Hetti Perkins | |
---|---|
Born | 1965 (age 58–59) |
Other names | Hetti Kemerre Perkins |
Occupation | Art curator |
Years active | 1987– |
Known for | art + soul (2010) |
Hetti Kemerre Perkins (born 1965) is an Aboriginal Australian art curator and writer. She is known for her work at the Art Gallery of New South Wales, where she was the senior curator of Aboriginal and Torres Strait Islander art at the gallery from around 1998 until 2011, and for many significant exhibitions and projects.
Hetti Kemerre Perkins [1] is an Eastern Arrernte and Kalkadoon woman from Central Australia. She was born in 1965, the daughter of Aboriginal Australian activist Charles Perkins [2] and his wife Eileen Munchenberg. Hetti is a granddaughter of Hetty Perkins; sister to film director Rachel Perkins and brother Adam Perkins. [3] Her mother created an art gallery showcasing Aboriginal art in the family home's garage in Canberra, and she was influenced by her father's Indigenous rights advocacy. She attended the establishment of the Aboriginal Tent Embassy in 1972. [4]
She attended Melrose High School in Canberra, with her sister. [5]
Perkins completed a Bachelor of Arts degree in 1986. [6]
Perkins started her career working at Aboriginal Arts Australia, [2] an art gallery in Sydney. As part of her work there, she worked with independent Aboriginal artists as well as community art centres in remote areas. In 1988, she went to New York with the Dreamings: Art of Aboriginal Australia exhibition. [6]
She was then appointed curator at the Boomalli Aboriginal Artists Cooperative [2] in Sydney, where she was responsible for the expansion of its premises and raising of its profile. Under her curatorship, Boomalli mounted many exhibitions in Sydney and internationally, showcasing its members and other New South Wales artists. [6]
She worked at the Art Gallery of New South Wales (AGNSW) in Sydney from 1989, was the senior curator of Aboriginal and Torres Strait Islander art at the gallery from around 1998 until 2011, when she resigned. She was responsible for some major exhibitions and initiatives during her time there. [2] Perkins helped to the Yiribana Gallery at AGNSW, [6] which opened in 1994. [7] [8] In 1991 she curated the Aboriginal Womens Exhibition, which included a national tour. [6] In 1997 she co-curated the Australian entry for the 1997 Venice Biennale (along with Brenda L. Croft and Victoria Lynn [4] ), which featured the work of Emily Kame Kngwarreye, Yvonne Koolmatrie, and Judy Watson. [2]
In 2010, she was curatorial adviser to "Eora Journey", the City of Sydney's Indigenous public art program. [2]
Also in 2010, she curated the project art + soul: a journey into the world of Aboriginal art , which included a significant exhibition at AGNSW, a book, and a three-part television documentary [2] made by ABC Television. [9] This was aired in October 2010, and later shown on Sveriges Television as "Aborginernas konst".
Perkins was curator of the NPG's fourth National Indigenous Art Triennial: Ceremony (26 March–31 July 2022). in 2022. [4] [2]
As of 2022 [update] Perkins is described as "senior curator-at-large" of the NPG. [1]
In September 2022, she co-curated the 31st Desert Mob exhibition, held by Desart at the Iltja Ntjarra Many Hands Art Centre in Mparntwe Alice Springs, along with assistant manager of the art centre, Marisa Maher. This was the first time that the exhibition had been curated by two Aboriginal women. [1]
Perkins was a member of the International Selection Committee for the Biennale of Sydney in 2000. [10] [11]
She co-produced four series of Colour Theory for SBS/NITV, and co-curated the Australian Indigenous Art Commission at the Musee du quai Branly in Paris, France. [6]
Perkins has served as a board member of several bodies, including the Visual Arts Board of the Australia Council, Museum of Contemporary Art Australia, and the Museum and Art Gallery of the Northern Territory. [6] She has also worked with other federal government agencies, as well as community arts organisations, and local government on various initiatives featuring and advocating for Aboriginal and Torres Strait Islander visual arts. [2]
Perkins is the mother of actress and activist Madeleine Madden. [2]
Dorothy Napangardi was a Warlpiri speaking contemporary Indigenous Australian artist born in the Tanami Desert and who worked in Alice Springs.
Papunya Tula, registered as Papunya Tula Artists Pty Ltd, is an artist cooperative formed in 1972 in Papunya, Northern Territory, owned and operated by Aboriginal people from the Western Desert of Australia. The group is known for its innovative work with the Western Desert Art Movement, popularly referred to as dot painting. Credited with bringing contemporary Aboriginal art to world attention, its artists inspired many other Australian Aboriginal artists and their styles.
