Richard Arnold (died ca. 1521), was an English antiquary and chronicler.
Arnold was a citizen of London, dwelling in the parish of St Magnus, London Bridge. It would appear from his own book that he was a merchant trading with Flanders. He was an executor of the will of John Amell the elder, citizen and cutler of London, which was drawn up in 1473, and he is there described as a haberdasher. He was in the habit, for purposes of business, of paying visits to Flanders, and was in 1488 confined in the Castle of Sluys on suspicion of being a spy. He was apparently hard pressed by creditors at one period of his life, and sought shelter in the sanctuary at Westminster. He had a wife named Alice and a son Nicholas. The date of his death is uncertain. Francis Douce, who fully investigated the matter, concluded that he died shortly after the publication of the last edition of his book, in 1520–1.
Arnold's work is a book dealing with London antiquities. [1] It contains the chief charters granted to the city, accounts of its customs, and notes on a variety of topics chiefly but not entirely connected with commerce. Thomas Hearne called it a chronicle; but its only claim to that title rests on its opening section, which gives, with occasional historical notes, a list of the names of the 'Balyfs, Gustos, Mayers, and Sherefs' of London between 1189 and 1502. The greater part of this list was evidently borrowed direct from a manuscript now in the Cottonian Library at the British Museum. Arnold himself gives the book no name; Douce, its latest editor, christens it the 'Customs of London.' Its best known feature is its introduction of the 'Ballade of ye Nottebrowne Mayde,(The Nut-Brown Maid) which occurs, without any explanation, between an account of the tolls payable by English merchants sending merchandise to Antwerp, and a statement of the differences between English and Flemish currencies. No earlier version of the ballad is known, and according to Capel, Warton, Douce, and Collier, it is probable that it had been composed only a few years before Arnold transcribed and printed it. Hearne, however, assigns it to the time of Henry V, and Thomas Percy to the early part of Henry VII's reign. Its authorship is unknown; but Douce assumes that it was translated from an old German ballad by some Englishman whom Arnold met at Antwerp. It was frequently reprinted separately in the sixteenth century, and enjoyed very great popularity for many years; interest in it was revived by its republication in the 'Muse's Mercury' for June 1707, [2] where it was first seen by Matthew Prior, who paraphrased it in his 'Henry and Emma' about 1718.
From typographical evidence it is clear that Arnold's book was first published at Antwerp in 1502 by John Doesborowe, who published other English books. This edition is without date, place, or printer's name. A second edition, in which the list of the mayors and sheriffs is brought down to 1520 — doubtless the date of publication — is ascribed by typographical experts to Peter Treveris, the first printer who set up a press at Southwark. It is also without date, place, or printer's name. A third edition, with introduction by Francis Douce, appeared in 1811. Copies of the two original editions, which are now of excessive rarity, are in the British Library, and other copies may be found at the Huntington Library, the Folger Shakespeare Library, and other archives. A copy is freely available from the Internet Archive. [3]
An incunable or incunabulum is a book, pamphlet, or broadside that was printed in the earliest stages of printing in Europe, up to the year 1500. Incunabula were produced before the printing press became widespread on the continent and are distinct from manuscripts, which are documents written by hand. Some authorities on the history of printing include block books from the same time period as incunabula, whereas others limit the term to works printed using movable type.
John Baskerville was an English businessman, in areas including japanning and papier-mâché, but he is best remembered as a printer and type designer. He was also responsible for inventing "wove paper", which was considerably smoother than "laid paper", allowing for sharper printing results.
Thomas Hearne or Hearn was an English diarist and prolific antiquary, particularly remembered for his published editions of many medieval English chronicles and other important historical texts.
This article is a list of the literary events and publications in the 15th century.
John Rastell was an English printer, author, member of parliament, and barrister.
Joseph Ames was an English bibliographer and antiquary. He purportedly wrote an account of printing in England from 1471 to 1600 entitled Typographical Antiquities (1749). It is uncertain whether he was by occupation a ship's chandler, a pattern-maker, a plane iron maker or an ironmonger. Though never educated beyond grammar school, he prospered in trade and amassed valuable collections of rare books and antiquities.
