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Highs in the Mid-Sixties, Volume 4 | ||||
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Compilation album | ||||
Released | 1983 | |||
Recorded | Mid-1960s | |||
Genre | Garage rock, psychedelic rock | |||
Label | AIP | |||
chronology | ||||
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Highs in the Mid-Sixties, Volume 4 (subtitled Chicago) is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Chicago, Illinois. Two of the later releases among the CDs in the Pebbles series, Pebbles, Volume 6 and Pebbles, Volume 7 also concentrate on Chicago bands.
This album was released in 1983 as an LP by AIP Records (as #AIP-10006).
The A-side of this single by the Foggy Notions, "I Need a Little Lovin'" is included on the Pebbles, Volume 10 LP and the Pebbles, Volume 6 CD. The better known "I Can Only Give You Everything" by the Little Boy Blues is on Pebbles, Volume 2 . "(I) Live in the Springtime" also appears on the Pebbles, Volume 8 LP, credited to The Lemon Drops. "La Da Da" – a takeoff on a Dale Hawkins song called "La Do Da Da" – is the first single by the Malibus; another of their songs is on the Pebbles, Volume 7 CD. The final track is a plea by the band to get a spot on The Ed Sullivan Show, in the style of the 1960 novelty hit by Larry Verne, "Please Mr. Custer".
Pebbles is an extensive series of compilation albums in both LP and CD formats that have been issued on several record labels, though mostly by AIP. Together with the companion Highs in the Mid-Sixties series, the Pebbles series made available over 800 obscure, mostly American "Original Punk Rock" songs recorded in the mid-1960s — primarily known today as the garage rock and psychedelic rock genres — that were previously known only to a handful of collectors. In 2007, the release of the Pebbles, Volume 11: Northern California CD marked the final album in the Pebbles series. The following year, Bomp! marked the 30th anniversary of the original Pebbles album with a spartan, limited-edition, clear-vinyl reissue complete with the original pink cover insert.
Pebbles, Volume 6 is a compilation album among the LPs in the Pebbles series. Subtitled The Roots of Mod, Volume 6 is the only album in the Pebbles series that features primarily British music. The Pebbles, Volume 6 CD is not at all related to this LP; instead, the CD featuring the songs on this LP were released as English Freakbeat, Volume 6.
Pebbles, Volume 8 is a compilation album among the LPs in the Pebbles series. The music on this album has no relation to Pebbles, Volume 8 that was released on CD many years later.
Pebbles, Volume 10 is a compilation album among the LPs in the Pebbles series. The music on this album has no relation to Pebbles, Volume 10 that was released on CD many years later.
Pebbles, Volume 18 is a compilation album among the LPs in the Pebbles series. It is the one of 10 albums in the sub-series The Continent Lashes Back and is sub-titled as European Garage Rock, Part 2.
Pebbles, Volume 23 is a compilation album among the LPs in the Pebbles series. It is one of 10 albums in the sub-series The Continent Lashes Back and is sub-titled Holland, Part 2. Pebbles, Volume 15 and Pebbles, Volume 25 also feature Dutch bands.
Pebbles, Volume 26 is a compilation album in the Pebbles series. It is one of the ten albums in the sub-series The Continent Lashes Back and is sub-titled Sweden, Part 2. Pebbles, Volume 20 and Pebbles, Volume 28 also have music by Swedish bands.
The Highs in the Mid-Sixties series is a group of 23 compilation albums of garage rock and psychedelic rock recordings that were issued by AIP Records in the mid-1980s. This series is a companion to the Pebbles series of similar music; the title is technically preceded by "Pebbles Presents:". The title sounds like it might have come from a weather report, although "Highs" intends to mean "the best", while the recordings on these albums were originally released in the mid-1960s.
Pebbles, Volume 6: Chicago Pt. 1, also known as Chicago 1, is a compilation album featuring American garage and psychedelic rock musical artists from the 1960s that were associated with the Chicago music scene. It is a compact disc installment of the Pebbles series, and was released on AIP Records in 1994.
Pebbles, Volume 7 is a compilation album among the CDs in the Pebbles series; it is subtitled Chicago 2. The previous CD in the series, Pebbles, Volume 6 also features bands from Chicago, as does the LP Highs in the Mid-Sixties, Volume 4.
Pebbles, Volume 8 is a compilation album among the CDs in the Pebbles series; it is subtitled Southern California 1. The next CD in the series, Pebbles, Volume 9 also feature bands from Southern California; while Highs in the Mid-Sixties, Volume 1, Highs in the Mid-Sixties, Volume 2, and Highs in the Mid-Sixties, Volume 3 showcase music from Los Angeles specifically.
Essential Pebbles, Volume 1 is the first compilation album in the Essential Pebbles series. Although subtitled Ultimate '66 garage classics!, not all of the recordings on the album were originally released in 1966.
Highs in the Mid-Sixties, Volume 1 is a compilation album of American garage rock and psychedelic rock recordings from the mid to late 1960s. It was the first in a series that is nearly as long as the earlier Pebbles series of similar music, although the Highs albums concentrate strictly on particular regions of the US – in this case, recordings that were released in Los Angeles, California..
Highs in the Mid-Sixties, Volume 2 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Los Angeles, California.. The subtitle is taken from Riot on Sunset Strip ; the film features live performances by two classic garage-rock bands, the Standells and the Chocolate Watchband.
Highs in the Mid-Sixties, Volume 3 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Los Angeles.. The subtitle is seemingly taken from Mondo Cane, an influential 1962 documentary film.
Highs in the Mid-Sixties, Volume 6 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Michigan. Highs in the Mid-Sixties, Volume 5 and Highs in the Mid-Sixties, Volume 19 are other volumes in the series featuring bands from this state.
Highs in the Mid-Sixties, Volume 10 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Wisconsin. A later volume in the series, Highs in the Mid-Sixties, Volume 15 also features bands from this state.
Highs in the Mid-Sixties, Volume 15 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Wisconsin. An earlier volume in the series, Highs in the Mid-Sixties, Volume 10 also features bands from this state.
Highs in the Mid-Sixties, Volume 20 is a compilation album in the Highs in the Mid-Sixties series; it is subtitled L.A., Part 4 and features recordings that were released in Los Angeles. Highs in the Mid-Sixties, Volume 1, Highs in the Mid-Sixties, Volume 2, and Highs in the Mid-Sixties, Volume 3 also showcase music from Los Angeles; while two of the later CDs in the Pebbles series, Pebbles, Volume 8 and Pebbles, Volume 9 feature bands from throughout Southern California.
The English Freakbeat Series is a group of five compilation albums, released in the late 1980s, that were issued by AIP Records. The LPs featured recordings that were released in the mid-1960s by English rock bands in the early punk, proto-punk, R&B, mod, and beat genres. The series served as a follow-up to the Pebbles, Volume 6 LP, itself subtitled The Roots of Mod, which was the only album in the Pebbles series that was devoted to English music. When the English Freakbeat series was reissued as CDs in the 1990s, the Pebbles, Volume 6 LP was adapted into the English Freakbeat, Volume 6 CD.