Helen Hughes-Brock

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Helen Hughes-Brock (born 1938) is an independent scholar working in the archaeology [1] of the Minoan civilization of Crete and Mycenaean Greece.

Contents

Personal life

She was born in Montreal in 1938 to Everett Cherrington Hughes and Helen MacGill Hughes. She was educated at Regina Coeli (Québec), the University of Chicago Laboratory Schools, Cambridgeshire High School for Girls and Somerville College, University of Oxford (B.A. in Classics, Dip. Class. Arch.). She was elected Fellow of the Society of Antiquaries of London in 1990. She lives in Oxford with her husband, Sebastian Brock.

Scholarship

Hughes-Brock is a respected scholar of beads and seals in particular. [2] Her principal interests are beads, seals and the finds of amber on Minoan and Mycenaean sites. [3] [4] She participated in British excavations at Palaikastro and the Mycenae Cult Centre and with the University of Minnesota at Nichoria and has contributed to reports on other excavations. She has served on the Bead Study Trust (1983–1994) and the International Committee for the Study of Amber in Archaeology. She has also occasionally participated in the work of her husband, Sebastian Brock, on Syriac studies. In the 1960s and 1970s on their journeys in the Syriac heartlands of S.E. Turkey, Syria and Iraq she took photographs of places which are now modernized, damaged or altogether destroyed. These have now been digitized at Beth Mardutho Syriac Institute at Piscataway, New Jersey.

Selected publications

Beads

Beads and seals together

Seals

Amber

Contributions to excavation reports

Miscellaneous

https://www.thebritishacademy.ac.uk/publishing/memoirs/19/sandars-nancy-1914-2015/

Edited and co-edited volumes

Related Research Articles

<span class="mw-page-title-main">Linear A</span> Undeciphered writing system of ancient Crete

Linear A is a writing system that was used by the Minoans of Crete from 1800 BC to 1450 BC. Linear A was the primary script used in palace and religious writings of the Minoan civilization. It was succeeded by Linear B, which was used by the Mycenaeans to write an early form of Greek. It was discovered by the archaeologist Sir Arthur Evans in 1900. No texts in Linear A have yet been deciphered. Evans named the script "Linear" because its characters consisted simply of lines inscribed in clay, in contrast to the more pictographic characters in Cretan hieroglyphs that were used during the same period.

<span class="mw-page-title-main">Linear B</span> Syllabic script used for writing Mycenaean Greek

Linear B is a syllabic script that was used for writing in Mycenaean Greek, the earliest attested form of the Greek language. The script predates the Greek alphabet by several centuries, the earliest known examples dating to around 1400 BC. It is adapted from the earlier Linear A, an undeciphered script potentially used for writing the Minoan language, as is the later Cypriot syllabary, which also recorded Greek. Linear B, found mainly in the palace archives at Knossos, Kydonia, Pylos, Thebes and Mycenae, disappeared with the fall of Mycenaean civilization during the Late Bronze Age collapse. The succeeding period, known as the Greek Dark Ages, provides no evidence of the use of writing.

<span class="mw-page-title-main">Carnelian</span> Yellow-red chalcedony variety

Carnelian is a brownish-red mineral commonly used as a semiprecious stone. Similar to carnelian is sard, which is generally harder and darker; the difference is not rigidly defined, and the two names are often used interchangeably. Both carnelian and sard are varieties of the silica mineral chalcedony colored by impurities of iron oxide. The color can vary greatly, ranging from pale orange to an intense almost-black coloration. Significant localities include Yanacodo (Peru); Ratnapura ; and Thailand. It has been found in Indonesia, Brazil, India, Russia (Siberia), and Germany. In the United States, the official State Gem of Maryland is also a variety of carnelian called Patuxent River stone.

<span class="mw-page-title-main">Minoan civilization</span> Bronze Age civilization on Crete and other Aegean Islands

The Minoan civilization was a Bronze Age culture which was centered on the island of Crete. Known for its monumental architecture and energetic art, it is often regarded as the first civilization in Europe. The ruins of the Minoan palaces at Knossos and Phaistos are popular tourist attractions.

