|Flames of Passion|
|Directed by||Graham Cutts|
|Written by|| Herbert Wilcox |
M. V. Wilcox
|Produced by||Herbert Wilcox|
|Starring|| Mae Marsh |
C. Aubrey Smith
|Distributed by||Astra Film|
Flames of Passion (1922) was a British silent film drama directed by Graham Cutts, starred Mae Marsh and C. Aubrey Smith.
The film was made by the newly formed Graham-Wilcox Productions company, a joint venture between Cutts and producer Herbert Wilcox. The entrepreneurial Wilcox tempted American star Marsh to England with a high salary offer, believing this would improve the film's marketability in the U.S.  She was paid £1,000 a week. 
The gamble paid off as it became the first post-war British film to be sold to the U.S. The final reel of the film was filmed in the bi-pack color process Prizma Color. 
The wife of a wealthy barrister seduces her chauffeur, with whom she falls in love. She gives birth to a baby, apparently without her husband knowing anything about her pregnancy.
The child is killed by the chauffeur during a car accident—he was visibly drunk when driving. The result is a showpiece trial at the Old Bailey, presumably of the chauffeur on a charge of infanticide, in which the woman at first tries to protect her lover, but is forced finally under cross-examination to make a dramatic public confession that the dead infant was hers. By the end of the film, she returns to her husband.
Flames of Passion proved controversial with critics, many of whom found the subject matter lurid, sensationalist and distasteful. Cinemagoers had no such qualms, and turned the film into a big box-office hit, Wilcox's first commercial success. 
This was the first British film to be sold for distribution in the United States following World War I where it was shown under the title A Woman's Secret. 
A print with Dutch titles exists at the British Film Institute.
Dame Florence Marjorie Wilcox, known professionally as Anna Neagle, was an English stage and film actress, singer, and dancer.
Herbert Sydney Wilcox CBE was a British film producer and director.
The Sign of Four is a 1932 British crime film directed by Graham Cutts and starring Arthur Wontner, Ian Hunter and Graham Soutten. The film is based on Arthur Conan Doyle's second Sherlock Holmes novel The Sign of the Four (1890). The film is also known as The Sign of Four: Sherlock Holmes' Greatest Case.
John Henry Graham Cutts, known as Graham Cutts, was a British film director, one of the leading British directors in the 1920s. His fellow director A. V. Bramble believed that Gainsborough Pictures had been built on the back of his work.
London is a 1926 British silent romantic drama film, directed by Herbert Wilcox and starring Dorothy Gish. The film was adapted by Wilcox from a short story by popular author Thomas Burke. The British Film Institute considers this to be a lost film.
Woman to Woman is a 1923 British silent drama film directed by Graham Cutts, with Alfred Hitchcock as the uncredited assistant director and co-screenwriter. The film was the first of three adaptions of the 1921 play Woman to Woman by Michael Morton. To capitalise on the success of the film, Cutts and Hitchcock made another film, The White Shadow, with Compson before she returned to the United States.
The Passionate Adventure is a 1924 British silent drama film directed by Graham Cutts and starring Clive Brook and Alice Joyce. The film was adapted from a novel by Frank Stayton by Alfred Hitchcock and Michael Morton, with Hitchcock also credited as assistant director to Cutts.
Peg of Old Drury is a 1935 British historical film directed by Herbert Wilcox and starring Anna Neagle, Cedric Hardwicke and Margaretta Scott. The film is a biopic of eighteenth-century Irish actress Peg Woffington. It was based on the play Masks and Faces by Charles Reade and Tom Taylor. It contains passages of eighteenth century Shakespearian performance, from The Merchant of Venice, Richard III and As You Like It.
The Rat is a 1925 British silent film drama, directed by Graham Cutts and starring Ivor Novello, Mae Marsh and Isabel Jeans. The film is based on the 1924 play of the same title written by Novello and Constance Collier, set in the Parisian criminal underworld. The film's louche settings and melodramatic storyline proved popular with audiences, and its success spawned two sequels, The Triumph of the Rat (1926) and The Return of the Rat (1929).
The Triumph of the Rat is a 1926 British silent film drama, directed by Graham Cutts for Gainsborough Pictures and starring Ivor Novello, Isabel Jeans and Nina Vanna.
The Return of the Rat is a 1929 British silent drama film directed by Graham Cutts and starring Ivor Novello, Isabel Jeans and Mabel Poulton. It was made by Gainsborough Pictures at their Islington Studios. It was also released with a music-and-effects soundtrack for cinemas wired for sound.
Chu-Chin-Chow is a 1923 British-German silent adventure film directed by Herbert Wilcox and starring Betty Blythe, Herbert Langley, and Randle Ayrton.
Tip Toes is a 1927 British silent film comedy-drama, directed by Herbert Wilcox and starring Dorothy Gish and Will Rogers. The film is a loose adaptation of the stage musical Tip-Toes, with the action transferred from Florida to London.
The Lady with a Lamp is a 1951 British historical film directed by Herbert Wilcox and starring Anna Neagle, Michael Wilding and Felix Aylmer. The film depicts the life of Florence Nightingale and her work with wounded British soldiers during the Crimean War.
Car of Dreams is a 1935 British romantic comedy film directed by Graham Cutts and Austin Melford and starring Grete Mosheim, John Mills, Norah Howard and Robertson Hare. A tycoon's son falls in love with a woman who works at his father's factory. It was based on the 1934 Hungarian film The Dream Car.
The Wonderful Story is a 1922 British drama film directed by Graham Cutts and starring Lillian Hall-Davis, Herbert Langley and Olaf Hytten.
She Couldn't Say No is a 1939 British comedy film directed by Graham Cutts and starring Tommy Trinder, Fred Emney and Googie Withers. It was based on a play Funny Face by Paul Gerard Smith and Fred Thompson. The screenplay features a woman who arranges a burglary to try to recover a stolen diary with compromising details written in it.
The Rat is a 1937 British drama film directed by Jack Raymond and starring Anton Walbrook, Ruth Chatterton, and René Ray. It is based on the play The Rat by Ivor Novello which had previously been made into a 1925 film The Rat starring Novello. It was made at Denham Studios by Herbert Wilcox Productions.
Paddy the Next Best Thing is a 1923 British silent romance film directed by Graham Cutts and starring Mae Marsh, Darby Foster and Lilian Douglas. It was based on the 1908 novel of the same title by Gertrude Page and a 1920 stage adaptation, which was later adapted into a 1933 American film. It was made at the Gainsborough Studios in Islington. American star Mae Marsh had been brought over from Hollywood to star in the company's previous film Flames of Passion and stayed on to make this film.
Leal Douglas was a British-Australian actress, mainly of the silent film era.