Henry and Emma

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"Henry and Emma, a poem, upon the model of The Nut-brown Maid" is a 1709 poem by Matthew Prior. [1] As the subtitle indicates, the poem is based on the fifteenth-century ballad "The Nut-Brown Maid".

Contents

"Henry and Emma" is said to have been written at Wittenham Clumps.[ according to whom? ]

Legacy

The frontispiece of Matthew Prior's Poetical Works (1779) Sherwin-Henry-and-Emma.jpg
The frontispiece of Matthew Prior's Poetical Works (1779)

"Henry and Emma" was very well known in the eighteenth century and has been credited with popularising the name Emma in England. [2] The success of the poem is reflected in the decision to use an engraving illustrating a scene from "Henry and Emma" as the frontispiece for a 1779 edition of Prior's collected poetry. This was just one of numerous similar prints and paintings produced at this time:

The continued popularity of 'Henry and Emma' into the early nineteenth century is reflected in the poem's prominence in editions of Matthew Prior's works. [13]

"Henry and Emma" is perhaps best known for being alluded to in Jane Austen's 1817 novel Persuasion , in which Anne Elliot, the protagonist, endeavours to be composed on seeing her love, Captain Wentworth, tend to her friend, Louisa Musgrove, "Without emulating the feelings of an Emma to her Henry". In other words, Anne tries to contain her feelings and not display the abject love for Wentworth that Emma exhibited for Henry. [14] As Paula Backscheider notes, the fact that "Jane Austen could use an unglossed reference to [Matthew Prior's] "Henry and Emma" (1709) in Persuasion (1818) to delineate Anne Elliot’s feelings about Louisa Musgrove and Wentworth" reflects the continuing popularity of "Henry and Emma" in the early nineteenth century. [15] Female poets and authors of the eighteenth and early nineteenth centuries were particularly drawn to Prior's poetry, including Elizabeth Tollet, Anne Finch, Mary Masters, Jane Brereton and Hannah More. [16]

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References

  1. Poems on Several Occasions. London: Jacob Tonson. 1709. pp. 232–271. hdl:2027/nyp.33433112025030.
  2. Redmonds, George (2007). Names and History: People, Places and Things. Continuum. p. 111. ISBN   9781852855079.
  3. Francis Cotes, "Anne Sandby as The Nut-Brown Maid" (1763)
  4. J. K. Sherwin, 'Henry and Emma'. High resolution copy available from the British Museum Sherwin, 'Henry and Emma'
  5. Walker 'Henry and Emma' (1781).
  6. John Jones, Henry and Emma (London, 1782).
  7. John Raphael Smith 'Emma'.
  8. Robert Sayer, 'Henry and Emma' (1787).
  9. Joseph Slater sr. 'Henry and Emma'.
  10. Thomas Burke, Henry and Emma (London, 1792).
  11. Laurie & Whittle 'Henry and Emma' (1794)
  12. Bartolozzi, 'Henry and Emma'.
  13. George Nicholson, Poems by Matthew Prior Esqr. Containing Henry & Emma, Epistles &c.&c. with the Author's Life (Ludlow, 1800)
  14. Ellen Moody, “A banish’d man and nut-brown maid:” Austen’s use of Matthew Prior in Persuasion, Reveries under the sign of Austen, Two (2018)
  15. Backscheider, Paula R. (2005). Eighteenth-Century Women Poets and Their Poetry: Inventing Agency, Inventing Genre. JHU Press, p. 35. ISBN   9780801895906.
  16. Backscheider, Eighteenth-Century Women Poets and Their Poetry, pp. 33, 35-6, 38, 59, 73.