Sir Alfred Joseph Hitchcock was an English film director. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 feature films, many of which are still widely watched and studied today. Known as the "Master of Suspense", Hitchcock became as well known as any of his actors thanks to his many interviews, his cameo appearances in most of his films, and his hosting and producing the television anthology Alfred Hitchcock Presents (1955–65). His films garnered 46 Academy Award nominations, including six wins, although he never won the award for Best Director, despite five nominations.
Betty Compson was an American actress and film producer who got her start during Hollywood's silent era. She is best known for her performances in The Docks of New York and The Barker, the latter of which earned her an Academy Award nomination for Best Actress.
Alma Lucy Reville, Lady Hitchcock was an English screenwriter and film editor. She was the wife of film director Alfred Hitchcock. She collaborated on scripts for her husband's films, including Shadow of a Doubt, Suspicion, and The Lady Vanishes, as well as scripts for other directors, including Henrik Galeen, Maurice Elvey, and Berthold Viertel.
Sabotage, released in the United States as The Woman Alone, is a 1936 British espionage thriller film directed by Alfred Hitchcock starring Sylvia Sidney, Oskar Homolka, and John Loder. It is loosely based on Joseph Conrad's 1907 novel The Secret Agent, about a woman who discovers that her husband is a terrorist agent.
Sir Michael Elias Balcon was an English film producer known for his leadership of Ealing Studios in west London from 1938 to 1956. Under his direction, the studio became one of the most important British film studios of the day. In an industry short of Hollywood-style moguls, Balcon emerged as a key figure, and an obdurately British one too, in his benevolent, somewhat headmasterly approach to the running of a creative organization. He is known for his leadership, and his guidance of young Alfred Hitchcock.
Gainsborough Pictures was a British film studio based on the south bank of the Regent's Canal, in Poole Street, Hoxton in the former Metropolitan Borough of Shoreditch, northeast London. Gainsborough Studios was active between 1924 and 1951. The company was initially based at Islington Studios, which were built as a power station for the Great Northern & City Railway and later converted to studios.
The Pleasure Garden is a 1926 British–German silent drama film directed by Alfred Hitchcock in his feature film directorial debut. Based on the 1923 novel of the same name by Oliver Sandys, the film is about two chorus girls at the Pleasure Garden Theatre in London and their troubled relationships.
Champagne is a 1928 British silent comedy film directed by Alfred Hitchcock and starring Betty Balfour, Gordon Harker and Jean Bradin. The screenplay was based on an original story by writer and critic Walter C. Mycroft. The plot concerns a young woman forced to take a job after her father loses his fortune.
The National Film Preservation Foundation (NFPF) is an independent, nonprofit organization created by the U.S. Congress to help save America's film heritage. Growing from a national planning effort led by the Library of Congress, the NFPF began operations in 1997. It supports activities nationwide that preserve American films and improve film access for study, education, and exhibition. The NFPF's top priority is saving orphan films, so called because they are not protected by commercial interests and are unlikely to survive without public support. Through its grant programs, the NFPF has helped archives, historical societies, libraries, museums, and universities from all 50 states preserve American films and make them available to the public.
The Man Who Knew Too Much is a 1934 British spy thriller film directed by Alfred Hitchcock, featuring Leslie Banks and Peter Lorre, and released by Gaumont British. It was one of the most successful and critically acclaimed films of Hitchcock's British period.
The Lady Vanishes is a 1938 British mystery thriller film directed by Alfred Hitchcock, starring Margaret Lockwood and Michael Redgrave. Written by Sidney Gilliat and Frank Launder, based on the 1936 novel The Wheel Spins by Ethel Lina White, the film is about an English tourist travelling by train in continental Europe who discovers that her elderly travelling companion seems to have disappeared from the train. After her fellow passengers deny ever having seen the elderly lady, the young woman is helped by a young musicologist, the two proceeding to search the train for clues to the old lady's disappearance.
Upstream is a 1927 American comedy film directed by John Ford. A "backstage drama", the film is about a Shakespearean actor and a woman from a knife-throwing act. The film was considered to be a lost film, but in 2009 a print was discovered in the New Zealand Film Archive.
John Henry Graham Cutts, known as Graham Cutts, was a British film director, one of the leading British directors in the 1920s. His fellow director A. V. Bramble believed that Gainsborough Pictures had been built on the back of his work.
Woman to Woman is a 1923 British silent drama film directed by Graham Cutts, with Alfred Hitchcock as the uncredited assistant director and co-screenwriter. The film was the first of three adaptions of the 1921 play Woman to Woman by Michael Morton. To capitalise on the success of the film, Cutts and Hitchcock made another film, The White Shadow, with Compson before she returned to the United States.
Woman to Woman is an all-talking sound 1929 British drama film with music directed by Victor Saville and starring Betty Compson, George Barraud and Juliette Compton. It is an adaptation of the 1921 play Woman to Woman by Michael Morton which had already been made in 1923 into a now-lost film. The 1929 version survives and unrestored copies are available on unofficial DVDs and streaming services.
Woman to Woman is a 1921 play by the British writer Michael Morton. During the First World War, a British officer and a French dancer meet in a doomed romance.
The Woman on the Jury is a lost 1924 American silent drama film produced and released by Associated First National and directed by Harry Hoyt. It is based on a Broadway stage play, The Woman on the Jury, and stars Sylvia Breamer and Bessie Love. The story was refilmed in 1929 as an early talkie under the title The Love Racket starring Dorothy Mackaill.
Islington Studios, often known as Gainsborough Studios, were British film studios located on the south bank of the Regent's Canal, in Poole Street, Hoxton in the former Metropolitan Borough of Shoreditch, London between 1919 and 1949. The studios are closely associated with Gainsborough Pictures which was based there for most of the studios' history. During its existence Islington Studios worked closely with its sister Lime Grove Studios in Shepherd's Bush and many films were made partly at one studio and partly at the other. Amongst the films made at the studios were Alfred Hitchcock thrillers, Will Hay comedies and Gainsborough melodramas.
The New Zealand Film Archive was established in 1981. On 1 August 2014 the archive was amalgamated with Sound Archives Ngā Taonga Kōrero and the Television New Zealand Archive to form Ngā Taonga Sound & Vision.
