Jean-Auguste-Dominique Ingres was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists.
The Musée Ingres is located in Montauban, France. It houses a collection of artworks and artifacts related to Jean Auguste Dominique Ingres, and works by another famous native of Montauban, Antoine Bourdelle.
The portrait of Mademoiselle Caroline Rivière was painted in 1806 by the French Neoclassical artist Jean-Auguste-Dominique Ingres, and today hangs in the Louvre.
Eugène Emmanuel Amaury Pineux Duval, better known by the pseudonym Amaury-Duval, was a French painter. He was one of two sons of Amaury Duval (1760–1838) and thus a nephew of the playwright Alexandre-Vincent Pineux Duval.
Madame Moitessier is a portrait of Marie-Clotilde-Inès Moitessier begun in 1844 and completed in 1856 by Jean-Auguste-Dominique Ingres. The portrait, which depicts Madame Moitessier seated, is now in the collection of the National Gallery in London, which acquired it in 1936.
The Turkish Bath is an oil painting by Jean-Auguste-Dominique Ingres, initially completed between 1852 and 1859, but modified in 1862. The painting depicts a group of nude women at a pool in a harem. It has an erotic style that evokes both the Near East and earlier western styles associated with mythological subject matter. The painting expands on a number of motifs that Ingres had explored in earlier paintings, in particular The Valpinçon Bather (1808) and La Grande odalisque (1814).
The Apotheosis of Homer is a grand 1827 painting by Jean-Auguste-Dominique Ingres, now exhibited at the Louvre as INV 5417. The symmetrical composition depicts Homer being crowned by a winged figure personifying Victory or the Universe. Forty-four additional figures pay homage to the poet in a kind of classical confession of faith.
Joan of Arc at the Coronation of Charles VII is an 1854 painting by Jean-Auguste-Dominique Ingres. It is now in the Louvre Museum in Paris.
Oedipus and the Sphinx is a painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres. Originally a student work painted in 1808, it was enlarged and completed in 1827. The painting depicts Oedipus explaining the riddle of the Sphinx. An oil painting on canvas, it measures 189 x 144 cm, and is in the Louvre, which acquired it in 1878.
Louise de Broglie, Countess d'Haussonville was a French essayist and biographer, and a member of the House of Broglie, a distinguished French family. A granddaughter of the novelist Germaine de Staël, she was considered independent, liberal, and outspoken. Her 1845 portrait by Jean-Auguste-Dominique Ingres, which took three years to complete, has been exhibited in the Frick Collection in New York City since the 1930s.
Portrait of Madame de Senonnes is an 1816 painting by Jean-Auguste-Dominique Ingres. It shows Madame de Senonnes, née Marie-Genevieve-Marguerite Marcoz, viscountess of Senonnes (1783–1828). Marcoz was 31 when the portrait was completed. Ingres had earlier portrayed her in a drawing of 1813.
Anna Barbara Bansi was a Swiss-born French painter. She is usually referred to as "Barbara" or "Babette".
Portrait of Madame Duvaucey is an 1807 oil on canvas painting by Jean-Auguste-Dominique Ingres. It shows Antonia Duvauçey of Nittis, the lover of Charles-Jean-Marie Alquier, then ambassador to the Holy See. Duvaucey is positioned in a flat pictorial space, gazing frontally at the viewer, dressed in lavish clothing and accessories. The portrait is the first female portrait painted during the artist's stay in Rome. Portrait of Madame Duvaucey is acclaimed for exhibiting her enigmatic charm, and as "not a portrait that gives pleasure..[but]...a portrait that gives rise to dreams".
Portrait of Madame Aymon, La Belle Zélie is an 1806 oil on canvas painting by the French artist Jean-Auguste-Dominique Ingres. The painting is one of Ingres' early painted portraits, completed just before his first stay in Rome. It first came to public notice during an 1867 Ingres exhibition in Paris, and was acquired by the Musée des Beaux-Arts de Rouen in 1870.
The Princesse de Broglie is an oil-on-canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres. It was painted between 1851 and 1853, and shows Pauline de Broglie, who adopted the courtesy title 'Princesse'. Born Pauline de Galard de Brassac de Béarn, she married Albert de Broglie, the future 28th Prime Minister of France, in 1845. Pauline was 28 at the time of the painting's completion. She was highly intelligent and widely known for her beauty, but she suffered from profound shyness and the painting captures her melancholia. Pauline contracted tuberculosis in her early 30s and died in 1860 aged 35. Although Albert lived until 1901, he was heartbroken and did not remarry.
Portrait of Madame Ingres is a late period oil on canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres, completed in 1859. Depicting his second wife Delphine Ramel, it is Ingres' final painted portrait, apart from two self-portraits. It was probably painted to accompany Ingres's self-portrait of the same year, now in the Fogg Art Museum, Boston.
Portrait of Charles Marcotte is an 1810 oil on canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres, completed during the artists first stay in Rome. Charles Marie Jean Baptiste Marcotte (1773-1864) was a long term friend, loyal supporter and adviser to Ingres, and commissioned a number of portraits of his family and friends, as well as works such as Odalisque with Slave (1839). He was 23 years in age when the portrait was painted, and serving as inspector general for Waters and Forests in Napoleonic Rome.
Portrait of Marie-Françoise Rivière is a c. 1805 oil-on-canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres.
Portrait of Amédée-David de Pastoret is an 1826 painting by Jean-Auguste-Dominique Ingres. It shows Amédée-David de Pastoret, a conseiller d'État and member of the Académie des Beaux-Arts. He was a close relation of the painter and commissioned several works, such as his The Dauphin's Entry Into Paris. It was painted the same year as Ingres' portrait of Madame Marcotte de Sainte-Marie - both works were badly received, precipitating a six-year period in which the artist produced no paintings. His next portrait would be his 1832 Portrait of Monsieur Bertin.
The Portrait of Madame Jacques-Louis Leblanc is an oil painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres, painted in 1823 and displayed at the Metropolitan Museum of Art in New York.
