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The Private Life of Helen of Troy is a 1927 American silent comedy adventure film about Helen of Troy based on the 1925 novel of the same name by John Erskine, and adapted to screen by Gerald Duffy. The film was directed by Alexander Korda and starred María Corda as Helen, Lewis Stone as Menelaus, and Ricardo Cortez as Paris.
Anna Quirentia Nilsson was a Swedish-American actress who achieved success in American silent movies.
Flora Finch was an English-born vaudevillian, stage and film actress who starred in over 300 silent films, including over 200 for the Vitagraph Studios film company. The vast majority of her films from the silent era are currently classified as lost.
Don Juan is a 1926 synchronized sound American romantic adventure film directed by Alan Crosland. It is the first feature-length film to utilize the Vitaphone sound-on-disc sound system with a synchronized musical score and sound effects, though it has no spoken dialogue. The film is inspired by Lord Byron's 1821 epic poem of the same name. The screenplay was written by Bess Meredyth with intertitles by Maude Fulton and Walter Anthony.
John Farrell MacDonald was an American character actor and director. He played supporting roles and occasional leads. He appeared in over 325 films over a four-decade career from 1911 to 1951, and directed forty-four silent films from 1912 to 1917.
The Taxi Dancer is a 1927 American silent comedy film directed by Harry F. Millarde and starring Owen Moore and, in her first film with top billing, Joan Crawford.
The Lonedale Operator is a 1911 short American drama film directed by D. W. Griffith, starring Blanche Sweet and written by Mack Sennett for the Biograph Company. The plot of the film involves a girl who takes over a telegraph station after her father takes ill. After the payroll for the town's mine is delivered, two drifters try to steal the money. Their robbery is foiled because the girl is able to telegraph for help and then hold the would-be robbers off until help arrives. The Lonedale Operator includes "elements of romance, drama, suspense, Western, and even a bit of comedy near the end."
Wine of Youth is a 1924 American silent comedy drama film directed by King Vidor, and released by Metro-Goldwyn-Mayer, shortly after the merger which created MGM in April 1924. Vidor did not consider it important enough to mention in his autobiography, although it did advance the careers of three young stars-to-be: Ben Lyon, Eleanor Boardman, and William Haines.
Dante's Inferno is a 1924 American silent drama film directed by Henry Otto that was released by Fox Film Corporation and adapted from Inferno, part of Dante Alighieri's epic poem Divine Comedy. The film mixes material from Dante's "Inferno" with plot points from Charles Dickens' A Christmas Carol. The book was filmed earlier in 1911 in Italy as L'Inferno, and Fox later remade the film in 1935, again as Dante's Inferno, starring Spencer Tracy in the lead role.
Feel My Pulse is a 1928 American silent comedy film directed by Gregory La Cava and starring Bebe Daniels.
Yankee Doodle in Berlin is a 1919 American silent comedy and World War I film from producer Mack Sennett. It was Sennett's most expensive production up to that time. Hiram Abrams was the original State's Rights marketer before the film's release, but producer Sol Lesser bought the rights in March 1919.
Young April is a 1926 American silent romantic comedy film directed by Donald Crisp, and starring Bessie Love, Joseph Schildkraut, and Rudolph Schildkraut. The film was produced by Cecil B. DeMille's production company and distributed by Producers Distributing Corporation. The film was adapted from Egerton Castle's 1899 novel of the same name by Jeanie MacPherson and Douglas Z. Doty. Art direction for the film was done by Anton Grot and its costumes were designed by Adrian.
The Fair Co-Ed, also known as The Varsity Girl, is a 1927 American silent film comedy starring Marion Davies and released through MGM. The film was produced by William Randolph Hearst, through Cosmopolitan Productions and directed by Sam Wood. The film was released in a sound version in 1928 with a synchronized musical score with sound effects.
Ella Cinders is a 1926 American silent comedy film directed by Alfred E. Green, starring Colleen Moore, produced by her husband John McCormick, and featuring Moore's recurring co-star, Lloyd Hughes. The film is based on the syndicated comic strip of the same name by William M. Conselman and Charles Plumb, which in turn was based upon the millennia-old folk tale of Cinderella.
A Million Bid is a lost 1914 silent drama film produced by Vitagraph Company of America, directed by Ralph Ince and starred Anita Stewart. It is based on a stage play Agnes by Gladys Rankin (1874–1914). Later filmed by Vitagraph's successor, Warner Brothers, in 1927 starring Dolores Costello.
A Girl's Folly is a 1917 American silent comedy film directed by Maurice Tourneur and starring Robert Warwick, Doris Kenyon, June Elvidge, Jane Adair, Chester Barnett, and Johnny Hines. Tourneur also played the director for the film within the film.
Circus Rookies is a lost 1928 American silent comedy film produced and distributed by MGM and directed by Edward Sedgwick. It starred the comedy team of Karl Dane and George K. Arthur.
Sailor's Holiday is a 1929 American pre-Code sound comedy film directed by Fred C. Newmeyer and produced and distributed by Pathé Exchange. The film was also released in a silent version.
Greater Than a Crown is a 1925 American silent romantic comedy film directed by Roy William Neill and starring Edmund Lowe, Dolores Costello, and Margaret Livingston. It was based on a 1918 novel The Lady from Long Acre by the British writer Victor Bridges. The novel had previously been adapted as the 1921 film The Lady from Longacre.
Lost in a Hotel is a 1911 American silent comedy film. It was released as the first half of a 1000-foot "split reel", with the latter half being the comedy-fantasy short An Old-Time Nightmare. Both films, currently presumed to be "lost", were produced by the Powers Moving Picture Company of New York. Neither the director nor the performers in this film are identified in 1911 reviews or in plot summaries and advertisements published in trade journals at the time.
References
- ↑ "Calendar of Licensed Releases/ Her Crowning Glory (Comedy)", listing, The Moving Picture World (New York, N.Y.), September 16, 1911, p. 794. Internet Archive, San Francisco, California. Retrieved March 11, 2021.
- ↑ "Silent Era : Progressive Silent Film List". silentera.com. Retrieved September 27, 2020.
