This article includes a list of general references, but it lacks sufficient corresponding inline citations .(March 2012) |
Type | Incentive |
---|---|
Industry | Nonprofit organization |
Genre | Independent film |
Founded | 1996 United States |
Headquarters | 145 Ninth Street, Suite 260 [1] , , |
Website | www |
The National Film Preservation Foundation (NFPF) is an independent, nonprofit organization created by the U.S. Congress to help save America's film heritage. Growing from a national planning effort led by the Library of Congress, the NFPF began operations in 1997. It supports activities nationwide that preserve American films and improve film access for study, education, and exhibition. The NFPF's top priority is saving orphan films, so called because are not protected by commercial interests and are unlikely to survive without public support. Through its grant programs, the NFPF has helped archives, historical societies, libraries, museums, and universities from all 50 states preserve American films and make them available to the public.
The National Film Preservation Foundation was created by the U.S. Congress in 1996, at the recommendation of the Library of Congress, following four years of hearings and research conducted by the Library's National Film Preservation Board. The National Film Preservation Act of 1996 (Public Law 104-285, Title II), signed into law on October 11, 1996, charged the NFPF to "encourage, accept, and administer private gifts to promote and ensure the preservation and public accessibility of the nation's film heritage" and authorized federal funds to advance this work. The NFPF started operations a year later in 1997 as an independent federally chartered grant-giving public charity and the nonprofit charitable affiliate of the Library of Congress's National Film Preservation Board. Since 1996 Congress has increased the NFPF's authorization twice, in 2005 via the Family Entertainment and Copyright Act of 2005 (Public Law 109-9) and in 2008 via the Library of Congress Sound Recording and Film Preservation Programs Reauthorization Act of 2008 (Public Law 110-336). Funding received through the NFPF's authorization is secured through the Library of Congress and goes directly to the field for film preservation projects.
Federal funding received by the NFPF is made available through competitive grants. The program is open to American nonprofit and public institutions of all sizes and experience levels. Awards are made by expert panels, which are recruited from the preservation and scholarly communities and serve on behalf of the NFPF Board. To receive an award, institutions must pledge to provide public access to their films and to store them under cool-and-dry conditions that will extend their useful life. Films preserved through the NFPF are made available for education and shared with the public via screenings, exhibits, DVDs, broadcasts, and the Internet. Since starting its grant program in 1998, the NFPF has assisted 239 institutions across all 50 states, the District of Columbia, and Puerto Rico and has helped save more than 1,870 films. Films preserved through NFPF grants range from silent-era films to industrials, documentaries, newsreels, culturally significant home movies, avant-garde works, and independent productions.
The NFPF also organizes, secures funding for, and manages cooperative projects that enable film organizations—large and small—to join forces on national and international projects. Some of its previous and current projects include:
The NFPF publishes DVD sets and books that promote the preservation of American film. For more than a decade, the NFPF's Treasures from American Film Archives DVD series has made available preservation work from the archival community. Created in collaboration with archives, scholars, and musicians, the sets present long unseen American films with new musical accompaniment, onscreen program notes, and a printed catalog. Besides the Treasures DVDs, the NFPF has also published two reference books, The Field Guide to Sponsored Films (2006) and The Film Preservation Guide: The Basics for Archives, Libraries, and Museums (2004).
The United States National Film Preservation Board (NFPB) is the board selecting films for preservation in the Library of Congress' National Film Registry. It was established by the National Film Preservation Act of 1988. The National Film Registry is meant to preserve up to 25 "culturally, historically or aesthetically significant films" each year; to be eligible, films must be at least 10 years old. Members of the Board also advise the Librarian of Congress on ongoing development and implementation of the national film preservation plan.
The National Trust for Historic Preservation is a privately funded, nonprofit organization based in Washington, D.C., that works in the field of historic preservation in the United States. The member-supported organization was founded in 1949 by congressional charter to support the preservation of America’s diverse historic buildings, neighborhoods, and heritage through its programs, resources, and advocacy.
The National Endowment for the Arts (NEA) is an independent agency of the United States federal government that offers support and funding for projects exhibiting artistic excellence. It was created in 1965 as an independent agency of the federal government by an act of the U.S. Congress, signed by President Lyndon B. Johnson on September 29, 1965. It is a sub-agency of the National Foundation on the Arts and the Humanities, along with the National Endowment for the Humanities, the Federal Council on the Arts and the Humanities, and the Institute of Museum and Library Services.
Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible.
In the United States, the presidential library system is a nationwide network of 15 libraries administered by the Office of Presidential Libraries, which is part of the National Archives and Records Administration (NARA). These are repositories for preserving and making available the papers, records, collections and other historical materials of every president of the United States since Herbert Hoover, the 31st president from 1929–1933. In addition to the library services, museum exhibitions concerning the presidency are displayed.
The National Endowment for the Humanities (NEH) is an independent federal agency of the U.S. government, established by the National Foundation on the Arts and the Humanities Act of 1965, dedicated to supporting research, education, preservation, and public programs in the humanities. The NEH is housed at 400 7th St SW, Washington, D.C. From 1979 to 2014, NEH was at 1100 Pennsylvania Avenue, N.W., Washington, D.C., in the Nancy Hanks Center at the Old Post Office.
