Highway 61 | |
---|---|
Directed by | Bruce McDonald |
Written by | Bruce McDonald Don McKellar Allan Magee |
Produced by | Colin Brunton Bruce McDonald |
Starring | Valerie Buhagiar Don McKellar Earl Pastko Peter Breck |
Cinematography | Miroslaw Baszak |
Edited by | Michael Pacek |
Music by | Nash the Slash |
Distributed by | Shadow Shows Incorporated (Canada) |
Release date |
|
Running time | 102 minutes |
Country | Canada |
Language | English |
Highway 61 is a 1991 Canadian film directed by Bruce McDonald. [1] The film is an unofficial sequel to his 1989 film Roadkill ; although focusing on different characters, it centres on a road trip beginning in Thunder Bay, Ontario, where the road trip depicted in the earlier film ended. [2]
The film premiered at the 1991 Festival of Festivals. [3]
The film stars Don McKellar as Pokey Jones, an orphaned barber in a small town near Thunder Bay, who dreams of becoming a jazz musician. One morning, Jones discovers a frozen corpse (Steve Fall) in his backyard, and soon meets Jackie Bangs (Valerie Buhagiar), a tough and mysterious roadie who claims the dead man is her brother.
Jackie's real intention is to use the body, a vagrant unknown to anyone in town, to smuggle stolen drugs into the United States. She convinces Pokey to use his parents' car, which has not been driven in decades, to drive her to New Orleans to bury her brother. So Jackie and Pokey set out along Highway 61, coffin strapped to the top of the car, and follow Bob Dylan's famous U.S. Highway 61 south through the heart of the United States. They are pursued by Mr. Skin (Earl Pastko), who believes he is Satan and wants to claim the body because the dead man sold Mr. Skin his soul.
Peter Breck is fourth-billed as Mr. Watson, the "stage-mom" father of three girls: Mississippi (Missy), Minnesota (Minnie), and Louisiana (Louise). The film also includes cameo appearances by Tav Falco, Jello Biafra, and Art Bergmann.
Nash the Slash also composed the film's instrumental score.
A soundtrack album was released, featuring the following tracks: [4]
Jay Scott of The Globe and Mail wrote that "Highway 61 is an example of unconditional love. It acknowledges every wart, pockmark, pimple and pustule on its subject, and refuses to disguise even a single freckle, but it simultaneously finds the beauty in every blemish. "The trouble with the trumpet," Jackie informs Pokey, "is that no matter how good you are, it always comes out sounding like jazz." The trouble with Highway 61 is that no matter how bad Bruce McDonald wants to be, it always comes out sounding good." [2]
For the Vancouver Sun , Elizabeth Aird wrote that "Highway 61 works best if you don't put pressure on it to be a seamless narrative. It's full of off-beat moments that are delicious in themselves. There's Pokey and Jackie's Dinner with Art - Vancouver hero Bergmann, that is, who plays Otto, the burned-out rocker. Otto and his lover, Margo the nutso singer, give Jackie and Pokey pistols and set about killing live chickens for dinner. This is set to the tune of Tom Jones singing It's Not Unusual, and, well, you kinda have to see it. There are sweet moments between Pokey and Jackie. Don McKellar is particularly great as Pokey, a would-be musician who can't blow a note on his beloved trumpet. He and Valerie Buhagiar were in Roadkill, too. I liked Buhagiar in Roadkill - not as much here. This time around, McKellar's performance is the one that gives the movie emotional resonance." [5]
McDonald won the Silver Shell for Best Director at the 1991 San Sebastián International Film Festival. [6]
The film received two Genie Award nominations at the 13th Genie Awards in 1992, for Best Actor (McKellar) and Best Editing (Michael Pacek). [7]
In 2001, an industry poll conducted by Playback named Highway 61 the 15th best Canadian film of the preceding 15 years. [8]
Hard Core Logo is a 1996 Canadian music mockumentary film directed by Bruce McDonald, adapted by Noel S. Baker from the novel of the same name by Michael Turner. The film illustrates the self-destruction of punk rock, documenting a once-popular band, the titular Hard Core Logo, comprising lead singer Joe Dick, fame-tempted guitarist Billy Tallent, schizophrenic bass player John Oxenberger, and drummer Pipefitter. Julian Richings plays Bucky Haight, Dick's idol. Several notable punk musicians, including Art Bergmann, Joey Shithead and Joey Ramone, play themselves in cameos. Canadian television personality Terry David Mulligan also has a cameo, playing a fictionalized version of himself.
