Henry Courtney Selous (b. Panton Street, Haymarket, London 1803; d. Beaworthy, Devon, 24 September 1890) [1] was an English painter, illustrator and lithographer.
He was the son of Gideon "George" Slous (1777–1839), a Flemish portrait and miniature painter, and a pupil of John Martin who was an important and influential English painter of the 19th century. He was an occupant of Keats House in Hampstead, from 1835 to 1838.[ clarification needed ] Selous had two brothers, Frederick Lokes Slous (the father of Frederick Courteney Selous) and Angiolo Robson Slous, a playwright who wrote True to the Core: A Story of the Armada and whose daughter Alice married the novelist Morley Roberts. [2]
He married on 4 March 1837 Emily Elizabeth (d. 1879), daughter of the successful miniature painter Henry Pierce Boneat at St Pancras Parish Church and they had four daughters. [1]
He died on 24 September 1890 and was buried on the eastern side of Highgate Cemetery.
In 1818 Selous entered the Royal Academy Schools and also exhibited his first work, a Portrait of a Favourite Cat (location untraced), at the Academy. He submitted animal portraits for the next three years before embarking on human portraiture. His early works were exhibited under the name Slous, but at some time between 1831 and 1838 he adopted the name Selous.
In the 1840s he began to paint historical subjects, initially inspired by the renewed interest in history painting prompted by the New Palace of Westminster cartoon competition for the designs of frescoes on the new building in 1843. In this he submitted a picture of Boadicea Harranguing the Iceni which won a premium of £200 in 1843. He was aided by the knowledge of mural technique he had acquired by working for a panorama painter. Despite the prize, the picture was criticised by one reviewer because the "violence of the action and dashing lights carry us away like the speech of a mob orator." [3]
He painted historical pieces for the rest of his career, for example Cassio Wounded (1874, location untraced), as well as such works as The Opening of The Great Exhibition (see works, below) recording contemporary events. [4]
This is an alphabetical index of articles related to painting.
Hans Holbein the Younger was a German-Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. He also produced religious art, satire, and Reformation propaganda, and he made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father Hans Holbein the Elder, an accomplished painter of the Late Gothic school.
Charles Lucy was a British historical painter active during the Victorian era. Born in Hereford, he studied at the École des Beaux-Arts and Royal Academy of Arts. He won multiple prizes in art competitions held during the rebuilding of the Houses of Parliament, but none were ultimately displayed within the building. Various engravings and sketches were made of his works, which included historical scenes alongside portraits of various historical and contemporary political figures. He served as the co-founder and instructor of a drawing school in Camden Town, London. Following years of declining health, he died in 1873.
George Frederic Watts was a British painter and sculptor associated with the Symbolist movement. Watts became famous in his lifetime for his allegorical works, such as Hope and Love and Life. These paintings were intended to form part of an epic symbolic cycle called the "House of Life", in which the emotions and aspirations of life would all be represented in a universal symbolic language.
John Callcott Horsley was a British academic painter of genre and historical scenes, illustrator, and designer of the first Christmas card. He was a member of the artist's colony in Cranbrook.
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George Richmond was an English painter and portraitist. In his youth he was a member of The Ancients, a group of followers of William Blake. Later in life he established a career as a portrait painter, which included painting the portraits of the British gentry, nobility and royalty.
Sir Francis Grant was a Scottish portrait painter who painted Queen Victoria and many British aristocratic and political figures. He served as President of the Royal Academy.
Charles West Cope was an English, Victorian era painter of genre and history scenes, and an etcher. He was responsible for painting several frescos in the House of Lords in London.
Selous is the Anglicised form of the Dutch name Slous. It may refer to:
Thomas Douglas Guest (1781–1845), often simply Douglas Guest, was a British historical- and portrait painter, and lecturer and writer on art.
Sir William Charles Ross was an English portrait and portrait miniature painter of Scottish descent; early in his career, he was known for historical paintings. He became a member of the Royal Academy in 1842.
John Partridge was a British artist and portrait painter. Named 'portrait painter-extraordinary' to Queen Victoria, his pictures depict many of the notable figures of his time.
Henry Collen was an English miniature portrait painter to Queen Victoria of the United Kingdom and the Duchess of Kent. Later in life he turned to photography and was the first professional calotypist in London.
John Rogers Herbert was an English painter who is most notable as a precursor of Pre-Raphaelitism.
John Bogle was a Scottish miniature painter.
Charles Vacher (1818–1883) was a British painter in watercolours.
James Hakewill (1778–1843) was an English architect, best known for his illustrated publications.
Henry Tanworth Wells was an English miniature and portrait painter. He was a member of the Pre-Raphaelite circle though he painted in the academic style.
Robert Graves (1798–1873) was a British engraver.