<span class="mw-page-title-main">Phaistos</span> Ancient Greek city in Crete

Phaistos, also transliterated as Phaestos, Festos and Latin Phaestus, is a Bronze Age archaeological site at modern Faistos, a municipality in south central Crete. It is notable for the remains of a Minoan palace and the surrounding town.

<span class="mw-page-title-main">Mycenaean Greece</span> Late Bronze Age Greek civilization

Mycenaean Greece was the last phase of the Bronze Age in ancient Greece, spanning the period from approximately 1750 to 1050 BC. It represents the first advanced and distinctively Greek civilization in mainland Greece with its palatial states, urban organization, works of art, and writing system. The Mycenaeans were mainland Greek peoples who were likely stimulated by their contact with insular Minoan Crete and other Mediterranean cultures to develop a more sophisticated sociopolitical culture of their own. The most prominent site was Mycenae, after which the culture of this era is named. Other centers of power that emerged included Pylos, Tiryns, and Midea in the Peloponnese, Orchomenos, Thebes, and Athens in Central Greece, and Iolcos in Thessaly. Mycenaean settlements also appeared in Epirus, Macedonia, on islands in the Aegean Sea, on the south-west coast of Asia Minor, and on Cyprus, while Mycenaean-influenced settlements appeared in the Levant and Italy.

<span class="mw-page-title-main">Treasury of Atreus</span> Tholos tomb at Mycenae, Greece, dated to ca.1250 BCE

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<span class="mw-page-title-main">Aegean art</span>

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<span class="mw-page-title-main">Vaphio</span> Archaeological site in Laconia, Greece

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<span class="mw-page-title-main">Minoan art</span> Art produced by the Minoan civilization

Minoan art is the art produced by the Bronze Age Aegean Minoan civilization from about 3000 to 1100 BC, though the most extensive and finest survivals come from approximately 2300 to 1400 BC. It forms part of the wider grouping of Aegean art, and in later periods came for a time to have a dominant influence over Cycladic art. Since wood and textiles have decomposed, the best-preserved surviving examples of Minoan art are its pottery, palace architecture, small sculptures in various materials, jewellery, metal vessels, and intricately-carved seals.

Diamantis Panagiotopoulos is an Aegean Bronze Age archaeologist and Director of the Institute of Classical Archaeology at the University of Heidelberg.

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References

  1. "Helen Hughes-Brock".
  2. https://repozytorium.amu.edu.pl/bitstream/10593/.../Kristansen_ksiega_pamiatkow.pd... [ dead link ]
  3. oldkal.upol.cz/dokumenty/akce/poster-Helen-Brock-KDU.doc
  4. The Bead Study Trust Newsletter, major contributor of annotated lists to ‘Recently Published Work on Beads’ section, also occasional news items and reviews, nos. 2–50 (1983 to 2009, the last issue).
  5. Review by J. Haas-Lebegyev, Bull. Ant. Beschaving 88 (2013), 255–6
  6. P.P.Betancourt, JournArchSci 36 (2009), 1821. doi.10.1016.j.jas.2009.04.001
  7. C.P. Odrizola Lloret, EurJournArch 15 (2012), 344–8; J.M. Webb, Ancient East and West 13 (2104), 417–9
  8. Krzyszkowska, Olga (2011). "Book Review of Corpus der minoischen und mykenischen Siegel. Vol. 6, Oxford, the Ashmolean Museum, by Helen Hughes-Brock". American Journal of Archaeology. 115 (3). doi: 10.3764/ajaonline1153.Krzyszkowska .
  9. K.Kopaka AmerJournArch 108 (2004), 107
  10. Hughes-Brock, Helen (1983). "Early Cretan Seals - Paul Yule: Early Cretan Seals: A Study of Chronology. (Marburger Studien zur Vor- und Frühgeschichte, 4.) Pp. Xiv + 246; 41 plates, many text figures. Mainz: Philipp von Zabern, 1980. DM. 135". The Classical Review. 33: 88–89. doi:10.1017/S0009840X00101489. S2CID   161731117.
  11. Hughes-Brock, Helen; Johnstone, P. (1969). "The Byzantine Tradition in Church Embroidery". Journal of Hellenic Studies. 89: 196–197. doi:10.2307/627542. JSTOR   627542.[ permanent dead link ]