Henry "Mzili" Mujunga (born 1971), [1] is a Ugandan-born painter, printmaker, and writer. He has been exploring intuitive ways of reviving African art through an art movement called indigenous expressionism. He strongly advocates the importance of networking amongst contemporary African artists in order to share their culture and create an interesting dialogue with the art being produced globally.
Henry ’Mzili’ Mujunga's portraits feature numerous, seemingly disparate objects brought together into a single frame. They are set in intimate spaces where highly personal interactions take place – often combining several such spaces into one – with titles that the describe the interactions within the paintings themselves, and at the same time allude to external associations. Mzili's gathering of objects, spaces, and the existing associations with these objects mimics the processes of identity-making that he observes in his native Uganda. Individuals often rely on their outward appearance, their possessions, even their environments (and their interactions within them) to communicate their own vision of themselves. At the same time these very things are looked upon by others to identify those around them. Through these information-packed autobiographical compositions, Mzili offers a glimpse into his personal history and present. In addition, they become, for the viewer, a point of departure from which to begin building an understanding of identity in present-day urban Kampala. [2]
Mzili is a founding member of the East African Art Group Index Mashariki, which seeks to re-establish relevancy for art in the local community by propagating indigenous-expressionism. He is also a member of the Pan African Circle of Artists (PACA) that links artists working for the integration of Africa through art.
He is cofounder of Kampala Arts Trust and Online Visual arts Journal Start Journal of Arts and Culture. He is the first curator of the Kampala Art Biennale, 2014.
Mzili is a winner of the Royal Overseas League (ROSL) Art Scholarship 2003 and has exhibited in galleries in Uganda, Kenya, Tanzania, Nigeria, Togo, Benin, Burkina Faso, Mali, Ghana, the United Kingdom, Germany, France, South Africa and the Netherlands.
Myron Krueger is an American computer artist who developed early interactive works. He is also considered to be one of the first generation virtual reality and augmented reality researchers.
Aníbal López , full name Aníbal Asdrúbal López Juarez was an artist and a native of Guatemala. He began his career creating figurative art influenced by expressionism. He has worked in several media, including acrylic and oil on canvas, photography, and video. In the 1990s he and other Guatemalan artists such as Regina José Galindo began creating art "actions" or live art, a combination of street art, performance art, minimalism, and conceptual art. A-1 53167 is the code name that Aníbal López has used since 1997 to sign many of his art actions as a way to show how he questions codes of information regarding identity. The effect is to erase an ethnic-specific sense of belonging and perhaps to resist the impulse of art consumers to categorize him in preconceived categories such as indigenous, Mayan, or Guatemalan.
Nachume Miller (1949–1998) was an Israeli artist who immigrated to New York City in 1973, where he made a name for himself in the American Modern Art scene. Miller's parents were both Holocaust survivors. His father was a captain in the front lines of the Russian Army during World War II and his mother was a Lithuanian who had once been held captive in a concentration camp. Both escaped the Nazis, re-united and fled to Israel. Nachume was born during their voyage, in Frankfurt, Germany, on January 28, 1949. He grew up in the town of Holon, Israel, where he was inspired by his father who spent most of his post-war days carving elaborate wood sculptures of Cubist human forms. Nachume, on the contrary, excelled in painting.
Marianne Csaky is a Hungarian writer and sculptor. Trained in arts as well as ethnography and philosophy, she started to exhibit her work in Budapest in 1989. Since the very start of her career Csáky has been known for her non-mainstream forms of expression, her unconventional and provocative images. She regularly publishes poems, essays and translations.
Utagawa Kunimasu was a designer of ukiyo-e woodblock prints in Osaka who was active during the late Edo period. He was a leading producer of kamigata-e, prints from the Osaka and Kyoto areas. He is also known as Sadamasu [貞升], the artist name he used prior to Kunimasu.
Lester Johnson was an American artist and educator. Johnson was a member of the Second Generation of the New York School during the late 1950s. The subject of much of his work is the human figure. His style is considered by critics and art historians to be in the figurative expressionist mode.
Jay Batlle is an artist born in 1976, who received his Bachelor of Arts from UCLA in 1998. He went to the Ateliers in Amsterdam from 1998 to 2000. Batlle's "epicurean" paintings, drawings, and sculptures take the habits of the gourmet as a source of inspiration and social commentary. His oeuvre offers both a critique of comestible-related decadence and a celebration of the preparation and consumption of food across various cultures.
Kizito Maria Kasule is a Ugandan artist and entrepreneur. His work has been shown throughout East Africa, Belgium, Austria, Germany, Australia, and France, as well as in Denmark and Norway. He has been a lecturer at Makerere University since 1992.
Alma Redlinger was a painter and illustrator from Romania.
