A hexagonal window (also Melnikov's or honeycomb window) [1] is a hexagon-shaped window, resembling a bee cell or crystal lattice of graphite. The window can be vertically or horizontally oriented, openable or fixed. It can also be regular or elongately-shaped and can have a separator (mullion).
Typically, the cellular window [2] is used for an attic or as a decorative feature, but it can also be a major architectural element to provide the natural lighting inside buildings. The hexagonal window is relatively rare and associated with such architectural styles as constructivism, [3] functionalism [4] and, occasionally, cubism.
Attic hexagonal windows were occasionally used in the Northern European manor architecture of the 19th century. The concept became popular thanks to the Russian constructivist architect Konstantin Melnikov, [5] [6] whose own famous house had 124 hexagonal windows, which were the main source of light as ceiling lights were not provided in many rooms. [7] [8] Cellular windows are also a feature of the Scandinavian functionalism architecture of the 1940s–1960s and are a kind of synthesis of tradition and modernism in the architecture.
Today, hexagonal windows may be associated with honeycomb houses, a concept proposed by architect Frank Lloyd Wright [9] and explore an idea of organic architecture, which considers the nature as a main source of architectural imagination. [10] [ self-published source ]
A window is an opening in a wall, door, roof, or vehicle that allows the exchange of light and may also allow the passage of sound and sometimes air. Modern windows are usually glazed or covered in some other transparent or translucent material, a sash set in a frame in the opening; the sash and frame are also referred to as a window. Many glazed windows may be opened, to allow ventilation, or closed, to exclude inclement weather. Windows may have a latch or similar mechanism to lock the window shut or to hold it open by various amounts.
Modern architecture, also called modernist architecture, was an architectural movement and style that was prominent in the 20th century, between the earlier Art Deco and later postmodern movements. Modern architecture was based upon new and innovative technologies of construction ; the principle functionalism ; an embrace of minimalism; and a rejection of ornament.
In architecture, functionalism is the principle that buildings should be designed based solely on their purpose and function. An international functionalist architecture movement emerged in the wake of World War I, as part of the wave of Modernism. Its ideas were largely inspired by a desire to build a new and better world for the people, as broadly and strongly expressed by the social and political movements of Europe after the extremely devastating world war. In this respect, functionalist architecture is often linked with the ideas of socialism and modern humanism.
The Russian avant-garde was a large, influential wave of avant-garde modern art that flourished in the Russian Empire and the Soviet Union, approximately from 1890 to 1930—although some have placed its beginning as early as 1850 and its end as late as 1960. The term covers many separate, but inextricably related, art movements that flourished at the time; including Suprematism, Constructivism, Russian Futurism, Cubo-Futurism, Zaum, Imaginism, and Neo-primitivism. In Ukraine, many of the artists who were born, grew up or were active in what is now Belarus and Ukraine, are also classified in the Ukrainian avant-garde.
Stalinist architecture, mostly known in the former Eastern Bloc as Stalinist style or Socialist Classicism, is the architecture of the Soviet Union under the leadership of Joseph Stalin, between 1933 and 1955. Stalinist architecture is associated with the Socialist realism school of art and architecture.
Constructivism is an early twentieth-century art movement founded in 1915 by Vladimir Tatlin and Alexander Rodchenko. Abstract and austere, constructivist art aimed to reflect modern industrial society and urban space. The movement rejected decorative stylization in favour of the industrial assemblage of materials. Constructivists were in favour of art for propaganda and social purposes, and were associated with Soviet socialism, the Bolsheviks and the Russian avant-garde.
Konstantin Stepanovich Melnikov was a Russian architect and painter. His architectural work, compressed into a single decade (1923–33), placed Melnikov on the front end of 1920s avant-garde architecture. Although associated with the Constructivists, Melnikov was an independent artist, not bound by the rules of a particular style or artistic group. In the 1930s, Melnikov refused to conform with the rising Stalinist architecture, withdrew from practice and worked as a portraitist and teacher until the end of his life.
Bakhmetevsky Bus Garage was a public bus garage in Moscow, designed in 1926 by Konstantin Melnikov and Vladimir Shukhov. The building, completed in 1927, was an example of applying avant-garde architectural methods to an industrial facility. Neglected for decades and nearly condemned to demolition, it was restored in 2007–2008 and reopened in September 2008 as a gallery of modern art.
