"The Nut-Brown Maid" is a ballad that made its first printed appearance in The Customs of London, also known as Arnold's Chronicle, published in 1502 by the chronicler Richard Arnold. [1] The editor of the 1811 edition of the chronicle suggested it might be based on a German ballad. [2] An alternative explanation is that the poem may be based on the exploits of Henry Clifford (1454-1523), the tenth Baron Clifford, and his wife Anne St John. Like the knight in the ballad, Clifford was said to have spent part of his early life as an outlaw. [3]
The literary scholar, Walter Skeat suggested the ballad was "almost certainly written by a woman" based on internal references and the poem's vigorous defence of the constancy of women. [4] John Milton Berdan, described the ballad as the 'epitome of Medieval Latin influence'. [5] The poem must have been popular in the early sixteenth century, since there are references to it being sold separately by 1520 for one penny. [6] In 1537 John Scott published a religious song called 'The New Nut Brown Maid' which employed the same phraseology and the same stanza form of the original, in which the dialogue is now between the Virgin and Christ. [7] This presumably represented an attempt to utilise a popular piece for pious purposes. [8] The Nut-Brown Maid was apparently still popular enough in 1575 to have been performed for Queen Elizabeth at Kenilworth Castle in a show put on by the Queen's favourite, Robert Dudley. [9]
After falling into obscurity during the Stuart Period, 'The Nut-Brown Maid' became better known again in the eighteenth century and was reprinted many times. [10] The earliest version was that published in the 'Muse's Mercury' for June 1707. [11] Later versions included one by Thomas Percy in his popular and influential Reliques of Ancient English Poetry (1765). Another widely-published version was that by the renowned nineteenth-century literary scholar William Hazlitt. [12] Later versions of the text employ more modern spelling and orthography. [13]
A man and woman talk of women's fidelity, he disbelieving, and she producing the nut-brown maid as proof. They discuss her story. Her love comes to her, a knight but banished as an outlaw. She tells him that she loves him alone. He tells her that he must go to the greenwood, and she says that it grieves her. He asks if she would not find time easing her and urges her to let it, and she declares that she would go with him to the woods. He warns her that men will slander her for it, that she will have to take a bow as if a man, that if he is caught and executed, no one will help her, that the way will be hard, in the wild and exposed to weather, that meals will be scarce and beds non-existent, that she will have to disguise herself as a man, that he believes she will give it up quickly, that being a baron's daughter and he a lowly squire, she will come to curse him for this, and that he might fall in love with another woman, but to each one, she retorts that she will still come, because she loves him alone.
He tells her that he is not, after all, banished, and she says she is glad but knows that men are fickle. The man assures her that he will marry her, and that he is, in fact, an Earl's son from Westmorland.
Matthew Prior's 1709 poem Henry and Emma, a poem, upon the model of The Nut-brown Maid. The enormous popularity of Prior's poem in the eighteenth-nineteenth centuries stimulated interest in "The Nut-Brown Maid", on which it was based.
Francis Cotes's print, Anne Sandby as "The Nut-Brown Maid" (1763) features Anne (wife of Paul Sandby) posing as Emma from Matthew Prior's version of the poem. [14]
Ursula March is referred to several times, in Dinah Mulock Craik's John Halifax, Gentleman (1856), as the "Nut-browne Mayde," highlighting her status as a faithful woman who marries beneath her station. [15]
Joseph Edward Southall's painting 'The Nut Brown Maid' (1902-4) depicts the ballad.
Philip Lindsay, The Nutbrown Maid (London, 1939). A novel combining the ballad with the story lines of some of the Robin Hood ballads. [16]
B.B’s 1944 novel ‘Brendon Chase’ opens with an excerpt from the ballad.
