Woman to Woman | |
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Directed by | Graham Cutts Alfred Hitchcock (uncredited) |
Written by | Graham Cutts Alfred Hitchcock (uncredited) |
Based on | Woman to Woman by Michael Morton |
Produced by | Michael Balcon Victor Saville |
Starring | Betty Compson |
Cinematography | Claude McDonnell |
Edited by | Alma Reville |
Distributed by | Woolf & Freedman Film Service |
Release date |
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Running time | 82 minutes (8 reels; 7455 feet) |
Country | United Kingdom |
Language | Silent (English intertitles) |
Woman to Woman is a 1923 British silent drama film directed by Graham Cutts, with Alfred Hitchcock as the uncredited assistant director and co-screenwriter. [1] [2] The film was the first of three adaptions of the 1921 play Woman to Woman by Michael Morton. To capitalise on the success of the film, Cutts and Hitchcock made another film, The White Shadow , with Compson before she returned to the United States. [1]
Hitchcock met his future wife, Alma Reville, while working on this film. [3]
As described in a film magazine review, [4] Deloryse, a dancer of exquisite charm and grace, is wooed and won by David Compton, an English officer billeted in Paris. On the eve of their marriage, her fiancée is unexpectedly called away. A blow to the head robs him of his memory and he forgets all about the faithful young woman who sacrificed all for him. Later, fate brings them together and, while the man's heart is wrung by the wrong that he has unwittingly done to Deloryse by marrying another woman, Deloryse's one thought is to protect the future of their son. For this, she sacrifices herself by dancing at a fete of the second woman in the case, even after a doctor had warned her that to do so would be fatal.
As of August 2010, the film is missing from the BFI National Archive, and is listed as one of the British Film Institute's "75 Most Wanted" lost films. [3]
Betty Compson was an American actress and film producer who got her start during Hollywood's silent era. She is best known for her performances in The Docks of New York and The Barker, the latter of which earned her an Academy Award nomination for Best Actress.
The Lodger: A Story of the London Fog is a 1927 British silent thriller film directed by Alfred Hitchcock and starring Marie Ault, Arthur Chesney, June Tripp, Malcolm Keen and Ivor Novello. Hitchcock's third feature film, it was released on 14 February 1927 in London and on 10 June 1928 in New York City. The film is based on the 1913 novel The Lodger by Marie Belloc Lowndes and the play Who Is He? co-written by Belloc Lowndes. Its plot concerns the hunt for a Jack the Ripper-like serial killer in London.
Sir Michael Elias Balcon was an English film producer known for his leadership of Ealing Studios in west London from 1938 to 1956. Under his direction, the studio became one of the most important British film studios of the day. In an industry short of Hollywood-style moguls, Balcon emerged as a key figure, and an obdurately British one too, in his benevolent, somewhat headmasterly approach to the running of a creative organization. He is known for his leadership, and his guidance of young Alfred Hitchcock.
The Mountain Eagle is a 1926 silent film, and Alfred Hitchcock's second as director, following The Pleasure Garden. The film, a romantic drama set in Kentucky, is about a widower who jealously competes with his crippled son and a man he loathes over the affections of a schoolteacher. The film was mostly produced at the Emelka Film studios in Munich, Germany in autumn of 1925, with exterior scenes shot in the village of Obergurgl in the State of Tyrol, Austria. Production was plagued with problems, including the destruction of a village roof and Hitchcock experiencing altitude sickness. Due to producing the film in Germany, Hitchcock had more directorial freedom than he would have had in England, and he was influenced by German cinematic style and technique.
The Pleasure Garden is a 1926 British–German silent drama film directed by Alfred Hitchcock in his feature film directorial debut. Based on the 1923 novel of the same name by Oliver Sandys, the film is about two chorus girls at the Pleasure Garden Theatre in London and their troubled relationships.
Blackmail is a 1929 British thriller directed by Alfred Hitchcock and starring Anny Ondra, John Longden, and Cyril Ritchard. Based on the 1928 play of the same name by Charles Bennett, the film is about a London woman who is blackmailed after killing a man who tries to rape her.
Clifford Hardman "Clive" Brook was an English film actor.
John Stuart was born to Scottish parents, and was a very popular leading man in British silent films in the 1920s. He successfully made the transition to talking pictures in the 1930s and his film career went on to span almost six decades. He appeared in 172 films, 123 stage plays, and 103 television plays and series.
John Henry Graham Cutts, known as Graham Cutts, was a British film director, one of the leading British directors in the 1920s. His fellow director A. V. Bramble believed that Gainsborough Pictures had been built on the back of his work.
Adrian Brunel was an English film director and screenwriter. Brunel's directorial career started in the silent era, and reached its peak in the latter half of the 1920s. His surviving work from the 1920s, both full-length feature films and shorts, is highly regarded by silent film historians for its distinctive innovation, sophistication and wit.
The Passionate Adventure is a 1924 British silent drama film directed by Graham Cutts and starring Clive Brook and Alice Joyce. The film was adapted from a novel by Frank Stayton by Alfred Hitchcock and Michael Morton, with Hitchcock also credited as assistant director to Cutts.
The White Shadow, also known as White Shadows in the United States, is a 1923 British drama film directed by Graham Cutts and starring Betty Compson, Clive Brook, and Henry Victor.
Woman to Woman is an all-talking sound 1929 British drama film with music directed by Victor Saville and starring Betty Compson, George Barraud and Juliette Compton. It is an adaptation of the 1921 play Woman to Woman by Michael Morton which had already been made in 1923 into a now-lost film. The 1929 version survives and unrestored copies are available on unofficial DVDs and streaming services.
The Prude's Fall is a 1925 British silent drama film directed by Graham Cutts and starring Jane Novak, Julanne Johnston, and Warwick Ward.
This Freedom is a 1923 British silent drama film directed by Denison Clift and starring Fay Compton, Clive Brook, and John Stuart. It was based on the novel This Freedom by A. S. M. Hutchinson.
Sally is a 1925 American silent romantic comedy film starring Colleen Moore. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Sally written by Guy Bolton and Clifford Grey that was adapted to film by June Mathis. The play was a Florenz Ziegfeld Jr. production written specifically for Marilyn Miller that opened on December 21, 1920, at the New Amsterdam Theatre on Broadway. It ran for 570 performances.
The Woman With Four Faces is a lost 1923 American silent crime melodrama film directed by Herbert Brenon and starring Betty Compson. Famous Players–Lasky produced while Paramount Pictures released. The story is based on a play, The Woman With Four Faces, by Bayard Veiller.
New Lives for Old is a 1925 American silent drama film that was produced by Famous Players–Lasky, directed by Clarence G. Badger, and starred Betty Compson.
Counsel for the Defense is a 1925 American silent drama film directed by Burton L. King and starring Jay Hunt, Betty Compson, and House Peters. It is based on the 1912 novel of the same name by Leroy Scott.