The Judgement of Paris is a story from Greek mythology, which was one of the events that led up to the Trojan War and in later versions of the story to the foundation of Rome.
The Alexander Mosaic, also known as the Battle of Issus Mosaic, is a Roman floor mosaic originally from the House of the Faun in Pompeii that dates from c. 100 BC. It is typically dated in the second half of the century between 120 and 100 B.C. It depicts a battle between the armies of Alexander the Great and Darius III of Persia and measures 2.72 by 5.13 metres. This work of art is a combination of different artistic traditions such as Italic, Hellenistic, and Roman. The mosaic is considered "Roman" based on the broader context of its time and location in relation to the later Roman Republic. The original is preserved in the Naples National Archaeological Museum. The mosaic is believed to be a copy of an early 3rd-century BC Hellenistic painting.
Eretria is a town in Euboea, Greece, facing the coast of Attica across the narrow South Euboean Gulf. It was an important Greek polis in the 6th and 5th century BC, mentioned by many famous writers and actively involved in significant historical events.
The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work. Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, although they were not considered as such at the time. Sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also highly regarded. A very large body of sculpture has survived from about the 1st century BC onward, though very little from before, but very little painting remains, and probably nothing that a contemporary would have considered to be of the highest quality.
The National Archaeological Museum of Naples is an important Italian archaeological museum, particularly for ancient Roman remains. Its collection includes works from Greek, Roman and Renaissance times, and especially Roman artifacts from the nearby Pompeii, Stabiae and Herculaneum sites. From 1816 to 1861, it was known as Real Museo Borbonico.
Oxyathres was a brother of the Persian king Darius III Codomannus. He was distinguished for his bravery, and in the battle of Issus, 333 BC, took a prominent part in the combat in defence of the king, when attacked by the Macedonian cavalry under Alexander himself, as shown in the celebrated Alexander Mosaic found in Pompeii. He afterwards accompanied Darius on his flight into Bactria, and fell into the hands of Alexander during the pursuit, but was treated with the utmost distinction by the conqueror, who even assigned him an honourable post about his own person; and subsequently devolved upon him the task of punishing Bessus for the murder of Darius. He was also the father of Amastris queen of Heraclea.
The Pompeian Styles are four periods which are distinguished in ancient Roman mural painting. They were originally delineated and described by the German archaeologist August Mau (1840–1909) from the excavation of wall paintings at Pompeii, which is one of the largest groups of surviving Roman frescoes.
Battle of Issus may refer to:
Opus vermiculatum is a method of laying mosaic tesserae to emphasise an outline around a subject. This can be of one or more rows and may also provide background contrast, e.g. as a shadow, sometimes with opus tessellatum. The outline created is often light and offset by a dark background for greater contrast. The name opus vermiculatum literally means "worm-like work", and has been described as one of the most demanding and elaborate forms of mosaic work. Usually opus vermiculatum is meant to put emphasis on the main design and foreground details of a work, using a smooth and flowing halo-effect. Sometimes it was used only around the head of a figure. The tesserae used were often square but can be variously shaped.
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BCE and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainland was taken, and essentially ending in 30 BCE with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including Laocoön and His Sons, Venus de Milo, and the Winged Victory of Samothrace. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends.
Micromosaics are a special form of mosaic that uses unusually small mosaic pieces (tesserae) of glass, or in later Italian pieces an enamel-like material, to make small figurative images. Surviving ancient Roman mosaics include some very finely worked panels using very small tesserae, especially from Pompeii, but only from Byzantine art are there mosaic icons in micromosaic with tesserae as small as the best from the Modern period. Byzantine examples, which are very rare, were religious icons. They are usually framed and treated like portable paintings.
The House of the Faun, constructed in the 2nd century BC during the Samnite period, was a grand Hellenistic palace that was framed by peristyle in Pompeii, Italy. The historical significance in this impressive estate is found in the many great pieces of art that were well preserved from the ash of the eruption of Mount Vesuvius in 79 AD. It is one of the most luxurious aristocratic houses from the Roman Republic, and reflects this period better than most archaeological evidence found even in Rome itself.
The Palestrina Mosaic or Nile mosaic of Palestrina is a late Hellenistic floor mosaic depicting the Nile in its passage from the Blue Nile to the Mediterranean. The mosaic was part of a Classical sanctuary-grotto in Palestrina, a town east of Ancient Rome, in central Italy. It has a width of 5.85 metres and a height of 4.31 metres and provides a glimpse into the Roman fascination with ancient Egyptian exoticism in the 1st century BC, both as an early manifestation of the role of Egypt in the Roman imagination and an example of the genre of "Nilotic landscape", with a long iconographic history in Egypt and the Aegean.
Stateira, possibly also known as Homa, was the daughter of Stateira and Darius III of Persia. After her father's defeat at the Battle of Issus, Stateira and her sisters became captives of Alexander of Macedon. They were treated well, and she became Alexander's second wife at the Susa weddings in 324 BC. At the same ceremony Alexander also married her cousin, Parysatis, daughter of Darius' predecessor. After Alexander's death in 323 BC, Stateira was killed by Alexander's other wife, Roxana.
Philoxenus of Eretria was a painter from Eretria. He was a disciple of Nicomachus of Thebes, whose speed in painting he imitated and even surpassed, having discovered new and rapid methods of coloring. Nevertheless, Pliny states that a picture of his was inferior to none, depicting a battle of Alexander the Great with Darius, which he painted for King Cassander.
The Battle of Alexander at Issus is a 1529 oil painting by the German artist Albrecht Altdorfer, a pioneer of landscape art and a founding member of the Danube school. The painting portrays the 333 BC Battle of Issus, in which Alexander the Great secured a decisive victory over Darius III of Persia and gained crucial leverage in his campaign against the Persian Empire. The painting is widely regarded as Altdorfer's masterpiece, and is one of the most famous examples of the type of Renaissance landscape painting known as the world landscape, which here reaches an unprecedented grandeur.
A Roman mosaic is a mosaic made during the Roman period, throughout the Roman Republic and later Empire. Mosaics were used in a variety of private and public buildings, on both floors and walls, though they competed with cheaper frescos for the latter. They were highly influenced by earlier and contemporary Hellenistic Greek mosaics, and often included famous figures from history and mythology, such as Alexander the Great in the Alexander Mosaic.
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
Several non-native societies had an influence on Ancient Pompeian culture. Historians’ interpretation of artefacts, preserved by the Eruption of Mount Vesuvius in 79, identify that such foreign influences came largely from Greek and Hellenistic cultures of the Eastern Mediterranean, including Egypt. Greek influences were transmitted to Pompeii via the Greek colonies in Magna Graecia, which were formed in the 8th century BC. Hellenistic influences originated from Roman commerce, and later conquest of Egypt from the 2nd century BC.
Roman Republican art is the artistic production that took place in Roman territory during the period of the Republic, conventionally from 509 BC to 27 BC.
