Her Winning Way | |
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Directed by | Joseph Henabery |
Screenplay by | Douglas Z. Doty |
Based on | Ann Annington by Edgar Jepson Ann by Lechmere Worrall |
Starring | Mary Miles Minter Gaston Glass |
Cinematography | Faxon M. Dean |
Production company | Realart Pictures Corporation |
Distributed by | Paramount Pictures |
Release date |
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Running time | 5 reels |
Country | United States |
Language | Silent (English intertitles) |
Her Winning Way is a silent comedy film directed by Joseph Henabery and starring Mary Miles Minter. The screenplay was written by Douglas Z. Doty, based upon the novel Ann Annington by Edgar Jepson and the play Ann by Lechmere Worrall. [1] As with many of Minter's features, it is thought to be a lost film. [2]
As described in various film magazine reviews, [3] [4] [5] [6] Ann Annington (Minter) is a book reviewer working for a magazine publishing firm, who send her to interview author Harold Hargrave (Glass). Hargrave is notoriously reticent and refuses the interview, so Ann decides to obtain the necessary information by other means.
Dressing up as a maid, Ann obtains a position in Hargrave's apartment and sets about seducing him, even suggesting that he kiss her in order to be able to write about romance more convincingly. She begins to find out the details that her publishing company wants to know, but she also finds out that she is falling in love with Hargrave.
Ann discovers that Hargrave's mother (Dunbar) is pushing him into a marriage with Evangeline (Morse), an intellectual but plain young woman. To save him from this unwanted marriage, Ann plants certain items of scanty feminine attire about Hargrave's bedroom, and when Evangeline finds these she promptly calls off the engagement. Ann's suitor Lloyd (Goodwins) also ends his relationship with her due to her evident feelings for Hargrave.
Hargrave learns of Ann's role at the paper, and, knowing that she is responsible for the end of his engagement, demands that she leave his premises. However, when he returns, she is still there. When she promises not to publish the information she has obtained about his private life, and convinces him of her true feelings, he forgives her, and all ends happily.
Periwinkle is a 1917 American silent film directed by James Kirkwood and starring Mary Miles Minter. It was based on a story written by William Farquhar Payson. As with many of Minter's features, it is thought to be a lost film.
Her Country's Call is a 1917 American silent drama film directed by Lloyd Ingraham and starring Mary Miles Minter, along with George Periolat and Allan Forrest. The film is the final instalment in a series a films written by Abraham Lincoln impersonator Benjamin Chapin, who also appeared in the film as Lincoln. It was one of many films of the time that catered to the vogue for patriotic pictures after America joined World War 1, with ample shots of soldiers and the American flag. As with many of Minter's features, it is thought to be a lost film.
The Mate of the Sally Ann is a 1917 American silent comedy-drama film directed by Henry King and starring Mary Miles Minter. As with many of Minter's features, it is thought to be a lost film.
Beauty and the Rogue is a 1918 American silent comedy crime drama film directed by Henry King and starring Mary Miles Minter. It was filmed under the working title of "Mademoiselle Tiptoe," based on a story by Arthur Berthelet and adapted for the screen by Elizabeth Mahoney, who was the screenwriter for many of Minter's Mutual Film features. As with many of Minter's features, it is thought to be a lost film.
Powers That Prey is a 1918 silent comedy-drama film directed by Henry King and starring Mary Miles Minter, with whom King stated that he enjoyed working. The film is based on a story called Extra! Extra! by Will M. Ritchey, which was also the working title of the film. As with many of Minter's features, it is thought to be a lost film.
Judy of Rogue's Harbor is a 1920 American silent drama film directed by William Desmond Taylor and starring Mary Miles Minter. The film is based on the novel of the same name by Grace Miller White, with a scenario by Clara Beranger. It was produced by Famous Players-Lasky and distributed through Realart and Paramount Pictures. As with many of Minter's features, it is thought to be a lost film.
All Souls' Eve is a 1921 American silent drama film directed by Chester M. Franklin and starring Mary Miles Minter. The film is based on the mystical 1920 Broadway play of the same name by Anne Crawford Flexner, with a story by Elmer Blaney Harris. Much was made of the film's use of double, triple and quadruple exposures to enable Minter to play two parts within the same scenes. As with many of Minter's features, it is thought to be a lost film.
