Henry IV Receiving the Spanish Ambassador is an oil-on-canvas painting in the Troubador style by the French painter Jean-Auguste-Dominique Ingres, executed in 1817. It depicts Henry IV of France playing with his children whilst receiving the Spanish ambassador, with Marie de Medici seated at the centre.
It is now in the Petit Palais, Paris. It was shown in the 2014 exhibition L'invention du Passé. Histoires de cœur et d'épée 1802–1850. at the musée des beaux-arts de Lyon.
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Jean-Auguste-Dominique Ingres was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Henri Matisse, Pablo Picasso, and other modernists.
Events in the year 1824 in Art.
Napoleon I on his Imperial Throne is an 1806 portrait of Napoleon I of France in his coronation costume, painted by the French painter Jean-Auguste-Dominique Ingres.
The Apotheosis of Homer is a grand 1827 painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres, now exhibited at the Louvre as INV 5417. The symmetrical composition depicts Homer being crowned by a winged figure personifying Victory or the Universe. Forty-four additional figures pay homage to the poet in a kind of classical confession of faith.
Odalisque with Slave is an 1839 painting by Jean-Auguste-Dominique Ingres commissioned by Charles Marcotte. Executed in oil on canvas, it depicts a nude odalisque, a musician, and a eunuch in a harem interior. The painting is in the Fogg Art Museum in Cambridge, Massachusetts. It is a classic piece of Orientalism in French painting.
The Death of Leonardo da Vinci or Francis I Receives the Last Breaths of Leonardo da Vinci is an 1818 oil painting by the French artist Jean-Auguste-Dominique Ingres, showing the Italian artist and inventor Leonardo da Vinci dying, with Francis I of France holding his head. It was commissioned by Pierre Louis Jean Casimir de Blacas, the French ambassador in Rome, and is now in the Petit Palais in Paris.
The Ambassadors of Agamemnon in the tent of Achilles is an oil-on-canvas painting by Jean-Auguste-Dominique Ingres, produced in 1801 for the Prix de Rome competition. It is now in the École nationale supérieure des beaux-arts in Paris.
Joan of Arc at the Coronation of Charles VII is an 1854 painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres. It is now in the Louvre Museum in Paris.
Don Pedro of Toledo Kissing Henry IV's Sword was originally a painting of 1814 in the Troubador style by the French artist Jean-Auguste-Dominique Ingres, showing the Spanish ambassador Pedro Álvarez de Toledo, 5th Marquis of Villafranca kissing the sword of Henry IV of France in the salle des Caryatides of the Louvre Palace. The 1814 painting is now lost. Between 1819 and 1832, Ingres painted three additional versions of the subject.
Aretino and Charles V's Ambassador is a painting by the French artist Jean-Auguste-Dominique Ingres, produced in an 1815 and an 1848 version. It is in the troubador style and shows Pietro Aretino facing Charles V's ambassador, who is trying to bribe him.
The Vow of Louis XIII is an 1824 oil painting on canvas by the French Neoclassical artist Jean-Auguste-Dominique Ingres, now in Montauban Cathedral. The painting depicts a vow to the Virgin Mary by Louis XIII of France.
Roger Freeing Angelica or Ruggiero Freeing Angelica is an 1819 painting by the French artist Jean-Auguste-Dominique Ingres, inspired by Orlando Furioso by Ariosto. An oil painting on canvas measuring 147 x 199 cm, it is owned by the Louvre. Ingres subsequently painted several variants of the composition.
La Dormeuse de Naples was an 1809 painting by the French artist Jean-Auguste-Dominique Ingres, now lost. He reused the pose in two later works, Odalisque with Slave (1839) and Jupiter and Antiope (1851).
Portrait of Madame Duvaucey is an 1807 oil on canvas painting by Jean-Auguste-Dominique Ingres. It shows Antonia Duvauçey of Nittis, the lover of Charles-Jean-Marie Alquier, then ambassador to the Holy See. Duvaucey is positioned in a flat pictorial space, gazing frontally at the viewer, dressed in lavish clothing and accessories. The portrait is the first female portrait painted during the artist's stay in Rome. Portrait of Madame Duvaucey is acclaimed for exhibiting her enigmatic charm, and as "not a portrait that gives pleasure..[but]...a portrait that gives rise to dreams".
The Portrait of Comtesse d'Haussonville is an 1845 oil-on-canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres. The sitter was Louise de Broglie, Countess d'Haussonville, of the wealthy House of Broglie. The Princesse de Broglie, who Ingres later portrayed c. 1851–53, was married to Louise's brother Albert de Broglie, the French monarchist politician, diplomat and writer. Highly educated, Louise de Broglie was later an essayist and biographer and published historical romance novels based on the lives of Lord Byron, Robert Emmett and Margaret of Valois.
Portrait of Philibert Rivière is a c. 1805 oil on canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres. It was commissioned by Philibert Rivière de L'Isle, an influential court official in the Napoleonic Empire, along with portraits of his wife, Philibert and their daughter, Caroline.
Portrait of Madame Marcotte de Sainte-Marie is an 1826 painting by Jean-Auguste-Dominique Ingres of Suzanne Clarisse de Salvaing de Boissieu, wife of Marin Marcotte de Sainte-Marie. It is one of his earliest surviving portraits and one of the few portraits of women he produced in Paris straight after his return from Rome. Studies for it are now in the Louvre and a gallery in Montauban.
The Odyssey is an 1850 painting by the French artist Jean Auguste Dominique Ingres, showing a female personification of the eponymous poem by Homer. It is now in the Museum of Fine Arts of Lyon.
The Portrait of Madame Jacques-Louis Leblanc is an oil painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres, painted in 1823 and displayed at the Metropolitan Museum of Art in New York.
