The Courtneys of Curzon Street

Last updated

The Courtneys of Curzon Street
"The Courtneys of Curzon Street" (1947).jpg
Italian poster ad
Directed by Herbert Wilcox
Written byFlorence Tranter (story)
Nicholas Phipps
Produced by George Maynard
Herbert Wilcox
Starring Anna Neagle
Michael Wilding
Cinematography Mutz Greenbaum
Edited byVera Campbell
Flora Newton
Music by Anthony Collins
Production
company
Herbert Wilcox Productions (as Imperadio)
Distributed by British Lion Films(UK)
Release date
  • 11 April 1947 (1947-04-11)
Running time
120 minutes (UK)
112 minutes (US)
CountryUnited Kingdom
LanguageEnglish
Budget£315,810 [1]
Box office£317,836 (UK) [2]

The Courtneys of Curzon Street (also titled The Courtney Affair or Kathy's Love Affair, in the U.S.) is a 1947 British drama film starring Anna Neagle and Michael Wilding. It is a study of class division and snobbery in Britain in the late 19th and early 20th centuries.

Contents

The film is one of the most seen British films of all time, with 15.9 million tickets sold at the cinema. [3]

Plot

Edward Courtney, the son of a baronet shocks class-conscious 1900 British society by marrying Kate, his Irish servant. The film chronicles 45 years in their lives together and apart, through the Boer War and World War I and World War II.

The family live on Curzon Street, a high class street in the Mayfair district of London.

Kate begins to feel the awkwardness at a musical recital before Queen Victoria, where all the "true ladies" are staring at her. Later she hears gossip about herself.

Edward is an officer in the Horse Guards but Kate does not realise he cannot return her wave when he is on duty. She packs her bags and leaves without telling Edward. She returns to Ireland then develops an idea to be an actress, adopting the stage name of "May Lynton".

Meanwhile Edward goes in India where he accidentally finds the truth as to why she left.

Kate takes up her career as a singer in the theatre. Her father-in-law visits her backstage and gives her an update whilst trying to retain her separate identity. He says his wife is now dead... she missed her son and his wife too much. Kate also updates him, saying her father was killed at the Battle of Spion Kop.

The First World War starts and Edward returns from India and finds Kate. She confesses they have a son, also called Edward (Teddy). They go to visit him at his boarding school. The absence has been long as he is around 12 years old. They go out for high tea and discuss cricket and the new Rupert Brooke poem "The Soldier". The war ends.

Edward's father dies and he inherits the baronetcy. Kate becomes Lady Courtney. Meanwhile Teddy has joined the Army. He becomes engaged and marries before being posted to India. While his pregnant young wife is reading one of his letters home, a telegram arrives telling her that he has been killed in action. Devastated, she gives birth but dies in the process. Edward and Kate raise him. Edward loses badly in the 1929 Wall Street crash but they hang onto their home after Kate goes back on the stage. The Second World War sees Edward back as a Colonel in the Army and Kate an ENSA entertainer. They survive a fire at a factory and the film ends with their soldier grandson introducing his intended. While they are happy that the old class prejudices that bedevilled their marriage have gone they are bemused that the parents of the intended are less sanguine. Fade to end credits.

Cast

Production

It was originally known as Scarlet and Pure Gold. [4] The film was produced at the Shepperton Film Studios in Surrey. The title was changed when the film was released in the U.S. and in other countries', having been screened in many European countries and Scandinavia.

Reception

Box office

It was the most popular film at the British box office for 1947. [5] [6] [7] According to Kinematograph Weekly the 'biggest winner' at the box office in 1947 Britain was The Courtneys of Curzon Street, with "runners up" being The Jolson Story, Great Expectations, Odd Man Out, Frieda, Holiday Camp and Duel in the Sun. [8]

As of 30 June 1949 the film earned £328,668 in the UK of which £238,731 went to the producer. [1]

Critical reception

Related Research Articles

<span class="mw-page-title-main">Anna Neagle</span> English stage and film actress and singer

Dame Florence Marjorie Wilcox, known professionally as Anna Neagle, was an English stage and film actress, singer, and dancer.

