Helen Sarah Thomas

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Helen Thomas is a poet, author and researcher of Sierra Leonean and Irish heritage whose work focuses primarily upon poetry performance, Black British writing, history and culture, and the medical humanities. She is senior co-editor of the Special Collection, Poetry Off the Page: Intersecting Practices and Traditions in British Poetry Performance (2025) [1] , and author of 'Intersecting Practices and Traditions in Poetry Performance: Interviews with Suhaiymah Manzoor-Khan, Anthony Joseph and Marsha Prescod' (2025) [2] ,‘Talking Back’ in Poetry Performance: Black Feminist Thought, Matricentric Feminism & Maternal Loss' (2025) [3] , Romanticism and Slave Narratives: Transatlantic Testimonies (Cambridge University Press, 2000) [4] , Caryl Phillips (2004), Malady and Mortality: Illness, Disease and Death in Literary Culture (2016) [5] and a free, 500-page book published to support Black Lives Matter entitled Black Agents Provocateurs: 250 Years of Black British Writing, History and the Law, 1770-2020 (2020). In December 2024, Exeter College, Oxford University unveiled a photo portrait of Thomas in honour of her achievements and contributions as part of a series to celebrate women of African or Caribbean descent connected with the college [6] .

Contents

In 2022, Thomas published 1562, a volume of poetry voicing the fictional lives of 6 black women from 6 ports in C16th Britain. In 2022, her semi-autobiographical poetic / dance play, Salve, was showcased at the Theatre Royal Plymouth and in 2023, her historical poetic drama was longlisted by the RSC's 37 Plays Competition and shortlisted as the Word Laureate in Plymouth. She is currently part of the 'Poetry Off the Page' team, directed by Dr. Julia Lajta-Novak (University of Vienna), in collaboration with the British poetry organization Apples and Snakes, the Royal Central School of Speech and Drama, Goldsmiths University of London, Queen Mary University of London, University College Dublin, and the National Library of Ireland. [7] Thomas is a member of the Royal Society of Authors and the Black Writers Guild, and a founding member of 'Cornwall and Devon Creative Collective CIC'. [8] [9] [10] [11] [12]

Early life

After completing a BA Hons. in English Literature and American Studies (First Class) from Keele University, Thomas received an MPhil and DPhil in Literature from Oxford University. [13] [14]

Publications

References

  1. "Open Library of Humanities | Collection". olh.openlibhums.org. Retrieved 2025-07-09.
  2. Thomas, Helen (2025-05-28). "Intersecting Practices and Traditions in Poetry Performance: Interviews with Suhaiymah Manzoor-Khan, Anthony Joseph and Marsha Prescod". Open Library of Humanities. 11 (1). doi: 10.16995/olh.23434 . ISSN   2056-6700.
  3. "'Talking Back' in Poetry Performance: Black Feminist Thought, Matricentric Feminism & Maternal Loss – Poetry Off the Page". 2025-03-06. Retrieved 2025-07-09.
  4. Thomas, Helen (2000). Romanticism and Slave Narratives: Transatlantic Testimonies. Cambridge University Press.
  5. Thomas, HELEN (2016). Malady and Mortality: Illness, Disease and Death in Literary and Visual Culture. Cambridge Scholars. ISBN   978-1-4438-9010-6.
  6. "Exeter MCR unveils new portraits celebrating significant black women in the College's history". Exeter College. 2024-12-19. Retrieved 2025-07-09.
  7. "Poetry Off the Page – Literary History and the Spoken Word, 1965-2020" . Retrieved 2025-01-02.
  8. Thomas, Sophie (November 2002). "Rebiew> Helen Thomas. Romanticism and Slave Narratives: Transatlantic Testimonies". Romanticism on the Net. 28.
  9. Tomko, Michael (2001). "Reviewed Work: Romanticism and Slave Narratives: Transatlantic Testimonies by Helen Thomas". The Wordsworth Circle. 32 (4): 236-237. doi:10.1086/TWC24044884.
  10. Carey, Brycchan (2001). "Helen Thomas, Romanticism and Slave Narratives: Transatlantic Testimonies" (PDF). BARS Bulletin & Review. 22: 3-5.
  11. "Exeter MCR unveils new portraits celebrating significant black women in the College's history". Exeter College. 2024-12-19. Retrieved 2025-01-02.
  12. "CoDeCC CIC | Cornwall Devon Creative Global Majority". CoDeCC. Retrieved 2025-07-09.
  13. Kitson, Peter (2003). "Helen Thomas's Romanticism and Slave Narratives: Transatlantic Testimonies and Charlotte Sussman's Consuming Anxieties: Consumer Protest, Gender and British Slavery, 1713–1833" . Romanticism. 9 (1): 111–115. doi:10.3366/rom.2003.9.1.111.
  14. Bohls, Elizabeth A. (2003). "Romanticism and Slave Narratives: Transatlantic Testimonies". The Journal of English and Germanic Philology. 102 (4): 554.