High Tide (1987 film)

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High Tide
High tide movie poster.jpg
Movie poster
Directed by Gillian Armstrong
Written by Laura Jones
Produced by Sandra Levy
Starring
Cinematography Russell Boyd
Edited byNicholas Beauman
Music by Peter Best
Production
companies
Distributed byFilmpac Holdings
Release date
  • July 30, 1987 (1987-07-30)
Running time
104 minutes
CountryAustralia
LanguageEnglish
BudgetA$3.75 million [1]
Box officeA$206,185 [2]

High Tide is a 1987 Australian drama film starring Judy Davis, from a script by Laura Jones, about the mother-daughter bond, directed by Gillian Armstrong. Armstrong reported that when she began work on High Tide she pinned a note above her desk: "Blood ties. Water. Running Away." Jan Adele plays Lilli's mother-in-law Bet, in her film debut.

Contents

Synopsis

Lilli is one of three backing singers for a touring Elvis impersonator until she is fired. Then, left alone at the beginning of winter she is stranded in a ramshackle beach town on the windswept coast of New South Wales. This remote, working class, tourist-town has a pervasive sense of rootlessness and movement. The people survive by changing their occupations with the seasons and work hard in small businesses. Here, stuck in the Mermaid Caravan Park, she encounters her teenage daughter Ally (Claudia Karvan). When Lilli's young surfer husband had died, she felt lost; she gave up her baby to her mother-in-law, Bet. Lilli has been drifting ever since, and getting wasted. Bet is a rowdy, belligerent woman, devoted to Ally—she has taken care of her for 13 years but she has no idea how unhappy the girl is. Lilli has an immediate rapport with the lonely Ally even before she knows that Ally is her daughter, and after she knows, she cannot take her eyes off her. They belong with each other. but Lilli's terrified of taking on the responsibilities of motherhood, and Bet tells her she is riff-raff. When Ally is first seen, she is in the water; surfing is—"her refuge from the noisy junkiness of life with Bet. Bet isn't a monster, she's simply the wrong person to be raising the pensive Ally, whose emotions are hidden away, like her mother's. The drama is in our feeling that Lilli must not leave her daughter in the embrace of this raucous old trouper." [3]

Cast

Production

The story was developed by Armstong, Sandra Levy and writer Laura Jones. They wanted to make something contemporary that had a small cast and would be relatively cheap to make. [4]

The script was originally written and financed to be about a man who had abandoned his daughter. But then Armstrong went to see Wrong World at the cinema, which was about a male drifter, and the more she thought about the more she felt there had been plenty of films about a man being reunited with their child such as Paper Moon and Paris Texas. [5] Her husband suggested she change the character to a woman, which would not only be different but give the film a harder edge. Armstrong was reluctant as she did not want to make another film about a woman, but eventually changed her mind. Jones and Levy agreed with the choice. [6]

Judy Davis was approached even before the film was rewritten and she was involved in further drafts. [4]

In 2021, Claudia Karvan recalled,

I was 14 when I got cast in the film High Tide, which starred Judy Davis as my mother. I was just a normal teenager who was, sadly, not watching a lot of Australian productions; I hadn’t seen My Brilliant Career , so I was completely ignorant to who Judy [Davis] was and what sort of reputation she came with. I just took her at face value.

During the entire filming process, I was so enthralled by her I found it painful to be away from her. I just relished her company so much: her stories, her sense of humour. She would confide in me, and she’s really quite addictive to be around. All day on set was just utter pleasure for me, but it was work for her. I remember a moment when they called “Wrap!” and she yelled, “Woo hoo!” and went dancing across the paddock, skipping off set. I just looked at her, horrified, and thought, “How can she be so happy to leave?!” I couldn’t fathom it because I felt so miserable any time I had to part ways with her.

It’s funny, it’s almost like the relationship gets preserved; when I’m around Judy now, more than 30 years later, suddenly I’m that teenager again. I can’t present her a fully formed, mature woman because I just revert to that 14-year-old who’s totally in awe of her. [7]

Karvan also recalled, "Gillian Armstrong was such a unique voice, and to be working with such extraordinary women, and to have Judy Davis play my mum, it was an absolute one off. She was so smart, so available, so funny, so engaging and she set the bar incredibly high." [8]

Awards

In 1987 the film was nominated for seven AFI Awards (Best Film, Best Director, Best Original Screenplay, Best Actress, Best Supporting Actress x 2, Best Sound) and won in the Best Actress in a Lead Role (Judy Davis) and Best Actress in a Supporting Role (Jan Adele) categories. In 1989 Judy Davis won the NSFC Best Actress award for her role. [9]

Box office

High Tide grossed $206,185 at the box office in Australia, [10] which is equivalent to $414,432 in 2009 dollars.

See also

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References

  1. ↑ "Australian Productions Top $175 million", Cinema Papers, March 1986 p64
  2. ↑ Film Victoria - Australian Films at the Australian Box Office Archived 18 February 2011 at the Wayback Machine .
  3. ↑ Pauline Kael, Hooked ISBN   0-7145-2903-6
  4. 1 2 Anna Grieve, "Gillian Armstrong Returns to Eden", Cinema Papers May 1987 p30-33
  5. ↑ "Interview with Gillian Armstrong", Signet, 4 September 1998 Archived 12 January 2013 at archive.today Retrieved 17 November 2012
  6. ↑ David Stratton, The Avocado Plantation: Boom and Bust in the Australian Film Industry, Pan MacMillan, 1990 p366-368
  7. ↑ "Claudia Karvan Reveals The Women Who Inspire Her". Marie Claire . Retrieved 2 August 2021.
  8. ↑ "Interview: Claudia Karvan". Glam Adelaide. Retrieved 2 August 2021.
  9. ↑ IMDb awards
  10. ↑ "Film Victoria - Australian Films at the Australian Box Office" (PDF). Archived from the original (PDF) on 18 February 2011. Retrieved 20 November 2010.

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