<span class="mw-page-title-main">Michael Wilding</span> English actor

Michael Charles Gauntlet Wilding was an English stage, television, and film actor. He is best known for a series of films he made with Anna Neagle; he also made two films with Alfred Hitchcock, Under Capricorn (1949) and Stage Fright (1950); and he guest starred on Hitchcock's TV show in 1963. He was married four times, including to Elizabeth Taylor, with whom he had two sons.

<span class="mw-page-title-main">Cecil Parker</span> English actor (1897–1971)

Cecil Parker was an English actor with a distinctively husky voice, who usually played supporting roles, often characters with a supercilious demeanour, in his 91 films made between 1928 and 1969.

<i>Odette</i> (1950 film) 1950 British film

Odette is a 1950 British war film based on the true story of Special Operations Executive French agent, Odette Sansom, living in England, who was captured by the Germans in 1943, condemned to death and sent to Ravensbrück concentration camp to be executed. However, against all odds she survived the war and testified against the prison guards at the Hamburg Ravensbrück trials. She was awarded the George Cross in 1946; the first woman ever to receive the award, and the only woman who has been awarded it while still alive.

<i>An Ideal Husband</i> (1947 film) 1947 British film

An Ideal Husband, also known as Oscar Wilde's An Ideal Husband, is a 1947 British comedy film adaptation of the 1895 play by Oscar Wilde. It was made by London Film Productions and distributed by British Lion Films (UK) and Twentieth Century-Fox Film Corporation (USA). It was produced and directed by Alexander Korda from a screenplay by Lajos Bíró from Wilde's play. The music score was by Arthur Benjamin, the cinematography by Georges Périnal, the editing by Oswald Hafenrichter and the costume design by Cecil Beaton. This was Korda's last completed film as a director, although he continued producing films into the next decade.

Anthony Vincent Benedictus Collins was a British composer and conductor. He scored around 30 films in the US and the UK between 1937 and 1954, and composed the British light music classic Vanity Fair in 1952. His Decca recordings of the seven Sibelius symphonies was the second cycle by a single conductor and orchestra released.

<i>Spring in Park Lane</i> 1948 British film

Spring in Park Lane is a 1948 British romantic comedy film produced and directed by Herbert Wilcox and starring Anna Neagle, Michael Wilding and Tom Walls. It was part of a series of films partnering Neagle and Wilding. It was the top film at the British box office in 1948 and remains the most popular entirely British-made film ever in terms of all-time attendance. It was shot at the Elstree Studios of MGM British with sets designed by the art director William C. Andrews. Some location shooting also took place in London.

<span class="mw-page-title-main">Herbert Wilcox</span> Film producer and director from Britain

Herbert Sydney Wilcox CBE was a British film producer and director.

<i>Yellow Canary</i> (film) 1943 film by Herbert Wilcox

Yellow Canary is a 1943 British drama film directed by Herbert Wilcox and starring Anna Neagle, Richard Greene and Albert Lieven. Neagle plays a British Nazi sympathizer who travels to Halifax, Canada, trailed by spies from both sides during the Second World War. Neagle and director/producer Wilcox collaborated on a number of previous film projects.

<i>Derby Day</i> (1952 film) 1952 British film

Derby Day is a 1952 British drama film directed by Herbert Wilcox and starring Anna Neagle, Michael Wilding, Googie Withers, John McCallum, Peter Graves, Suzanne Cloutier and Gordon Harker. An ensemble piece, it portrays several characters on their way to the Derby Day races at Epsom Downs Racecourse. It was an attempt to revive the success that Neagle and Wilding had previously enjoyed on screen together. To promote the film, Wilcox arranged for Neagle to launch the film at the 1952 Epsom Derby. In the United States, the film was released as Four Against Fate.

<i>Elizabeth of Ladymead</i> 1948 British film

Elizabeth of Ladymead is a 1948 British Technicolor drama film directed by Herbert Wilcox and starring Anna Neagle, Hugh Williams, Isabel Jeans and Bernard Lee. It charts the life of a British family between 1854 and 1945 and their involvement in four wars - the Crimean War, Boer War, First World War and Second World War. In each era a Beresford is in the army and dresses in the uniform of the age in most scenes, even at home.

Goodnight, Vienna is a 1932 British musical film directed by Herbert Wilcox and starring Jack Buchanan, Anna Neagle and Gina Malo. Two lovers in Vienna are separated by the First World War, but are later reunited.