Christopher Cook is a British painter known for works since 1998 in graphite powder and resin, which have been exhibited in, and collected by, several major museums, predominantly in the USA.
Thornton Willis is an American abstract painter. He has contributed to the New York School of painting since the late 1960s. Viewed as a member of the Third Generation of American Abstract Expressionists, his work is associated with Abstract Expressionism, Lyrical Abstraction, Process Art, Postminimalism, Bio-morphic Cubism and Color Field painting.
The Dresdner Sezession was an art group aligned with German Expressionism founded by Otto Schubert, Conrad Felixmüller and his pupil Otto Dix in Dresden, during a period of political and social turmoil in the aftermath of World War I. The group's activity spanned from 1919 until its final collective exhibition in 1925. During its heyday, the group consisted of some of the most influential and prominent expressionist artists of their generations, including Will Heckrott, Lasar Segall, Otto Schubert and Constantin von Mitschke-Collande, as well as the architect Hugo Zehder and writers Walter Rheiner, Heinar Schilling, and Felix Stiemer.
Thanassis Stephopoulos was one of Greece's most important 20th-century painters, teachers and philosophers of art. He was famous for his works, representing a genre of painting which he had introduced, the abstract landscape painting. He was one of the most important representatives of the so-called Modern Greek art.
Clayton George Bailey, was an American artist who worked primarily in the mediums of ceramic and metal sculpture.
Ife Piankhi is a Uganda-born poet, singer, creative facilitator and educator. She has collaborated with artists such as Keko, Nneka, Mamoud Guinea, Geoff Wilkinson, Michael Franti, Jonzi D, Wynton Marsalis, Floetry, among others. She has toured internationally for the past 30 years visiting Canada, Ghana, Sierra Leone, Zanzibar, Zambia, Romania, Italy, Holland, and USA. While living in London she was a regular on Colourful Radio, founded by Henry Bonsu. She has been featured in the documentaries 500 years later by Owen Shahadah and Nubian Spirit by Louis Buckley which highlight her knowledge of Nile Valley Civilisations. Ife started her career at 18 teaching African pre-history in a supplementary school called Aimhotep School of Knowledge. Since then she has continued to work as a teacher and facilitator. She co-ordinated innovative projects such as Identity and Difference in Sutton and Linking Communities in Merton. Another creative project was Ancestral Gathering, managed with Aamasade Shepnekhi, which saw her working with communities to create sacred space in the natural environment. She is regularly seen at poetry and music events in Kampala, Uganda. For five years she sat on the board of Laba Street Art Festival, and has assisted in the development of initiatives such as Teen Slam Poetry Challenge, Poetry in Session and the Babashai Poetry Award.
Esteri Tebandeke is a Ugandan filmmaker, actress, dancer and visual artist. She is a graduate of the Margaret Trowell School of Industrial and Fine Art at Makerere University.
Boris Nzebo is a visual artist who lives and works in Douala, Cameroon.
Namubiru Rose Kirumira. is a Ugandan sculptor and senior lecturer at the Margaret Trowell School of Industrial and Fine Arts (MTSIFA), Department of Visual Arts, College of Engineering Design Art and Technology, at Makerere University. She specializes in human form, sculpted wood, clay and concrete monumental sculptures. Her works include the statue King Ronald Mwenda Mutebi where she assisted the sculptor and professor Francis Nnaggenda at Bulange Mengo, and Family at Mulago Hospital in Kampala.
The Afriart Gallery (AAG) is an art gallery located on the 7th Street Industrial Area in Kampala in Uganda that was established in 2002. It represents and manages careers of contemporary artists living and working on the African continent. AAG showcases artists at major international art exhibitions and art fairs. There is a gallery space exhibiting temporary exhibitions on ground. It is where the launch for the Artfest magazine happened.
Interlude is an oil-on-canvas work by mid-20th-century painter John Koch, that sits in the Memorial Art Gallery's permanent collection. It was completed in 1963 in the midst of the Civil Rights Movement. It is one of Koch's many known works featuring himself and a nude model in-studio. Interlude along with other pieces such as The Sculptor (1964), and Painter and Models (1972) present the theme of a scene in which artist and model are in the midst of taking a break. Nakedness of the model is still portrayed, but in an unprompted and naturalistic state different from whatever artificial pose they might have been in. The model is alongside Koch before his unfinished canvas, in his high end domestic space - a fourteen bedroom apartment on Central Park West. An interaction between Koch and the model, or the model and another subject, is customarily caught in frame. Interlude depicts Koch's wife, Dora Zaslavsky, handing the model a cup of tea for example. This unique take on the nude portrait is a stand out feature of Koch's body of work. In addition to subject matter, Koch's painting style reflects traditional European Realism, somewhat of a rare sight in post-war American Expressionism.