Michael and Mary is a 1931 British drama film directed by Victor Saville and starring Elizabeth Allan, Edna Best, Frank Lawton, and Herbert Marshall. This was the first of the Edna Best and Herbert Marshall co-starring talkies. It was based on a play of the same name by A.A. Milne. Milne's story was adapted by Lajos Bíró,Robert Stevenson and Angus MacPhail. Produced by Gainsborough Pictures, it was shot at the company's Islington Studios in London. The film's sets were designed by the art director Alex Vetchinsky.
Herbert Selpin was a German film director and screenwriter of light entertainment during the 1930s and 1940s. He is best known for his final film, the partly suppressed Titanic, during the production of which he was arrested by Propaganda Minister Joseph Goebbels. He was later found dead in his prison cell.
Royal Cavalcade, also known as Regal Cavalcade, is a 1935 British, black-and-white, drama film directed by six separate directors: Thomas Bentley, Herbert Brenon, Norman Lee, Walter Summers, W. P. Kellino and Marcel Varnel. The film features Marie Lohr, Hermione Baddeley, Owen Nares, Robert Hale, Austin Trevor, James Carew, Edward Chapman and Ronald Shiner as the Soldier in Trenches. The film was presented by Associated British Pictures Corporation.
Frail Women is a 1932 British drama film directed by Maurice Elvey and starring Mary Newcomb, Owen Nares, Frank Pettingell and Herbert Lomas. In the years after World War I a Colonel marries his war-time mistress.
There Goes the Bride is a 1932 British comedy film directed by Albert de Courville and starring Jessie Matthews, Owen Nares, Carol Goodner, Basil Radford and Roland Culver. The screenplay concerns a woman who breaks off her an engagement and escapes to Paris. It is a remake of the German film Mary's Start in die Ehe, also known as Ich bleib' bei dir (1931). David Niven makes his film debut in a tiny uncredited role.
The Middle Watch is a 1930 British comedy film directed by Norman Walker and starring Owen Nares, Jacqueline Logan, Jack Raine and Dodo Watts. It was based on a play of the same name by Ian Hay.. The film's sets were designed by John Mead.
The Impassive Footman is a 1932 British, low-budget "quota quickie" drama film directed by Basil Dean and starring Owen Nares, Betty Stockfeld, Allan Jeayes and George Curzon. The film's sets were designed by Edward Carrick. It was also released under the alternative title Woman in Bondage.
Milestones is a 1916 British silent drama film directed by Thomas Bentley and starring Isobel Elsom, Owen Nares and Minna Grey. It is an adaptation of the 1912 West End play Milestones by Arnold Bennett and Edward Knoblock. Four years later an American film of the same title was released. As of August 2010, the film is listed as one of the British Film Institute's "75 Most Wanted" lost films.
The Chance of a Night Time is a 1931 British comedy film directed by Herbert Wilcox and starring Ralph Lynn, Winifred Shotter and Kenneth Kove. The screenplay was written by Ben Travers based on his play The Dippers, and the cast included cast members from Travers's Aldwych Farces. It was shot at Elstree Studios outside London with sets designed by the art director Lawrence P. Williams.
As Good As New is 1933 British drama film directed by Graham Cutts and starring Winna Winifried, John Batten and Sunday Wilshin. It was based on a play by Thompson Buchanan. It was made at Teddington Studios. It was a quota quickie made by the British branch of Warner Brothers.
Sunday Wilshin was a British actress and radio producer; the successor to George Orwell on his resignation in 1943. She was born in London as Mary Aline Wilshin and educated at the Italia Conti Stage School. Wilshin was a member of the 'Bright young things' of the 1920s, and a close friend of the actress Cyllene Moxon and of author Noel Streatfeild. In connection with the 'bright young things', Wilshin commonly appears in accounts of a gathering whereat she was assaulted by the silent film actress Brenda Dean Paul.
One Precious Year is a 1933 British drama film directed by Henry Edwards and starring Anne Grey, Basil Rathbone and Owen Nares. It was made at British and Dominion Elstree Studios by the British producer Herbert Wilcox for release by the British subsidiary of Paramount Pictures. The film's sets were designed by the art director C. Wilfred Arnold.
The Woman Between is a 1931 British drama film directed by Miles Mander and starring Owen Nares, Adrianne Allen and David Hawthorne. It was made at Elstree Studios by British International Pictures, the leading studio of the era. Mander adapted the film from Miles Malleson's 1925 play Conflict. The film is notable for its sexual and political content which has been attributed to a brief period of relaxation in oversight by the BBFC. It was one three similarly themed films which Allen appeared in at the time including Loose Ends and The Stronger Sex.
Jean de Létraz, pen name of Jean Félix Deletraz, was a French playwright, spécialising in vaudeville, who authored nearly 118 plays, among which the most famous is Bichon written in 1935.
Collision is a 1932 British crime film directed by G. B. Samuelson and starring Sunday Wilshin and Henrietta Watson.
Heinz Goldberg (1891–1969) was a German screenwriter. He also directed two silent films. Following the Nazi Party's rise to power in 1933, the Jewish Goldberg went into exile in several countries including Austria and the Soviet Union before settling in Britain. He returned to Germany in the 1950s.
Borrowed Clothes is a 1934 British drama film directed by Arthur Maude and starring Anne Grey, Lester Matthews and Sunday Wilshin.
A Temporary Gentleman is a 1920 British silent comedy film directed by Fred W. Durrant and starring Owen Nares, Madge Titheradge and Alfred Drayton. It was shot at Isleworth Studios.
Chauffeur Antoinette is a 1932 German comedy film directed by Herbert Selpin and starring Charlotte Ander, Hans Adalbert Schlettow and Walter Steinbeck. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Erich Czerwonski. A British remake The Love Contract was produced the same year and a French version Antoinette was also released.
Antoinette is a 1932 French comedy film directed by Herbert Selpin and starring Jeanne Boitel, Armand Bernard and Nadine Picard. It is a remake of the German film Chauffeur Antoinette which was also directed by Selpin. A British version The Love Contract was also produced the same year.