The National Film Awards were the first ever national film awards held in Britain. They were sponsored by the Daily Mail newspaper with readers voting at cinemas across the country, for Best Actor, Actress, and Film. The inaugural event was held at the Dorchester Hotel, London in 1946.

<i>Frieda</i> (film) 1947 British film

Frieda is a 1947 British drama film directed by Basil Dearden and starring David Farrar, Glynis Johns and Mai Zetterling. Made by Michael Balcon at Ealing Studios, it is based on the 1946 play of the same title by Ronald Millar who co-wrote the screenplay with Angus MacPhail. The film's sets were designed by the art directors Jim Morahan and Michael Relph.

<i>Piccadilly Incident</i> 1946 British film

Piccadilly Incident is a 1946 British drama film directed by Herbert Wilcox and starring Anna Neagle, Michael Wilding, Coral Browne, Edward Rigby and Leslie Dwyer.

<span class="mw-page-title-main">Nicholas Phipps</span> British actor (1913–1980)

William Nicholas Foskett Phipps was a British actor and writer who appeared in stage roles between 1932 and 1967 and more than thirty films between 1940 and 1970. He wrote West End plays, songs and sketches for revues, and film scripts.

<i>Maytime in Mayfair</i> 1949 British film

Maytime in Mayfair is a 1949 British musical romance film directed by Herbert Wilcox and starring Anna Neagle, Michael Wilding, Nicholas Phipps, and Tom Walls. It was a follow-up to Spring in Park Lane.

<i>The Lady with a Lamp</i> 1951 film by Herbert Wilcox

The Lady with a Lamp is a 1951 British historical drama film directed by Herbert Wilcox and starring Anna Neagle, Michael Wilding and Felix Aylmer. The film depicts the life of Florence Nightingale and her work with wounded British soldiers during the Crimean War. It was shot at Shepperton Studios outside London. Location shooting took place at Cole Green railway station in Hertfordshire and at Lea Hurst, the Nightingale family home, near Matlock in Derbyshire. The film's sets were designed by the art director William C. Andrews. It is based on the 1929 play The Lady with a Lamp by Reginald Berkeley.

<i>My Teenage Daughter</i> 1956 film

My Teenage Daughter, later Teenage Bad Girl, is a 1956 British drama film directed by Herbert Wilcox and starring Anna Neagle, Sylvia Syms and Norman Wooland. The screenplay concerns a mother who tries to deal with her teenage daughter's descent into delinquency. It was intended as a British response to Rebel Without a Cause. It was the last commercially successful film made by Wilcox.

<i>Lilacs in the Spring</i> 1954 film

Lilacs in the Spring is a 1954 British musical film directed by Herbert Wilcox and starring Anna Neagle, Errol Flynn and David Farrar. The film was made at Elstree Studios with sets designed by the art director William C. Andrews. Shot in Trucolor it was distributed in Britain by Republic Pictures. It was the first of two films Neagle and Flynn made together, the other being King's Rhapsody. It was released in the United States as Let's Make Up.

References

  1. 1 2 Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 354
  2. Vincent Porter, 'The Robert Clark Account', Historical Journal of Film, Radio and Television, Vol 20 No 4, 2000
  3. Channel 4, top 100 film audiences (17th)
  4. C.A. LEJEUNE (25 August 1946). "BUSY DAYS IN LONDON: Film Studios Move Into High Gear, With Full Schedule of Pictures Under Way Films Coming Up In Father's Footsteps Notes in Brief". New York Times. p. 51.
  5. "Anna Neagle Most Popular Actress". The Sydney Morning Herald . 3 January 1948. p. 3. Retrieved 24 April 2012 via National Library of Australia.
  6. "JAMES MASON 1947 FILM FAVOURITE". The Irish Times. 2 January 1948. p. 7.
  7. Thumim, Janet. "The popular cash and culture in the postwar British cinema industry". Screen. Vol. 32, no. 3. p. 258.
  8. Lant, Antonia (1991). Blackout : reinventing women for wartime British cinema. Princeton University Press. p. 232.
  9. "Courtneys of Curzon Street, The". Film4. 5 January 2010. Retrieved 28 July 2014.
  10. H. H. T. (3 July 1952). "Movie Review – The Courtney Affair – THE SCREEN IN REVIEW; Two British Imports, Combined in Double Bill, Open at Beacon and Midtown Theatres". The New York Times . Retrieved 28 July 2014.