Plot
 | This article needs a plot summary.(December 2023) |
| Hi, Gaucho! | |
|---|---|
| Directed by | Tommy Atkins |
| Screenplay by | Adele Buffington |
| Story by | Tommy Atkins |
| Produced by | John E. Burch (associate producer) [1] [2] [3] [4] |
| Starring | John Carroll Steffi Duna Rod La Rocque Montagu Love |
| Cinematography | Jack MacKenzie |
| Edited by | Fred Knudtson |
Production company | |
Release date |
|
Running time | 59 minutes |
| Country | United States |
| Language | English |
Hi, Gaucho! is a 1935 American comedy film directed by Tommy Atkins (who also wrote the story), from a screenplay by Adele Buffington. Released by RKO Radio Pictures on October 11, 1935, the film stars John Carroll (in his first credited role), Steffi Duna, Rod La Rocque, and Montagu Love.
| This article needs a plot summary.(December 2023) |
Steffi Duna was a Hungarian-born film actress.
Beau Ideal is a 1931 American pre-Code adventure film directed by Herbert Brenon and released by RKO Radio Pictures. The film was based on the 1927 adventure novel Beau Ideal by P. C. Wren, the third novel in a series of five novels based around the same characters. Brenon had directed the first in the series, Beau Geste, which was a very successful silent film in 1926. The screenplay was adapted from Wren's novel by Paul Schofield, who had also written the screenplay for the 1926 Beau Geste, with contributions from Elizabeth Meehan and Marie Halvey.
The Girl and the Gambler is a 1939 Western film, from RKO Radio Pictures, starring Tim Holt. It was an early starring Western for Holt, who soon replaced George O'Brien as the studio's main Western star.
Girl of the Port is a 1930 pre-Code melodramatic adventure/romance American film directed by Bert Glennon. The screenplay was written by Beulah Marie Dix and Frank Reicher based on the short story "The Fire-walker" by John Russell. The film stars Sally O'Neil, Reginald Sharland, Mitchell Lewis and Duke Kahanamoku.
The Marines Fly High is a 1940 action film, starring Richard Dix, Chester Morris and Lucille Ball and directed by George Nicholls, Jr. and Benjamin Stoloff from a story by A.C. Edington.
Grand Old Girl is a 1935 American drama film directed by John Robertson from a screenplay by Milton Krims, John Twist, Arthur T. Horman, adapted from a story by Wanda Tuchock. The film stars May Robson, Mary Carlisle, Fred MacMurray, and Alan Hale, other cast members included Ben Alexander.
A Dog of Flanders is a 1935 American drama film directed by Edward Sloman, based on a screenplay by Ainsworth Morgan from the story by Dorothy Yost, which she adapted from the 1872 novel of the same name by Ouida. The film stars Frankie Thomas, appearing in only his second film.
The Arizonian is a 1935 American Western film directed by Charles Vidor and starring Richard Dix, Margot Grahame, Preston Foster, and Louis Calhern. The screenplay was by Dudley Nichols. The film was released by RKO Radio Pictures on June 28, 1935.
Freckles is a 1935 American drama film directed by Edward Killy and William Hamilton from a screenplay written by Dorothy Yost, adapted by Mary Mayes from Gene Stratton-Porter's 1904 novel of the same name. Two earlier adaptations of Stratton-Porter's novel had been produced, the first by Paramount in 1917, and the second in 1928 by FBO, both were also titled Freckles. This 1935 version was released by RKO Radio Pictures on October 4, and stars Tom Brown, Virginia Weidler, and Carol Stone.
The Farmer in the Dell is a 1936 American comedy film directed by Ben Holmes from a screenplay by Sam Mintz and John Grey, adapted from Phil Stong's 1935 novel, which was similarly titled, Farmer in the Dell. The film was premiered by RKO Radio Pictures in New York City on March 6, 1936, and released widely later that month on March 27. It stars Fred Stone, Jean Parker, and Esther Dale.
Two in Revolt is a 1936 American drama film directed by Glenn Tryon. Released on April 3, 1936, by RKO Radio Pictures, the film stars John Arledge, Louise Latimer, and Moroni Olsen, and features Lightning the dog and Warrior the horse.
