Hertha Kluge-Pott

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Hertha Kluge-Pott is a German-born Australian printmaker based in Melbourne.

Contents

Early life and education

Kluge-Pott was born in Berlin in 1934 into an upper-middle-class German family and studied at the Hochschule für Bildende Künste and Braunschweig from 1953 to 1958, [1] where she knew Gunter Grass who was studying graphics and was the student representative. [2]

Australia

Against her family's wishes Kluge-Pott migrated from Hamburg to Australia in 1958, aged 23, having graduated and after the death of her father. The ship on which she was traveling, the Skaubryn, caught fire on 1 April 1958, three days out of Colombo on the way to Perth, and passengers evacuated in life boats, watching as it burned, and in her case, with all her possessions. A cargo ship transferred them to another before their arrival on a Dutch vessel, which sank some time later. Recounting the adventure in a 1988 interview, Kluge-Pott recalled; "I arrived in Australia in a trance. I was 23, I had no money and no belongings. It took me a long time to find my identity in Australia." [2]

Settling in Melbourne, she studied at RMIT from 1960 to 1963 where her work in intaglio and other techniques was recognised, with two etchings included in the important early national touring exhibition 'Australian print survey', organised by the Art Gallery of New South Wales in 1963. [3]

Style

Of Australia Kluge-Pott has said: "I think there is no other country like this. Words are too flat to describe it. It is frightening, threatening, beautiful [ ... ] I have been here for 30 years, and I know the work I do could not have been done anywhere else in the world but Terra Australis." [2] Her favoured technique is intaglio, with added textural qualities in drypoint. [4] [5]

Reception

Writing in 1997 of Kluge-Pott's second solo exhibition at Australian Galleries in Melbourne, Jenny Zimmer writes;

Awesome is the word that best describes Hertha Kluge-Pott's recent etchings. Dark, brooding and passionate as ever, they echo oceanic moods and reverberate with the sparse coastal vegetation's harsh struggle with the elements around Cape Bridgewater and west into South Australia's sandy wind-swept Coorong. The artist, a born naturalist, enjoys a symbiotic relationship with sea and coast a union begun dramatically 40 years ago when the ship Skaubryn, on which she set out for Australia, went down in the Bay of Bengal. The prints, etchings and dry points are made with traditional methods learnt at the Berlin Academy. They can be read in numerous ways. Pages of a Survey is a series of eight small drypoints scratched directly on to the plates, probably while on field excursions. Recorded are tangled ti trees and other coastal plants grown dense and gnarled for protection against the ravages of nature. She interprets them as growing inward into complicated bundles of matter, their sturdy outline shapes darkened by detail that grows thicker and richer at each epicentre. Then she extracts a leaf, a pod, a flower or some other distinctive element and, placing it to one side, renders it precisely as if studied under a looking glass. [6]

Robert Nelson, though recognising her skilfulness, less understands what is relayed;

Imagery of Hertha Kluge-Pott is promising, teeming with vibrant life-forms and detail. Yet ... the earnest decoction of nature in mannered arrangements doesn't succeed in communicating much about the subject matter. [7]

Career

After traveling during 1964–65 to Spain, Italy and Germany, Kluge-Pott continued a career in printmaking, as well as teaching the medium. She established a printmaking workshop at the Melbourne State College in printmaking and drawing 1968–78, with breaks to practice and study overseas at Hamburg Academy of Art and to travel in Italy and the United Kingdom 1974–75, and then lectured at RMIT 1979–92, [8] where in 1985 she was made senior lecturer. She returned to RMIT to teach part-time 1993-4 and in 1995 at the Victorian College of the Arts, also part-time.

She held seven solo exhibitions 1972–90 in Melbourne including at Stuart Gerstman and Powell St galleries, in Brisbane, Canberra and Geelong. [9]

Alongside Graham King, Tate Adams and Udo Sellbach, Kluge-Pott was an early and significant member of the Print Council of Australia and she participated in their touring exhibitions and other group exhibitions including award exhibitions at Fremantle 1985–91; MPAC Spring Festival 1984, 86, 88, 90; Henri Worland, Warrnambool 1981, 87, 90, 91, 92. [9]

She was the 1996 Judge for the Silk Cut Acquisitive Award, Melbourne and in 2003 was appointed patron at the establishment of ‘Portland Bay Press’ print workshop & studio.