Bruce McDonald is a Canadian film and television director, writer, and producer. Born in Kingston, Ontario, he rose to prominence in the 1980s as part of the loosely-affiliated Toronto New Wave.
Callum Keith Rennie is a British born Canadian actor, based in British Columbia. His breakthrough role was as punk rocker Billy Talent in the music mockumentary Hard Core Logo (1996), followed by a starring role as Det. Stanley Raymond Kowalski on the third and fourth seasons of the television series Due South (1997–99). He then won a Genie Award for Best Actor in a Supporting Role for his performance in the Don McKellar film Last Night (1998).
Roadkill is a 1989 Canadian road film directed by Bruce McDonald, in his directorial film debut, from a screenplay written by Don McKellar. It stars Valerie Buhagiar as a woman tracking down a missing band across Northern Ontario, meeting a variety of eccentric characters along the way.
Don McKellar is a Canadian actor, writer, playwright, and filmmaker. He was part of a loosely-affiliated group of filmmakers to emerge from Toronto known as the Toronto New Wave.
Valerie Buhagiar is a Maltese-Canadian actress, film director and television host.
Peter Lynch is a Canadian filmmaker, most noted as the director and writer of the documentary films Project Grizzly, The Herd and Cyberman.
The Academy of Canadian Cinema and Television presents an annual award for Best Motion Picture to the best Canadian film of the year.
The Canadian Screen Award for Best Achievement in Sound Mixing is awarded by the Academy of Canadian Cinema and Television to the best work by a sound designer in a Canadian film. Formerly known as Best Overall Sound, it was renamed to Best Sound Mixing at the 9th Canadian Screen Awards in 2021.
The Canadian Screen Award for Best Live Action Short Drama is awarded by the Academy of Canadian Cinema and Television to the best Canadian live action short film. Formerly part of the Genie Awards, since 2012 it has been presented as part of the Canadian Screen Awards.
The Wars is a Canadian drama film, directed by Robin Phillips and released in 1983. An adaptation of the novel The Wars by Timothy Findley, the film centres on Robert Ross, the immature and closeted gay son of an upper class Rosedale family who enlists to serve in the Canadian Army during World War I.
Tracy Wright was a Canadian actress who was known for her stage and film performances, as well as her presence in Canada's avant-garde for over 20 years.
The Academy of Canadian Cinema and Television presents an annual award for Best Feature Length Documentary. First presented in 1968 as part of the Canadian Film Awards, it became part of the Genie Awards in 1980 and the contemporary Canadian Screen Awards in 2013.
The Toronto New Wave refers to a loose-knit group of filmmakers from Toronto who came of age during the 1980s and early 1990s.
The Making of Monsters is a 1991 Canadian short film, directed by John Greyson. Made while Greyson was a student at the Canadian Film Centre, the film's premise is that playwright and poet Bertolt Brecht is alive and living in Toronto, and actively interfering with the production of "Monsters", a heavily sanitized movie of the week about the 1985 death of Kenneth Zeller in a gaybashing attack.
Kumar and Mr. Jones is a Canadian short drama film, directed by Sugith Varughese and released in 1991. The film centres on the relationship between Mr. Jones, a bedridden older man, and Kumar, his Indo-Canadian caretaker whose power in the relationship is threatened when Mr. Jones begins responding favourably to treatment by Melissa, a new physical therapist.
Songololo: Voices of Change is a Canadian documentary film, directed by Marianne Kaplan and released in 1990. An examination of South Africa in the earliest days of the transition from apartheid to democracy, the film explores the power of music and art as tools of activism and social change, focusing primarily on writer Gcina Mhlophe and musician Mzwakhe Mbuli.
Elimination Dance is a 1998 Canadian short drama film. Directed by Bruce McDonald, Don McKellar and Michael Ondaatje based on Ondaatje's poem of the same name, the film stars McKellar and Tracy Wright as a couple in a jazz dance competition, in which various couples are eliminated as the announcer calls out various elimination criteria drawn from Ondaatje's poem.
The Falls is a Canadian documentary film, directed by Kevin McMahon and released in 1991. The film is an exploration of the cultural significance held by Niagara Falls in the collective imagination.
White Lake is a Canadian documentary film, directed by Colin Browne and released in 1989. The film centres on Browne's own family history, through the lens of a family reunion at a retreat in White Lake, British Columbia.