Golden Spot Residency Award, the Hallie Ford Fellowship in the Visual Arts, and the Oregon Arts Commission Joan Shipley Award.
Emily Ginsburg is a conceptual artist who lives in Portland, Oregon. She was selected for the Portland2016 Biennial by curator Michelle Grabner. And her work was noted as a highlight of the Oregon Biennial in 2006. Jennifer Gately, the curator of that Biennial, noted that Ginsburg's work, "reveals a deep interest in the signs and symbols of communication, scientific illustration, architectural notation, electronics, and the human nervous system." Ginsburg's "work often functions as a map or code for understanding an aspect of an individual or collective consciousness."
Natalie Ball is a Klamath/Modoc interdisciplinary artist based in Chiloquin, Oregon.
Brenda Mallory is a Native American visual/sculpture/mixed media/installation artist and a member of the Cherokee Nation. Her artwork ranges from small decorations to large sculptures and utilizes a variety of materials such as handmade papers, cloth, wax, and recycled objects.