The final poem of John Ashbery's 1977 collection Houseboat Days is 'Fantasia on "The Nut-Brown Maid"'. [17]
Sir Thomas Wyatt was a 16th-century English politician, ambassador, and lyric poet credited with introducing the sonnet to English literature. He was born at Allington Castle near Maidstone in Kent, though the family was originally from Yorkshire. His family adopted the Lancastrian side in the Wars of Roses. His mother was Anne Skinner, and his father Henry, who had earlier been imprisoned and tortured by Richard III, had been a Privy Councillor of Henry VII and remained a trusted adviser when Henry VIII ascended the throne in 1509. Thomas followed his father to court after his education at St John's College, Cambridge. Entering the King's service, he was entrusted with many important diplomatic missions. In public life his principal patron was Thomas Cromwell, after whose death he was recalled from abroad and imprisoned (1541). Though subsequently acquitted and released, shortly thereafter he died. His poems were circulated at court and may have been published anonymously in the anthology The Court of Venus during his lifetime, but were not published under his name until after his death; the first major book to feature and attribute his verse was Tottel's Miscellany (1557), printed 15 years after his death.
John Lawrence Ashbery was an American poet and art critic.
"Barbara Allen" is a traditional folk song that is popular throughout the English speaking world and beyond. It tells of how the eponymous character denies a dying man's love, then dies of grief soon after his untimely death.
Alfred Austin was an English poet who was appointed Poet Laureate in 1896, after an interval following the death of Tennyson, when the other candidates had either caused controversy or refused the honour. It was claimed that he was being rewarded for his support for the Conservative leader Lord Salisbury in the General Election of 1895. Austin's poems are little-remembered today, his most popular work being prose idylls celebrating nature. Wilfred Scawen Blunt wrote of him, “He is an acute and ready reasoner, and is well read in theology and science. It is strange his poetry should be such poor stuff, and stranger still that he should imagine it immortal.”
Dinah Maria Craik was an English novelist and poet. She is best remembered for her novel John Halifax, Gentleman, which presents the mid-Victorian ideals of English middle-class life.
"Sir Patrick Spens" is one of the most popular of the Child Ballads, and is of Scottish origin. It is a maritime ballad about a disaster at sea.
The Reliques of Ancient English Poetry is a collection of ballads and popular songs collected by Bishop Thomas Percy and published in 1765.
"The King and the Beggar-maid" is a 16th-century broadside ballad that tells the story of an African king, Cophetua, and his love for the beggar Penelophon. The story has been widely referenced and King Cophetua has become a byword for "a man who falls in love with a woman instantly and proposes marriage immediately".
Lord Thomas and Fair Annet, also known as Lord Thomas and Fair Eleanor, is an English folk ballad.
"The Fair Flower of Northumberland" is a folk ballad.
Nationality words link to articles with information on the nation's poetry or literature.
Veronica Gambara was an Italian poet and politician. She was the ruler of the County of Corregio from 1518 until 1550.
"We are Seven" is a poem written by William Wordsworth and published in his Lyrical Ballads. It describes a discussion between an adult poetic speaker and a "little cottage girl" about the number of brothers and sisters who dwell with her. The poem turns on the question of whether to account two dead siblings as part of the family.
"Lucy Gray" is a poem written by William Wordsworth in 1799 and published in his Lyrical Ballads. It describes the death of a young girl named Lucy Gray, who went out one evening into a storm.
The Feast of the Poets is a poem by Leigh Hunt that was originally published in 1811 in the Reflector. It was published in an expanded form in 1814, and revised and expanded throughout his life. The work describes Hunt's contemporary poets, and either praises or mocks them by allowing only the best to dine with Apollo. The work also provided commentary on William Wordsworth and Romantic poetry. Critics praised or attacked the work on the basis of their sympathies towards Hunt's political views.
Richard Arnold, was an English antiquary and chronicler.
Self-Portrait in a Convex Mirror is a 1975 poetry collection by the American writer John Ashbery. The title, shared with its final poem, comes from the painting of the same name by the Late Renaissance artist Parmigianino. The book won the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award, the only book to have received all three awards.
"The Skaters" is a 739-line long poem by American postmodern poet John Ashbery. Written from 1963 and in close to its final state in 1964, it was first published in Ashbery's fifth collection of poems, Rivers and Mountains published by Holt, Rinehart & Winston.
"Henry and Emma, a poem, upon the model of The Nut-brown Maid" is a 1709 poem by Matthew Prior. As the subtitle indicates, the poem is based on the fifteenth-century ballad "The Nut-Brown Maid".