Christophe Plantin was a French Renaissance humanist and book printer and publisher who resided and worked in Antwerp. He established in Antwerp one of the most prominent publishing houses of his time, the Plantin Press. It played a significant role in making Antwerp a leading centre of book publishing in Europe. The publishing house was continued by his successors until 1867.
Francis Douce was a British antiquary and museum curator.
Robert Fabyan was a London draper, Sheriff and Alderman, and author of Fabyan's Chronicle.
Gesta Romanorum, meaning Deeds of the Romans, is a Latin collection of anecdotes and tales that was probably compiled about the end of the 13th century or the beginning of the 14th. It still possesses a two-fold literary interest, first as one of the most popular books of the time, and secondly as the source, directly or indirectly, of later literature, in Geoffrey Chaucer, John Gower, Giovanni Boccaccio, Thomas Hoccleve, William Shakespeare, and others.
The Reliques of Ancient English Poetry is a collection of ballads and popular songs collected by Bishop Thomas Percy and published in 1765.
White Kennett was an English bishop and antiquarian. He was educated at Westminster School and at St Edmund Hall, Oxford, where, while an undergraduate, he published several translations of Latin works, including Erasmus' In Praise of Folly.
Richard Pynson was one of the first printers of English books. Born in Normandy, he moved to London, where he became one of the leading printers of the generation following William Caxton. His books were printed to a high standard of craftsmanship, and his Morton Missal (1500) is regarded as among the finest books printed in England in the period.
"The Nut-Brown Maid" is a ballad that made its first printed appearance in The Customs of London, also known as Arnold's Chronicle, published in 1502 by the chronicler Richard Arnold. The editor of the 1811 edition of the chronicle suggested it might be based on a German ballad. An alternative explanation is that the poem may be based on the exploits of Henry Clifford (1454-1523), the tenth Baron Clifford, and his wife Anne St John. Like the knight in the ballad, Clifford was said to have spent part of his early life as an outlaw.
Arnold Pannartz and Conrad Sweynheym were two printers of the 15th century, associated with Johannes Gutenberg and the use of his invention, the mechanical movable-type printing press.
Dirk Martens was a printer and editor in the County of Flanders. He published over fifty books by Erasmus and the very first edition of Thomas More's Utopia. He was the first to print Greek and Hebrew characters in the Netherlands. In 1856 a statue of Martens was erected on the main square of the town of his birth, Aalst.
Guido de Monte Rochen or Guy de Montrocher was a French priest and jurist who was active around 1331. He is best known as the author of Manipulus curatorum, a handbook for parish priests, that was often copied, with some 180 complete or partial manuscripts surviving, and later reprinted throughout Europe in the next 200 years, with at least 119 printings, and sales which have been estimated to be three times those of Thomas Aquinas' Summa Theologica. It became obsolete only when the Council of Trent created the Roman Catechism in 1566.
The Short Title Catalogus Flanders (STCV) is an online retrospective bibliography of books that were printed prior to 1801 within the current boundaries of Flanders. The project is executed by the Flanders Heritage Library network.
Michiel Hillen van Hoochstraten or Michel Hillenius, was a Flemish printer, publisher, bookseller and bookbinder. His printing press put out publications in a wide range of genres, including imperial ordinances, almanacs, devotional literature, anthologies of customs, textbooks, etc. He also printed humanistic writings by Erasmus, Adrianus Barlandus and Jacobus Latomus as well as the first Dutch-language version of the story of Till Eulenspiegel. His multiple editions of the Bible in Dutch translation were among the first to be published. Michiel Hillen van Hoochstraten is regarded as the most important publisher active in Antwerp in the first half of the sixteenth century.
Jan van Doesborch, also known as Jan van Doesborgh, John of Doesborch or John of Doesborowe, was a Dutch author, bookseller, printer, engraver, publisher and translator. During the course of his career as a printer and bookseller during the period roughly between 1502 and 1532, he published at least sixty books in various genres, including works of prose fiction, jest books, medieval legend, practical handbooks, and colonial travelogues. These books were mainly printed in either Dutch or English.
Dictionary of National Biography . London: Smith, Elder & Co. 1885–1900.
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