Pansy Napangardi is an Australian artist. She is associated with the Jukurrpa group of women artists in Alice Springs where she lives today.
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Bronwyn Bancroft is an Aboriginal Australian artist, administrator, book illustrator, and among the first three Australian fashion designers to show their work in Paris. She was born in Tenterfield, New South Wales, and trained in Canberra and Sydney.
Doreen Reid Nakamarra was an Australian Aboriginal artist and painter. Reid was considered an important artist within the Western Desert cultural bloc. She was a leading painter at the Papunya Tula artist cooperative in Central Australia.
Daisy Jugadai Napaltjarri was a Pintupi-Luritja-speaking Indigenous artist from Australia's Western Desert region, and sister of artist Molly Jugadai Napaltjarri. Daisy Jugadai lived and painted at Haasts Bluff, Northern Territory. There she played a significant role in the establishment of Ikuntji Women's Centre, where many artists of the region have worked.
Tjunkiya Napaltjarri was a Pintupi-speaking Indigenous artist from Australia's Western Desert region. She is the sister of artist Wintjiya Napaltjarri.
Wintjiya Napaltjarri, also known as Wintjia Napaltjarri No. 1, was a Pintupi-speaking Indigenous artist from Australia's Western Desert region. She is the sister of artist Tjunkiya Napaltjarri; both were wives of Toba Tjakamarra, with whom Wintjiya had five children.
Takariya Napaltjarri is an Indigenous artist from Australia's Western Desert region. She has painted with Papunya Tula artists' cooperative. First exhibited in 1996, her work is held in the collection of the Art Gallery of New South Wales.
Eileen Napaltjarri is a Pintupi-speaking Aboriginal Australian artist from Australia's Western Desert region. Eileen Napaltjarri, also known as Anyima Napaltjarri, began painting for Papunya Tula artists' cooperative in 1996. She was named as one of Australian Art Collector magazine's 50 Most Collectible artists in 2008; her works are held by the National Gallery of Australia and the Art Gallery of New South Wales.
Linda Yunkata Syddick Napaltjarri is a Pintupi- and Pitjantjatjara- speaking Indigenous artist from Australia's Western Desert region. Her father was killed when she was young; her mother later married Shorty Lungkarta Tjungarrayi, an artist whose work was a significant influence on Syddick's painting.
Valerie Lynch Napaltjarri is an Indigenous Australian artist from Papunya in Australia's Northern Territory. She is a painter and printmaker whose work has been collected by the National Gallery of Australia.
art + soul is an Australian cultural project, led by curator Hetti Perkins, that aims to convey the diversity and complexity of Indigenous Australian expression.
Kaapa Mbitjana Tjampitjinpa was a contemporary Indigenous Australian artist of Anmatyerre, Warlpiri and Arrernte heritage. One of the earliest and most significant artists at Papunya in Australia's Northern Territory in the early 1970s, he was a founding member and inaugural chairman of the Papunya Tula artists company, and pivotal to the establishment of modern Indigenous Australian painting.
Gulgardi is a 1971 painting by Kaapa Mbitjana Tjampitjinpa, an Indigenous Australian artist from Papunya in Australia's Northern Territory. It is notable for being the first work by an Indigenous Australian artist to win a contemporary art award, and the first public recognition of a Papunya painting.
Destiny Deacon HonFRPS was an Australian photographer, broadcaster, political activist and media artist. She exhibited photographs and films across Australia and also internationally, focusing on politics and exposing the disparagement around Indigenous Australian cultures. She was credited with introducing the term "Blak" to refer to Indigenous Australians' contemporary art, culture and history.
Yukultji Napangati is an Aboriginal Australian artist. She is a painter of the Papunya Tula group of artists. She is part of a generation of female painters who followed in the footsteps of the original male Papunya Tula artists.
Brenda L. Croft is an Aboriginal Australian artist, curator, writer, and educator working across contemporary Indigenous and mainstream arts and cultural sectors. Croft was a founding member of the Boomalli Aboriginal Artists Cooperative in 1987.
Catalogue of exhibition showcasing the work of 77 artists represented in the Art Gallery of NSW's extensive collection that highlights the flourishing of Indigenous art from the mid-20th century onwards. Curatorial management, Hetti Perkins, Ken Watson, Jonathan Jones.