Black Waters | |
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Directed by | Marshall Neilan |
Written by | John Willard |
Based on | Fog (a play by John Willard) |
Produced by | Herbert Wilcox |
Starring | John Loder James Kirkwood Noble Johnson |
Cinematography | David Kesson |
Distributed by | Woolf and Friedman |
Release date | 1929 |
Running time | 79 minutes |
Countries | United Kingdom United States |
Language | English |
Budget | £45,000 [1] |
Black Waters is a 1929 British/American horror sound film produced by Herbert Wilcox and directed by Marshall Neilan. It was the first British-produced talking picture ever shown in England, but it was actually made in Hollywood since that is where the needed sound equipment was at that time. Wilcox sent Neilan to the U.S. to film the picture there, using a mostly American cast and crew. (Alfred Hitchcock's Blackmail (1929) is often said to be the first British talking picture, but it was actually released after Black Waters.) [2]
Wilcox went on to star American actors in many of his later British films as well, to make them more appealing to British filmgoers, a practice that Hammer Films did away with after 1957. [2]
Black Waters was written by American John Willard, based on his play Fog. Willard was the writer of the successful play The Cat and the Canary (1922), which was filmed several times and ripped off by a number of other filmmakers, and he was trying to repeat his success with this film, only replacing the "old dark house" setting with that of an "old dark houseboat". The cast featured Hollywood actor Noble Johnson (of King Kong fame).
A weird night watchman lures a group of people onto a rundown old yacht at a San Francisco pier at midnight. Once the boat sets sail, the passengers are murdered off one by one, until only two of them (Charles and Eunice) remain, along with a kindly old reverend who turns out to actually be the murderer, a crazy ship's captain named Tiger Larabee who disguises himself as a reverend to pull off a succession of murders.
Herbert Wilcox produced the film after visiting Hollywood to see the development of sound. He rented a soundproofed studio from Charles and Al Christie in Hollywood for five days at £1,000 a day. Wilcox claimed it was the fifth talking picture ever made. He later obtained a license from Western Electric to equip the first sound studio in Europe. [1]
Wilcox struggled to get the film exhibited in England, as only a few British cinemas were equipped to handle sound pictures. [1] Historian Chris Howarth stated "The film was long thought to have received scant attention upon its initial release, though some modern film critics who have studied the original reviews suggest that it might have been more inventive than originally assumed....". [2]
The following is an overview of 1929 in film, including significant events, a list of films released and notable births and deaths. This year saw the release of The Broadway Melody, the first major musical film of the sound era, as well as the hosting of the 1st Academy Awards.
The following is an overview of 1928 in film, including significant events, a list of films released and notable births and deaths. Although some films released in 1928 had sound, most were still silent.
The following is an overview of 1927 in film, including significant events, a list of films released and notable births and deaths. This year saw the release of the first successful film with sound, The Jazz Singer, which helped usher in the era of "talkies".
The following is an overview of 1926 in film, including significant events, a list of films released, and notable births and deaths.
The following is an overview of 1925 in film, including significant events, a list of films released and notable births and deaths.
The following is an overview of 1924 in film, including significant events, a list of films released and notable births and deaths. This year saw the official establishment of Metro-Goldwyn-Mayer.
The following is an overview of 1923 in film, including significant events, a list of films released and notable births and deaths. This year saw the establishments of both Warner Bros. Pictures and Walt Disney Productions.
The year 1918 in film involved some significant events.
1917 in film was a particularly fruitful year for the art form, and is often cited as one of the years in the decade which contributed to the medium the most, along with 1913. Secondarily the year saw a limited global embrace of narrative film-making and featured innovative techniques such as continuity cutting. Primarily, the year is an American landmark, as 1917 is the first year where the narrative and visual style is typified as "Classical Hollywood".
The year 1916 in film involved some significant events.
The year 1915 in film involved some significant events.
The year 1914 in film involved some significant events, including the debut of Cecil B. DeMille as a director.
1913 was a particularly fruitful year for film as an art form, and is often cited one of the years in the decade which contributed to the medium the most, along with 1917. The year was one where filmmakers of several countries made great artistic advancements, producing notable pioneering masterpieces such as The Student of Prague, Suspense, Atlantis, Raja Harischandra, Juve contre Fantomas, Quo Vadis?, Ingeborg Holm, The Mothering Heart, Ma l’amor mio non muore!, L’enfant de Paris and Twilight of a Woman's Soul.
The year 1912 in film involved some significant events.
The year 1911 in film involved some significant events.
The year 1910 in film involved some significant events.
The Thirteenth Chair is a 1929 American pre-Code mystery film directed by Tod Browning. The picture is based on a 1916 play of the same name by Bayard Veiller. It stars Conrad Nagel, Leila Hyams and Margaret Wycherly. The supporting cast features Bela Lugosi, whom Browning would direct as Dracula two years later.
The Woman in White is a 1929 British silent mystery film directed by Herbert Wilcox and starring Blanche Sweet, Haddon Mason and Cecil Humphreys. It was written by Robert Cullen and Herbert Wilcox, based on the 1859 mystery novel The Woman in White by Wilkie Collins.
Maria Marten is a 1928 British silent drama film directed by Walter West starring Trilby Clark, Warwick Ward and Dora Barton. It is based on the real story of the Red Barn Murder in the 1820s, and is one of five film versions of the events. The film shifted the action to fifty years earlier to the height of the Georgian era. This was the last of the silent film adaptations of the Maria Marten story, and its success paved the way for the much better 1935 sound film remake starring Tod Slaughter. A 35mm print of the 1928 silent film exists in the British Film Institute's archives.
Go and Get It is a 1920 American silent comedy-drama mystery film directed by Marshall Neilan and Henry Roberts Symonds and written by Marion Fairfax. The film stars Pat O'Malley, Wesley Barry, Noah Beery Sr. and Agnes Ayres. The cinematographer was David Kesson. The film was released on July 18, 1920 by First National Exhibitors' Circuit.