Grand Jury is a 1936 American crime drama film directed by Albert S. Rogell from a screenplay by Joseph A. Fields and Philip G. Epstein, based on a story by James Edward Grant and Thomas Lennon. Produced and distributed by RKO Radio Pictures, it premiered in New York City on July 31, 1936, and was released nationwide the following week on August 7. The film stars Fred Stone, Louise Latimer and Owen Davis, Jr.
The Big Game is a 1936 American sports drama film directed by George Nicholls, Jr. and produced by RKO Radio Pictures, which released the film on October 9, 1936. The screenplay was written by Irwin Shaw, adapted from the 1936 novel of the same name by Francis Wallace. The film stars Philip Huston, James Gleason, June Travis, Bruce Cabot and Andy Devine. Huston (1908–1980) was a respected New York stage actor, who also had prominent roles in a number of motion pictures and, later, acted in television productions, as well.
Danger Patrol is a 1937 American drama film directed by Lew Landers from a screenplay by Sy Bartlett based on a story by Helen Vreeland and Hilda Vincent. Produced and distributed by RKO Radio Pictures, it was released on December 3, 1937, and stars Sally Eilers, John Beal, and Harry Carey.
Conspiracy is a 1939 American spy drama film directed by Lew Landers, from a screenplay by Jerome Chodorov, based on the story, "Salute to Hate", by John McCarthy and Faith Thomas. The film stars Allan Lane, Linda Hayes, and Robert Barrat, and was produced and distributed by RKO Radio Pictures, who premiered the film in New York City on August 23, 1939, with a general release on September 1.
Charles R. Rogers, was an American film producer whose career spanned both the silent and sound film eras. Rogers began his career on the 1924 silent film, A Cafe in Cairo, produced by the short-lived Hunt Stromberg Productions. After Stromberg ceased productions in 1925, Rogers would found his own independent company, Charles R. Rogers Productions. He would also produce for major studios such as RKO Radio Pictures, Universal, and United Artists. The pinnacle of his career would be from 1936 to 1938 when he was chosen as the vice-president in charge of production for Universal Pictures. He died as the result of injuries sustained in a car accident in 1957.
One New York Night is a 1935 American comedy film directed by Jack Conway and written by Frank Davis. The film stars Franchot Tone, Una Merkel, Conrad Nagel, Harvey Stephens, Steffi Duna and Charles Starrett. The film was released on March 3, 1935, by Metro-Goldwyn-Mayer. It was based on the West End play Sorry You've Been Troubled by Walter C. Hackett, which had previously been made into the 1932 British film Life Goes On.
Tommy Atkins was an American director of the silent and early sound film eras. Born on July 18, 1887, in Springfield, Massachusetts, he made his entrance into the film industry as the assistant director to Ralph Ince on the 1920 silent film Out of the Snows. Eight years later, he made another film, again as assistant director, for FBO Pictures on another silent film, Crooks Can't Win. He worked as the assistant director on another sixteen films between 1928 and 1934, the most notable of which was 1933's Morning Glory, directed by Lowell Sherman and starring Katharine Hepburn and Douglas Fairbanks Jr. In 1934 he directed his first picture, The Silver Streak, which was one of the top money-makers for RKO Pictures that year. He directed two more films, the second of which, Hi, Gaucho!, he also wrote the story for.
Maury Cohen, also known as Maury M. Cohen, was an American film producer most active during the 1930s. He owned one of the Poverty Row studios, Invincible films, which specialized in making low-budget feature films. After leaving film in the early 1940s, Cohen founded and ran the historic dance club in Los Angeles, the Hollywood Palladium.
Lee Marcus, also known as Lee S. Marcus, was an American film producer of the 1930s and 1940s. During his fifteen-year career he produced over 85 films, most of them between 1934 and 1941 while he was at RKO Studios. Prior to his production career, Marcus worked for FBO and then RKO as a sales executive, reaching the level of vice president in both organizations. At RKO, he was head of production of the studio's b-films during the late 1930s and the beginning of the 1940s. He was also responsible for producing what many consider to be the first film noir, 1940's Stranger on the Third Floor.
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