The President's Committee on the Arts and the Humanities (PCAH) is an advisory committee to the President of the United States on cultural issues. It works directly with the White House and the three primary cultural agencies: the National Endowment for the Arts (NEA), National Endowment for the Humanities (NEH), and the Institute of Museum and Library Services (IMLS), as well as other federal partners and the private sector, to advance wide-ranging policy objectives in the arts and humanities. These include considerations for how the arts and humanities sectors can positively impact community well-being, economic development, public health, education, civic engagement, and climate change across the United States.
The National Center for Jewish Film is a non-profit motion picture archive, distributor, and resource center. It houses the largest collection of Jewish-themed film and video outside of Israel. Its mission is to collect, restore, preserve, catalogue, and exhibit films with artistic and educational value relevant to the Jewish experience, and to disseminate these materials to the widest possible audience.
The National Digital Information Infrastructure and Preservation Program (NDIIPP) of the United States was an archival program led by the Library of Congress to archive and provide access to digital resources. The program convened several working groups, administered grant projects, and disseminated information about digital preservation issues. The U.S. Congress established the program in 2000, and official activity specific to NDIIPP itself wound down between 2016 and 2018. The Library was chosen because of its role as one of the leading providers of high-quality content on the Internet. The Library of Congress has formed a national network of partners dedicated to preserving specific types of digital content that is at risk of loss.
The National Park Foundation (NPF) is the official charity of the National Park Service (NPS) and its national park sites. The NPF was chartered by Congress in 1967 with a charge to "further the conservation of natural, scenic, historic, scientific, educational, inspirational, or recreational resources for future generations of Americans." The NPF raises private funds for the benefit of, or in connection with, the activities and services of the National Park Service.
The United States Newspaper Program (USNP) is a national effort among the individual states and the US federal government to locate, catalog, and preserve on microfilm, newspapers published in the United States up to the present time. Funding is provided by the National Endowment for the Humanities, and technical assistance is provided by the Library of Congress. The program has since been enhanced by the National Digital Newspaper Program. The program began in 1982 and was estimated to be completed in 2007. As of 2004, $51.1 million in federal and $19.3 million in state funding had been raised.
Visual Communications –– is a community-based non-profit media arts organization based in Los Angeles. It was founded in 1970 by independent filmmakers Robert Nakamura, Alan Ohashi, Eddie Wong, and Duane Kubo, who were students of EthnoCommunications, an alternative film school at University of California, Los Angeles. The mission of VC is to "promote intercultural understanding through the creation, presentation, preservation and support of media works by and about Asian Pacific Americans."
The Audio-Visual Preservation Trust of Canada. originally the Alliance for the Preservation of Canada's Audio-Visual Heritage, was a charitable non-profit organization dedicated to promoting the preservation of Canada's audiovisual heritage, and to facilitating access to regional and national collections through partnerships with members of Canada's audiovisual community.
Save America's Treasures is a United States federal government initiative to preserve and protect historic buildings, arts, and published works. It is a public–private partnership between the U.S. National Park Service and the National Trust for Historic Preservation. The National Endowment for the Arts, National Endowment for the Humanities, and Institute of Museum and Library Services are also partners in the work. In the early years of the program, Heritage Preservation and the National Park Foundation were also involved.
The New York State Archives is a unit of the Office of Cultural Education within the New York State Education Department, with its main facility located in the Cultural Education Center on Madison Avenue in Albany, New York, United States. The New York State Library and the New York State Museum are also located in the Cultural Education Center.
We Work Again is a 1937 ephemeral film produced by the Work Projects Administration to promote its employment and training efforts for African-Americans during the Great Depression. Various jobs are shown, including public construction projects, domestic service and health care training, adult education programs and performing arts. It is particularly noted for containing the only existing footage of the 1936 Federal Theatre Project production of Macbeth, directed by Orson Welles and featuring an all-black cast.
HumanitiesDC, formerly known as the Humanities Council of Washington, DC, is an American non-profit affiliate of the National Endowment for the Humanities based in Washington, D.C. Humanities DC was founded in 1980 to fund and produce public humanities programming in the District of Columbia. It is one of 56 state humanities councils founded in the wake of the National Foundation on the Arts and Humanities Act of 1965.
The Tucson Historic Preservation Foundation is a private, nonprofit organization dedicated to the preservation of the historic, architectural, as well as cultural heritage of Tucson, Arizona. Through advocacy initiatives, educational programs, architectural resources, and cultural events, the foundation’s goal is to encourage the community to learn about and preserve the historic buildings that make the Tucson and Pima County unique.
CETA Employment of Artists(1974–1981) refers to the Comprehensive Employment and Training Act (CETA), which federally employed more than 10,000 artists – visual, performing, and literary – during a span of eight years. This was the largest number of artists supported by Federal funding since the Works Progress Administration (WPA) of the 1930s. It is estimated that an additional 10,000 arts support staff were funded as well. During its peak year, 1980, CETA funding for arts employment funneled up to $300 million into the cultural sector – and the economy – of the United States. In comparison, the National Endowment for the Arts budget that year was $159 million.
Most cultural policy in the United States is enacted at the local and state level, though federal programs also exist to carry out cultural policy. These promote the culture of the United States, including visual art, performing arts, heritage, language, museums, libraries, and sports.