Henk de Vlieger (born 1953 in Schiedam) [1] is a Dutch percussionist, composer and arranger.
Since 1984 he has been a permanent member of the Netherlands Radio Philharmonic Orchestra as percussionist. In May 2011 he was appointed artistic advisor to the orchestra.
Although as a creative artist de Vlieger has written a number of original compositions, he is more noted for his arrangements of works from the classic repertoire for orchestra or instrumental ensembles. These include a number of transcriptions of the works of Richard Wagner; amongst them The Ring: An Orchestral Adventure (1991), Meistersinger: an orchestral tribute (2005) and Parsifal: an orchestral quest (1993). Many of these have been recorded on the Chandos label by the Royal Scottish National Orchestra conducted by Neeme Järvi. [2]
De Vlieger's other works include an orchestration of the Vier ernste Gesänge of Johannes Brahms (2012), and an arrangement for percussion orchestra of the Pictures from an Exhibition by Modest Mussorgsky (1981). He has also written a Handbook for the orchestral percussion section (2003). He also carried out the orchestration of the Symphony No. 1 "The Lord of the Rings" by Johan de Meij (2000). [3]
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety". In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a head arrangement.
An orchestra is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments:
Orchestration is the study or practice of writing music for an orchestra or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra.
Pictures at an Exhibition is a piano suite in ten movements, plus a recurring and varied Promenade theme, written in 1874 by Russian composer Modest Mussorgsky. It is a musical depiction of a tour of an exhibition of works by architect and painter Viktor Hartmann put on at the Imperial Academy of Arts in Saint Petersburg, following his sudden death in the previous year. Each movement of the suite is based on an individual work, some of which are lost.
Stuart Oliver Knussen was a British composer of contemporary classical music and conductor. Among the most influential British composers of his generation, his relatively few compositions are "rooted in 20th-century modernism, [but] beholden to no school but his own"
Dieter Schnebel was a German composer, theologian and musicologist. He composed orchestral music, chamber music, vocal music and stage works. From 1976 until his retirement in 1995, Schnebel served as professor of experimental music at the Hochschule der Künste, Berlin.
Alan Ridout was a British composer and teacher.
Leopold Stokowski's orchestration of Pictures at an Exhibition by Modest Mussorgsky was completed in 1939 and premiered later that year, on 17 November, by the Philadelphia Orchestra.
Orchestral percussion refers to the various percussion instruments used in an orchestral setting. It may also refer to the act of playing such instruments in an orchestral style. Many music schools and conservatories offer training for musicians interested in developing their skills as orchestral percussionists. Typically, an orchestral percussionist does not specialize in one particular instrument. Although there is no exhaustive list of all instruments that an orchestral percussionist must be able to play, there are particular instruments that are frequently used in the orchestral repertoire. This includes timpani, snare drum, bass drum, xylophone, glockenspiel, triangle, and tambourine.
Light music is a less-serious form of Western classical music, which originated in the 18th and 19th centuries and continues today. Its heyday was in the mid‑20th century. The style is through-composed, usually shorter orchestral pieces and suites designed to appeal to a wider context and audience than more sophisticated forms such as the concerto, the symphony and the opera.
Vinko Globokar is a French-Slovenian avant-garde composer and trombonist.
Charles Ives's Symphony No. 4, S. 4 was written between 1910 and the mid-1920s. The symphony is notable for its multilayered complexity—typically requiring two conductors in performance—and for its large and varied orchestration. Combining elements and techniques of Ives's previous compositional work, this has been called "one of his most definitive works"; Ives' biographer, Jan Swafford, has called it "Ives's climactic masterpiece".
A clapper is a basic form of percussion instrument. It consists of two long solid pieces that are struck together producing sound. They exist in many forms in many different cultures around the world. Clappers can take a number of forms and be made of a wide variety of material. Wood is most common, but metal and ivory have also been used. The plastic thundersticks that have recently come to be popular at sporting events can be considered a form of inflated plastic clapper.
Symphony No. 1 The Lord of the Rings is the first symphony for concert band written by Johan de Meij, and one of several works of classical music based on J. R. R. Tolkien's fantasy The Lord of the Rings. It premiered in 1988 with the Groot Harmonieorkest van de Belgische Gidsen conducted by Norbert Nozy.
Joseph Trapanese is an American composer, arranger, and producer. He works in the production of music for films, television, records, theater, concerts, and interactive media.
Jorge León Schidlowsky Gaete was a Chilean and Israeli composer and painter. He wrote music for orchestra, chamber ensemble, choir, and instruments including the piano, violin, cello, flute, mandolin, guitar, harp, organ. About 65 pieces were written in graphic notation. His compositions have been performed in numerous countries, with orchestra conductors including Aldo Ceccato, Clytus Gottwald, Erhard Karkoschka, Herbert Kegel, Lukas Foss, Zubin Mehta and Hermann Scherchen. The scores of his graphic music have been shown in exhibitions such as Staatsgalerie Stuttgart and the Wilhelm-Hack-Museum in Ludwigshafen. Schidlowsky worked as a professor of composition both in Chile and Israel, influencing many students.
Lisa Mae Pegher is an American drummer and solo percussionist. In her International career she has performed throughout the world as a soloist, recitalist, and chamber musician.
Jonathan David Little FCLM, FISM, FRSA is an Australian contemporary classical composer, arts educator and author on cultural history based in the UK and Australia. In 2008, his first CD was voted one of the top recordings of the year by US Fanfare magazine. He was subsequently featured in a news article in Musical Opinion in early 2009. As a composer, he first came to prominence in America in 2006 when The American Society of Composers, Authors and Publishers (ASCAP) ran an article on him having five of his works accepted for recording (2004–07) by the US-headquartered French contemporary music label ERM, aimed at showcasing international contemporary composers. He was awarded the Collard Fellowship of the Worshipful Company of Musicians in 2011, and in 2012 was elected a Fellow of the Royal Society of Arts. He was appointed inaugural Professor of Composition and Music History at the University of Chichester in 2017, and Emeritus Professor from 2019.
Spiel is a two-movement orchestral composition by Karlheinz Stockhausen, written in 1952. Withdrawn by the composer after its first performance, it was later revised and restored to his catalogue of works, where it bears the work-number ¼. The score is dedicated to the composer's first wife, Doris.