Related Research Articles
Jean-Paul Riopelle, was a Canadian painter and sculptor from Quebec. He had one of the longest and most important international careers of the sixteen signatories of the Refus Global, the 1948 manifesto that announced the Quebecois artistic community's refusal of clericalism and provincialism. He is best known for his abstract painting style, in particular his "mosaic" works of the 1950s when he famously abandoned the paintbrush, using only a palette knife to apply paint to canvas, giving his works a distinctive sculptural quality. He became the first Canadian painter since James Wilson Morrice to attain widespread international recognition.
Morris Louis Bernstein, known professionally as Morris Louis, was an American painter. During the 1950s he became one of the earliest exponents of Color Field painting. While living in Washington, D.C., Louis, along with Kenneth Noland and other Washington painters, formed an art movement that is known today as the Washington Color School.
Color field painting is a style of abstract painting that emerged in New York City during the 1940s and 1950s. It was inspired by European modernism and closely related to abstract expressionism, while many of its notable early proponents were among the pioneering abstract expressionists. Color field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane. The movement places less emphasis on gesture, brushstrokes and action in favor of an overall consistency of form and process. In color field painting "color is freed from objective context and becomes the subject in itself."
Amy Sillman is a New York-based artist, known for process-based paintings that move between abstraction and figuration, and engage nontraditional media including animation, zines and installation. Her work draws upon art historical tropes, particularly postwar American gestural painting, as both influences and foils; she engages feminist critiques of the discourses of mastery, genius and power in order to introduce qualities such as humor, awkwardness, self-deprecation, affect and doubt into her practice. Profiles in The New York Times, ARTnews, Frieze, and Interview, characterize Sillman as championing "the relevance of painting" and "a reinvigorated mode of abstraction reclaiming the potency of active brushwork and visible gestures." Critic Phyllis Tuchman described Sillman as "an inventive abstractionist" whose "messy, multivalent, lively" art "reframes long-held notions regarding the look and emotional character of abstraction."
Joan Mitchell was an American artist who worked primarily in painting and printmaking, and also used pastel and made other works on paper. She was an active participant in the New York School of artists in the 1950s. A native of Chicago, she is associated with the American abstract expressionist movement, even though she lived in France for much of her career.
Ronnie Landfield is an American abstract painter. During his early career from the mid-1960s through the 1970s his paintings were associated with Lyrical Abstraction, and he was represented by the David Whitney Gallery and the André Emmerich Gallery.
William T. Williams is an American painter and educator. He is known for his process-based approach to painting that engages motifs drawn from personal memory and cultural narrative to create non-referential, abstract compositions. He was a Professor of Art at Brooklyn College, City University of New York from 1971 to 2008.
Joe Bradley is an American visual artist, known for his minimalist and color field paintings. He is also the former lead singer of the punk band Cheeseburger. Bradley has been based in New York City and Amagansett.
Joan Snyder is an American painter from New York. She is a MacArthur Fellow, a Guggenheim Fellow, and a National Endowment for the Arts Fellow (1974).
Edward (Ed) Clark was an abstract expressionist painter known for his broad, powerful brushstrokes, radiant colors and large-scale canvases. An African-American, he wasn’t widely recognized as a major modernist until relatively late in a seven-decade career, during which he pioneered the use of shaped canvases and of the everyday push broom to create striking works of art.
Juan Sánchez, also Juan Sanchez is an American artist and educator. He is an important Nuyorican cultural figure to emerge in the second half of the 20th century. His works include photography, paintings and mixed media works.
The year 2014 in art involves various significant events.
Laylah Ali (born 1968) is a contemporary visual artist known for paintings in which ambiguous race relations are depicted with a graphic clarity and cartoon strip format.
Candida Alvarez is an American painter, and a tenured professor of Painting and Drawing at the School of the Art Institute of Chicago since 1988.
Daniel Lind-Ramos is an African-Puerto Rican painter and sculptor who lives and works in Puerto Rico.
María Berrío is a Colombian-born visual artist working in Brooklyn, New York. The LA Times wrote that Berrío's large-scale collage works, "meticulously crafted from layers of Japanese paper, reflect on cross-cultural connections and global migration seen through the prism of her own history." She is known for her use of Japanese print paper, which she cuts and tears to create collages with details painted in with watercolour. Berrío, who spent her childhood in Colombia and moved to the US in her teens, draws from Colombian folklore and South American literature. In her interview with The Georgia Review in 2019, the artist discusses the tradition of aluna of the Kogi people in her work Aluna (2017). Berrío's collages are characterised by representations of mainly women, who often stare back at the viewer.
Cameron Martin is an American contemporary artist. Martin is Co-Chair of the Painting Department at the Milton Avery Graduate School of the Arts at Bard College. He lives and works in Brooklyn, NY.
Frances Barth is an American visual artist best known for paintings situated between abstraction, landscape and mapping, and in her later career, video and narrative works. She emerged during a period in which contemporary painters sought a way forward beyond 1960s minimalism and conceptualism, producing work that combined modernist formalism, geometric abstraction, referential elements and metaphor. Critic Karen Wilkin wrote, "Barth’s paintings play a variety of spatial languages against each other, from aerial views that suggest mapping, to suggestions of perspectival space, to relentless flatness … [she] questions the very pictorial conventions she deploys, creating ambiguous imagery and equally ambiguous space that seems to shift as we look."
The year 2021 in art involves various significant events.
Salman Toor is a Pakistani-born American painter. His works depict the imagined lives of young men of South Asian-birth, displayed in close range in either South Asia and New York City fantasized settings. Toor lives and works in New York City.
References
- ↑ "Joan Mitchell". 3 May 2022.
- ↑ "Joan Mitchell Paintings, Bio, Ideas". TheArtStory. Retrieved 2022-08-19.
- ↑ "Joan Mitchell - Sarah Roberts, Katy Siegel - Google Books" . Retrieved 2022-08-19.
- ↑ "Hemlock".
- ↑ "Joan Mitchell | Hemlock | Whitney Museum of American Art". Whitney.org. Retrieved 2022-08-19.
 | This article about a twentieth-century painting is a stub. You can help Wikipedia by expanding it. |