Related Research Articles
Guilliam or Willem van Nieulandt or van Nieuwelandt (1582/84–1635) was a Flemish painter, engraver, poet and playwright from Antwerp. He spent two thirds of his career in the Habsburg Netherlands and the remainder in Italy and the Dutch Republic. He is known for his Italianate landscape paintings and prints, often real views or capricci of landscapes and buildings from in or around Rome enlivened by contemporary figures or biblical or mythological scenes. He is regarded as the principal poet and playwright active in the Habsburg Netherlands in the first three decades of the 17th century.
The Violieren was a chamber of rhetoric that dates back to the 15th century in Antwerp, when it was a social drama society with close links to the Guild of Saint Luke. It was one of three drama guilds in the city, the other two being the Goudbloem and the Olyftack. In 1660 the Violieren merged with former rival Olyftack, and in 1762 the society was dissolved altogether.
Philip Numan was a lawyer and humanist from the Low Countries, and a writer in prose and verse, sometimes under the pen name Hippophilus Neander.
Jean de Wachtendonck, Latinized Joannes (1592–1668) was the eighth bishop of Namur, in the Spanish Netherlands.
Jean Pepermans, sometimes Latinized Joannes Pepermannus was a 17th-century printer and bookseller, official printer to the city of Brussels. Very little is known about his life, but he published works by or about some of the leading figures at the Brussels court.
Rutger Velpius was a 16th- and 17th-century printer and bookseller. He was the first printer in the city of Mons, and later became printer to the court in Brussels. His career coincided closely with the first decades of the Dutch Revolt
Joachim Trognaesius, sometimes Trognesius or Trogney, was a printer and bookseller in late-16th-century and early-17th-century Antwerp.
Jonker Jan van der Noot (1539–1595) was a Netherlandish writer who is regarded as the first Renaissance poet in Dutch.
Lodewijk Makeblijde (1565–1630) was a Flemish Jesuit and a Renaissance poet and hymn writer.
De Olijftak, or in full Gulde van den Heyligen Geest die men noempt den Olijftak, was a chamber of rhetoric that dates back to the early 16th century in Antwerp, when it was a social drama society drawing its membership primarily from merchants and tradesmen. In 1660 it merged with its former rival the Violieren, and in 1762 the society was dissolved altogether.
The Goudbloem (marigold) was a chamber of rhetoric, a society to promote poetry and drama, that dated back to the 15th century in Antwerp. It was one of three drama guilds in the city, the other two being the Violieren and the Olyftack. It ceased to exist around 1654. The Violieren and Olyftack merged in 1660, and survived until 1762.
Hendrik Faydherbe or Henri Fayd'herbe (1574–1629) was a Flemish sculptor and gilder, and poet, who lived and worked in Mechelen, in the Southern Netherlands.
Adrianus or Adriaan van Meerbeeck (1563–1627) was a writer and translator from Antwerp.
The Peoene (Peony), also known as the Sint-Jansgilde, was a chamber of rhetoric dating back to the 15th century in Mechelen.
Guiliam or Willem Lesteens (1590–1661), Latinized Gulielmus Lesteenius, was a printer and publisher in the city of Antwerp, in the Spanish Netherlands.
Events in the year 1634 in the Spanish Netherlands and Prince-bishopric of Liège.
Events in the year 1635 in the Spanish Netherlands and Prince-bishopric of Liège.
Jan or Joannes Cnobbaert (1590–1637) was a Flemish printer, publisher and bookseller who was active in Antwerp in the early 17th century.
Guillaume de Melun (1588–1635) was a nobleman in the Spanish Netherlands, Governor and Grand Bailiff of the County of Hainaut, and Constable of Flanders, who conspired against the government.
References
- ↑ Paul Arblaster, Antwerp & the World (Leuven University Press, 2004), p. 54.
- ↑ D. M. Rogers, "Henry Jaye", Biographical Studies , 1 (1951), pp. 86–111, 251–252.
- ↑ Jan Franz van Dijkhuizen, "Religious Meanings of Pain in Early Modern England", in The Sense of Suffering: Constructions of Physical Pain in Early Modern Culture, edited by Jan Frans van Dijkhuizen and Karl A. E. Enenkel (Intersections 12; Leiden and Boston, 2009), p. 194, note 12
- ↑ Marc Van Vaeck, "De Schadt-Kiste Der Philosophen Ende Poeten (Mechelen 1621): een blazoenfeest aan de vooravond van het einde van het Bestand", De zeventiende eeuw 8 (1992): 75–83
| International | |
|---|---|
| National | |
