Hermann Rauhe (born 6 March 1930) is a German musicologist.
This section of a biography of a living person does not include any references or sources .(November 2020) |
Rauhe was born in Wanna/Niederelbe. After he passed the Abitur at the Amandus-Abendroth-Gymnasium in Cuxhaven in 1949, he studied music and music education at the Hochschule für Musik und Theater Hamburg as well as musicology and literary criticism, pedagogy, philosophy, sociology, theology and phonetics at the University of Hamburg from 1951 to 1959. In 1955 he passed the First State Examination for the teaching profession at grammar schools with the combined subject music and German teaching. In 1959 he passed the Second State Examination and then the doctorate of philosophy (musicology).
This section of a biography of a living person does not include any references or sources .(November 2020) |
In 1960 Rauhe became an assistant, in 1963 a lecturer at the University of Hamburg and since 1965 he has been a professor of musicology and music education at the Hamburg University of Music. In 1970 he returned to the University of Hamburg as Ordinarius for Educational Science with a focus on Music Pedagogy. From 1978 to 2004 Rauhe was President of the Hamburg University of Music and Drama, and from 1980 to 1982 also Chairman of the Rectors' Conference of the Universities of Music in the Federal Republic of Germany.
Rauhe made special efforts to develop new methods of Music therapy Impact research. For example, through the targeted use of music in the neurological rehabilitation of stroke and Parkinson patients at the Asklepios Klinikum Harburg (together with the neurologist Robert-Charles Behrend). For this reason, Rauhe works in the German Society for Preventive Medicine and Prevention Management e.V.. Together with its president Gerd Schnack, Rauhe developed a special method of stress reduction, the so-called repetitive meditation training. [1]
He also worked in the field of professional research and development ("Music professions in transition").
The Hochschule für Musik und Theater Hamburg is one of the larger universities of music in Germany.
Heinrich Besseler was a German musicologist born in Hörde. He is particularly known for his colossal work, Die Musik des Mittelalters und der Renaissance (1931), which provided a new perspective on historical musicology by taking a history-of-ideas approach to music history.
Tilo Medek, originally Müller-Medek, was a German classical composer, musicologist and music publisher. He grew up in East Germany, but was inspired by the Darmstädter Ferienkurse. He composed radio plays and incidental music. His setting of Lenin's Decree on Peace led to restrictions, and after he showed solidarity with the expatriated Wolf Biermann, he also had to move to the West, where he composed an opera Katharina Blum based on Heinrich Böll's novel, and worked in education. He received international awards from 1967 onwards.
Beatrix Borchard is a German musicologist and author. The focus of her publications is the life and work of female and male musicians, such as Clara and Robert Schumann, Amalie and Joseph Joachim, Pauline Viardot-Garcia, and Adriana Hölszky. Also among her topics are the role of music in the process of Jewish assimilation, the history of musical interpretation, and strategies of Kulturvermittlung.
Eva Rieger is a German musicologist. Rieger specialized in the social and cultural history of women in music. Together with the German-Swiss patron Mariann Steegmann, Rieger founded the Mariann-Steegmann-Foundation, which is dedicated to the advancement of women in music and the arts. In 2012, she was appointed Honorary Senator of the Hochschule für Musik und Theater Hamburg.
Werner Hermann Georg Braun was a German musicologist.
Hermann Danuser is a Swiss-German musicologist.
Hanns-Werner Heister is a German musicologist.
Michael Heinemann is a German musicologist and university professor.
Jörn Peter Hiekel is a German musicologist.
Jobst Peter Fricke is a German musicologist and professor at the musicological institute of the University of Cologne.
Bernd Enders is a German musicologist and from 1994 until his emeritus in 2015, University Professor for Systematic Musicology at the University of Osnabrück.
Karl-Heinz Reinfandt is a German musicologist and music educator.
Hermann Stephani was a German musicologist and lecturer at the University of Marburg.
Günter Kleinen is a German musicologist and professor of musicology with a focus on music education and systematic musicology as well as music psychology.
Stefan Weinzierl is a German percussionist.
Günther Rötter is a German musicologist and music psychologist.
Peter Sühring is a German musicologist, publicist and music critic.
Arno Lücker is a German composer, musicologist, music critic and music dramaturge. He worked as a journalist in Berlin for press and radio, and as dramaturge at the Konzerthaus Berlin where he installed the series 2 x hören, presenting the same music twice. He has been lecturer of musicology at the University of Marburg, and journalist for Opernwelt, the leading trade journal for opera.
Wilfried Gruhn is a German violinist, musicologist, music educator, and professor emeritus at universities in Germany and abroad. His focus is the music education of small children. He founded and directed the Gordon Institute of early childhood music learning in Freiburg in 2003. He is engaged in several international organisations such as International Society for Music Education (ISME) and the Internationale Leo Kestenberg Gesellschaft which published Leo Kestenberg's complete writings in six volumes.