Hermann Busch (24 June 1897 – 3 June 1975) was a German cellist.
Busch was born in Siegen. His father was the violin maker Wilhelm Busch . From the age of nine, he received cello lessons from his father. He then studied at the Academy of Music in Cologne with Friedrich Grützmacher der Jüngere and Paul Grümmer of the Vienna Academy. During the First World War, as a soldier, he was a member of the Brussels Symphony Orchestra. Between 1919 and 1923, he was principal cellist in Bochum; and until 1927 soloist of the Vienna Symphony Orchestra. In 1927, he was a professor at the Folkwangschule in Essen.
At the same time, he became more involved in his activities as a soloist, and as a chamber musician: he played with his brothers Fritz and Adolf. In addition, he was a member of the Duo Wührer, with violinist Karl Doktor (1885-1949) [1] and pianist Friedrich Wührer; a member of the Busch-Serkin trio with his brother Adolf in 1930 (until 1952 when Adolf died), [2] he was the cellist of the Busch Quartet succeeding Paul Grümmer. In 1933, Busch emigrated to Basel in Switzerland, where his brother Adolf was already living. [3] In 1940, he moved to the United States [3] where he was a member of the Adolf Busch's Chamber Orchestra and co-founder of the Marlboro School of Music. [4] In 1954, he was appointed professor at the University of Miami in Coral Gables Florida. He spent his retirement in Peoria and Haverford.
Busch was the brother of conductor Fritz Busch, actor Willi Busch , violinist and composer Adolf Busch and musician Heinrich Busch .
He died in Bryn Mawr, Pennsylvania at age 77. [5]
Franz Schmidt, also Ferenc Schmidt was an Austro-Hungarian composer, cellist and pianist.
Adolf Georg Wilhelm Busch was a German-Swiss violinist, conductor, and composer.
The Double Concerto in A minor, Op. 102, by Johannes Brahms is a concerto for violin, cello and orchestra, composed in 1887 as his last work for orchestra.
Rudolf Serkin was a Bohemian-born Austrian-American pianist. He is widely regarded as one of the greatest Beethoven interpreters of the 20th century.
Karl Ristenpart was a German conductor.
Clemens Heinrich Krauss was an Austrian conductor and opera impresario, particularly associated with the music of Richard Strauss, Johann Strauss and Richard Wagner. He founded the New Year's Concert of the Vienna Philharmonic and conducted it until 1954.
Franz Konwitschny was a German conductor and violist of Moravian descent.
Fritz Busch was a German conductor.
Paul Doktor was a notable violist and orchestra conductor.
Philipp Otto Naegele was a United States–based violinist, violist and scholar.
Friedrich Wührer was an Austrian-German pianist and piano pedagogue. He was a close associate and advocate of composer Franz Schmidt, whose music he edited and, in the case of the works for left hand alone, revised for performance with two hands; he was also a champion of the Second Viennese School and other composers of the early 20th century. His recorded legacy, however, centers on German romantic literature, particularly the music of Franz Schubert.
Gerhard Taschner was a noted German violinist and teacher.
The Busch Quartet was a string quartet founded by Adolf Busch in 1919 that was particularly noted for its interpretations of the Classical and Romantic quartet repertoire. The group's recordings of Beethoven's Late String Quartets are especially revered.
Hugo Gottesmann was an Austrian violinist, violist, conductor, and chamber musician. A highly decorated soldier in World War I, his career in Vienna as a conductor and violinist was truncated with the advent of the Third Reich in 1933. He was fired from his positions at Radio Wien, the Vienna Symphony, and the Academie für Musik and forced to seek work elsewhere in Europe and emigrate to the United States.
Marga Anna Johanna Höffgen was a German contralto, known for singing oratorios, especially the Passions by Johann Sebastian Bach, and operatic parts such as Erda in Wagner's Der Ring des Nibelungen, performed at the Bayreuth Festival and Covent Garden Opera in London between 1960 and 1975.
Hans Adolf Karl Wilhelm Grischkat was a German conductor, especially a choral conductor, also a church musician and academic teacher. He founded the choir Schwäbischer Singkreis for pioneering concerts and recordings of works by Bach and Monteverdi in the spirit of historically informed performance. He was the church musician of the Christuskirche in Reutlingen, published Bach cantatas for Hänssler, and was from 1950 a professor of choral conducting at the Musikhochschule Stuttgart.
Fritz Magg was a renowned Austrian-American cellist, known for his career spanning over six decades as a soloist, symphony and chamber ensemble performer, and educator.
Karl Johannes Max Strub was a German violin virtuoso and eminent violin pedagogue. He gained a Europe-wide reputation during his 36 years of activity as primarius of the Strub Quartet. Stations as concertmaster led him from the 1920s to the operas of Stuttgart, Dresden and Berlin. Appointed Germany's youngest music professor at the Hochschule für Musik Franz Liszt, Weimar in 1926, he followed calls to the Berlin University of the Arts and, after the Second World War to the Hochschule für Musik Detmold. Strub was a connoisseur of the classical-romantic repertoire, but also devoted himself to modern music, among others he gave the world premiere of Hindemith's Violin Sonata No. 2 in D major. He promoted the music of Hans Pfitzner. Strub played on a Stradivari violin until 1945; numerous recordings from the 1930s/40s document his work.
Wilhelm Stross was a German violinist and composer. He was professor at the Hochschule für Musik und Theater München and the Hochschule für Musik und Tanz Köln as well as first violin of the Stross Quartet.
Karl Reitz was a German violist. From 1922 until his death, he was principal violist of the Prussian State Orchestra of the Berlin Royal Court Opera. He was known as violist in notable string quartets such as the Busch Quartet and the Deman String Quartet, regarded as one of the most renowned chamber music players of his time.