Exhibitions

Solo

Source: [10]

Group

Source: [10]

Awards

Collections

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References

  1. ↑ Women 150 (Group) (1985). 150 Victorian women artists. Melbourne?: Women 150. ISBN   978-0-9589286-0-1. OCLC   13214779.{{cite book}}: CS1 maint: numeric names: authors list (link)
  2. 1 2 3 4 Pamela Bone, "Terra Australia inspires a 'migrant' artist," The Age (Melbourne, Victoria, Australia), 06 Sep 1988, p.18
  3. ↑ Australian print survey. Adelaide?. 1963. OCLC   51950511.{{cite book}}: CS1 maint: location missing publisher (link)
  4. 1 2 Maddocks, Hilary (2015). Hertha Kluge-Pott: printmaker. Macmillan Art. ISBN   978-1-921394-79-9. OCLC   905525127.
  5. ↑ Grishin, Sasha; ‘Profiles in Print – Hertha Kluge-Pott’, Craft Arts International, No. 68, 2006
  6. ↑ Zimmer, Jenny (7 October 1997). "A geography of awesome art". The Age. p. 31.
  7. 1 2 Nelson, Robert (29 September 1999). "Visual art: Australian Paper Art Awards, George Adams Gallery, Victorian Arts Centre, until 3 October". The Age. Melbourne. p. 22.
  8. ↑ Kempf, Franz (1976). Contemporary Australian Printmakers. Melbourne: Lansdowne Editions. OCLC   470182588.
  9. 1 2 3 4 5 6 McCulloch, Alan; MacCulloch, Susan (1994). Encyclopedia of Australian art. Honolulu: Univ. of Hawai Press. ISBN   978-0-8248-1688-9. OCLC   231633292.
  10. 1 2 Australian Galleries. "Hertha Kluge-Pott" (PDF). Australian Galleries.
  11. ↑ Listing, The Age (Melbourne, Victoria, Australia), 14 Jun 1985, p.44
  12. ↑ "Highlights," The Age (Melbourne, Victoria, Australia), 29 Aug 1994, p.21
  13. ↑ Advertisement, The Sydney Morning Herald (Sydney, New South Wales, Australia), 03 Nov 2001, p.206
  14. ↑ "Prints '63. Studio One Printmakers. at Multiple venues (1963 – 1964) · Australian Prints + Printmaking". www.printsandprintmaking.gov.au. Retrieved 22 September 2021.
  15. ↑ Imprint, Print Council of Australia, Volume 31, No. 2, Winter, 1996
  16. ↑ Nelson, Robert; ‘Australian Paper Art Awards’, The Age, 29 September 1999
  17. ↑ Harding, Lesley; & Humphries, Tristan; Australian Paper Art Awards, catalogue essay, the George Adams Gallery, Victorian Arts Centre, Melbourne, 1999
  18. ↑ Collection. "Hertha Kluge-Pott". National Gallery of Australia. Retrieved 28 September 2021.
  19. ↑ "Works by Hertha Kluge-Pott | Art Gallery of NSW". www.artgallery.nsw.gov.au. Retrieved 28 September 2021.
  20. ↑ Online Collection. "Tale for Bennelong". AGSA. Retrieved 28 September 2021.
  21. ↑ Online Collection. "Hertha Kluge-Pott". National Gallery of Victoria.
  22. ↑ Kluge-Pott, Hertha. "Tale for Benelong no. 3 1990". Queensland Art Gallery | Gallery of Modern Art. Retrieved 28 September 2021.
  23. ↑ Kluge-Pott, Hertha. "The tomb of man, 1966". Geelong Gallery Collection. Retrieved 28 September 2021.
  24. ↑ "Newcastle Art Gallery". newcastle-collections.ncc.nsw.gov.au. Retrieved 28 September 2021.
  25. ↑ Larkin, Annette; Evolution, Works by Australian Women Artists from Newcastle Regional Art Gallery’s Permanent Collection, Catalogue, February 1995
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