The Rusakov Workers' Club in Moscow is a notable example of constructivist architecture. Designed by Konstantin Melnikov, it was constructed in 1927–28. The club is built on a fan-shaped plan, with three cantilevered concrete seating areas rising above the base. Each of these volumes can be used as a separate auditorium, and combined they result in a capacity of over 1,000 people. At the rear of the building are more conventional offices. The only visible materials used in its construction are concrete, brick and glass. The function of the building is to some extent expressed in the exterior, which Melnikov described as a "tensed muscle".
Uno Werner Ullberg was a famous Finnish architect.
Moisei Yakovlevich Ginzburg was a Soviet constructivist architect, best known for his 1929 Narkomfin Building in Moscow.
Constructivist architecture was a constructivist style of modern architecture that flourished in the Soviet Union in the 1920s and early 1930s. Abstract and austere, the movement aimed to reflect modern industrial society and urban space, while rejecting decorative stylization in favor of the industrial assemblage of materials. Designs combined advanced technology and engineering with an avowedly communist social purpose. Although it was divided into several competing factions, the movement produced many pioneering projects and finished buildings, before falling out of favor around 1932. It has left marked effects on later developments in architecture.
Ilya Alexandrovich Golosov was an architect from the late Russian Empire and early Soviet Union. A leader of Constructivism in 1925-1931, Ilya Golosov later developed his own style of early stalinist architecture known as postconstructivism. Не was a brother of Panteleimon Golosov.
The Hanna–Honeycomb House, also known as simply the Hanna House, located on the Stanford University campus in Stanford, California, United States, was Frank Lloyd Wright's first work in the Bay Area and his first work with non-rectangular structures. The house was chosen by the American Institute of Architects as one of seventeen buildings by the architect to be retained as an example of his contribution to American culture. It was recognized as a National Historic Landmark on June 29, 1989.
The Narkomfin Building is a block of flats at 25, Novinsky Boulevard, in the Central district of Moscow, Russia. Conceived as a "transitional type of experimental house", it is a renowned example of Constructivist architecture and avant-garde housing design.
The Moscow School of Painting, Sculpture and Architecture, also known by the acronym MUZHZV, was one of the largest educational institutions in Russia. The school was formed by the 1865 merger of a private art college, established in Moscow in 1832, and the Palace School of Architecture, established in 1749 by Dmitry Ukhtomsky. By the end of the 19th-century, it vied with the state-run St. Petersburg Academy of Arts for the title of the largest art school in the country. In the 20th century, art and architecture separated again, into the Surikov Art Institute in Moscow and the Moscow Architectural Institute ; the latter occupies the historical School buildings in Rozhdestvenka Street.
The Springs Mills Building is a 21-story office building at 104 West 40th Street in Manhattan, New York City, just west of Sixth Avenue and Bryant Park. The Modernist building sits on an L-shaped lot that extends back to 39th Street and rises to a thin glass hexagonal tower. An early example of the International Style in New York, the building was designed by the architectural firm Harrison & Abramovitz and built in 1961–1963. Its northern facade on 40th Street is designed to comply with the 1961 Zoning Resolution, enacted soon after the building's construction started, while its southern facade on 39th Street conforms to the older 1916 Zoning Resolution.
The Garage Museum of Contemporary Art, also referred to simply as The Garage Museum, is a privately funded art gallery in Moscow. It was founded by Dasha Zhukova and Roman Abramovich as the Garage Center for Contemporary Culture in 2008 and was renamed on 1 May 2014. Since June 2015, it has been housed in a building designed by the Dutch architect Rem Koolhaas.
Perpendicular Gothic architecture was the third and final style of English Gothic architecture developed in the Kingdom of England during the Late Middle Ages, typified by large windows, four-centred arches, straight vertical and horizontal lines in the tracery, and regular arch-topped rectangular panelling. Perpendicular was the prevailing style of Late Gothic architecture in England from the 14th century to the 17th century. Perpendicular was unique to the country: no equivalent arose in Continental Europe or elsewhere in the British Isles. Of all the Gothic architectural styles, Perpendicular was the first to experience a second wave of popularity from the 18th century on in Gothic Revival architecture.
The Melnikov House is a one-apartment residential house, a landmark building of the Soviet avant-garde. It was built in 1927–1929 in Krivoarbatsky Lane in Moscow by the outstanding Soviet architect Konstantin Melnikov for himself and his family.
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