Social Briars is a 1918 American silent comedy-drama film directed by Henry King and starring Mary Miles Minter. The story was by Jeanne Judson, and it was filmed under the working title of "The Greater Call." As with many of Minter's features, it is thought to be a lost film.
Moonlight and Honeysuckle is a 1921 American silent romantic comedy film directed by Joseph Henabery and starring Mary Miles Minter and Monte Blue. It was adapted by Barbara Kent from the 1919 stage play of the same name by George Scarborough. As with many of Minter's features, it is thought to be a lost film.
Nurse Marjorie is a 1920 American silent drama film directed by William Desmond Taylor and starring Mary Miles Minter. It is based on a 1906 play, Nurse Marjorie, by Israel Zangwill, with a scenario by Julia Crawford Ivers. It is one of approximately a dozen of Minter's films know to survive today, and one of even fewer readily available for the general public to view.
A Fighting Colleen is a 1919 American silent comedy-drama film directed by David Smith and produced by Vitagraph Company of America. It stars Bessie Love and Charles Spere.
Don't Call Me Little Girl is a 1921 American silent comedy film directed by Joseph Henabery and starring Mary Miles Minter. It was adapted by Edith Kennedy from the stage play "Jerry" by Catherine Chisholm Cushing. As with many of Minter's features, it is thought to be a lost film.
Jenny Be Good is a is a 1920 American silent drama film directed by William Desmond Taylor and starring Mary Miles Minter, based on a novel by William Finley Fauley and adapted for the screen by Julia Crawford Ivers. It is the last of Minter's films to also feature her older sister Margaret Shelby in a supporting role. As with many of Minter's features, it is believed to be a lost film.
A Cumberland Romance is a 1920 American silent drama film written and directed by Charles Maigne and starring Mary Miles Minter and Monte Blue, based on the 1899 novel A Mountain Europa by John Fox Jr. It is one of approximately a dozen of Minter's features still known to survive today.
Eyes of the Heart is a 1920 American silent crime film directed by Paul Powell and starring Mary Miles Minter. It was adapted by Clara Genevieve Kennedy from the story "Blindness" by Dana Burnet, published in the Ladies Home Journal. As is the case with many of Minter's features, it is thought to be a lost film.
Sweet Lavender is a 1920 American silent drama film directed by Paul Powell and starring Mary Miles Minter. The scenario was adapted by Beulah Marie Dix from the 1888 play of the same name by Arthur Wing Pinero. Like many of Minter's features, it is thought to be a lost film.
The Little Clown is a 1921 American silent comedy film directed by Thomas N. Heffron and starring Mary Miles Minter, adapted by Eugene B. Lewis from a comedy play by Avery Hopwood. It is one of approximately a dozen of Minter's films which still survive today. A copy of the film was found in the Dawson Film Find in 1978 - although other copies survived in various holdings - and a few brief frames from this copy can be seen in 2016 documentary Dawson City: Frozen Time.
Yvonne from Paris is a 1919 American silent comedy film directed by Emmett J. Flynn and starring Mary Miles Minter, Allan Forrest and Vera Lewis. It was Minter's last film with the American Film Company; she signed a contract with Realart, part of Famous Players-Lasky, in June 1919. As with many of Minter's features, it is thought to be a lost film.
The Intrusion of Isabel is a 1919 American silent comedy film directed by Lloyd Ingraham and starring Mary Miles Minter, J. Parks Jones, Allan Forrest and Lucretia Harris. As with many of Minter's features, it is thought to be a lost film.
The Ghost of Rosy Taylor is a 1918 American silent comedy-drama film starring Mary Miles Minter and directed by Edward Sloman. The film is based on a Saturday Evening Post story of the same name, written by Josephine Daskam Bacon. It is one of approximately a dozen Minter films which are known to have survived - a print was found in New Zealand in the 1990s which is in possession of the BFI National Archive - and one of even fewer readily available for the general public to view.
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